Title: Blood

Director: Nick Murphy

Starring: Paul Bettany, Stephen Graham, Brian Cox, Mark Strong, Ben Crompton.

What goes around come around. Again and again. Rage sometimes takes over focus. Actions become fatal. And the question that comes up is whether who is in the wrong will get away with it, for the truth can’t be buried forever.

BAFTA winner for Best Drama Serial, Nick Murphy, gives life to ‘Blood,’ a thriller charting the moral collapse of a police family, where two brothers, Joe and Chrissie Fairburn, break down under the huge pressure of living in the shadow of their father who was the former police chief. While investigating the murder of a young girl, in their shabby English seaside town, Joe lets emotions get the better and commits a terrible crime. The siblings’ fear of being caught, especially by their colleague Robert, turns their lives into hell with overwhelming feelings.

This British crime thriller, evokes some of the themes of Woody Allen’s ‘Cassandra’s Dream,’ crime, punishment, masculinity and family loyalty. George Richmond, with his cold-coloured and foggy cinematography enhances the director’s shots. Nick Murphy’s expedient of making Joe’s victim appear as a ghost – somehow like the Shakespearean Banquo (Macbeth) or the Dickensian Marlowe (A Christmas Carol) – is cinematographically mind-boggling. Nevertheless the story stands mostly on the shoulders of the great lead actor Paul Bettany, who coalesces his character’s cynicism with all the torments given by his sense of guilt. Also Mark Strong, Stephen Graham and Brian Cox deliver a very powerful performance that commends a story that mimics Greek tragedy following irksome convention.

Technical: A

Acting: A

Story: C

Overall: B

Written by: Chiara Spagnoli Gabardi

Paul Bettany in Blood

By Chiara Spagnoli Gabardi

Chiara Spagnoli Gabardi, is a film critic, culture and foreign affairs reporter, screenwriter, film-maker and visual artist. She studied in a British school in Milan, graduated in Political Sciences, got her Masters in screenwriting and film production and studied at the Lee Strasberg Theatre and Film Institute in New York and Los Angeles. Chiara’s “Material Puns” use wordplay to weld the title of the painting with the materials placed on canvas, through an ironic reinterpretation of Pop-Art, Dadaism and Ready Made. She exhibited her artwork in Milan, Rome, Venice, London, Oxford, Paris and Manhattan. Chiara works as a reporter for online, print, radio and television and also as a film festival PR/publicist. As a bi-lingual journalist (English and Italian), who is also fluent in French and Spanish, she is a member of the Foreign Press Association in New York, the Women Film Critics Circle in New York, the Italian Association of Journalists in Milan and the Federation of Film Critics of Europe and the Mediterranean. Chiara is also a Professor of Phenomenology of Contemporary Arts at IED University in Milan.

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