Title: Grand Piano

Director: Eugenio Mira

Starring: Elijah Wood, John Cusak, Kerry Bishé, Tamsin Egerton, Allen Leech, Don McManus, Alex Winter, Dee Wallace.

Tom Selznick, the most talented pianist of his generation, stopped performing in public because of his stage fright. Years after a catastrophic performance he reappears in public in a long awaited concert in Chicago. In a packed theatre, in front of the expectant audience, Tom finds a message written on the score that will set the beginning to this jocular thriller.

The dark comedy sets Hitchcockian moods within a Damien Chazelle circular-plot-script. The drama ends where it began, in nothing, but the one who who will keep audiences on the edge of their seats is Elijah Wood, who interprets the pianist under pressure majestically. The lead actor took piano lessons in his childhood and had a coach throughout the entire pre-production and shoot to perform “the impossible piece”: the infamous ‘La Cinquette.’ While John Cusack, for the little we see him, is brilliant playing the role of Tom’s tormentor.

The Spanish director, Eugenio Mira, brings back the old Hollywood magic of Cukor’s ‘A star is born,’ Kazan’s ‘East of Eden,’ Ray’s ‘Giant,’ and Polanski’s ‘Chinatown.’ The sophisticated flavour of the posh auditorium venue glorifies the endeavour of the the pianist with stage-fright, who faces the greatest challenge of his life, fighting for  his wife’s life by performing impeccably the score which once he flunked.

‘Gran Piano’ has it all: a tense story, great acting and wonderful music, which was composed before production, since the musicians had to play the notes during the shooting. If Jimmy Stewart was thrilling in ‘The Man Who Knew Too Much,’ Elijah Wood in ‘Grand Piano’ undoubtably makes a killer musician.

Technical: A

Acting: B-

Story: B

Overall: B+

Written by: Chiara Spagnoli Gabardi

By Chiara Spagnoli Gabardi

Chiara Spagnoli Gabardi, is a film critic, culture and foreign affairs reporter, screenwriter, film-maker and visual artist. She studied in a British school in Milan, graduated in Political Sciences, got her Masters in screenwriting and film production and studied at the Lee Strasberg Theatre and Film Institute in New York and Los Angeles. Chiara’s “Material Puns” use wordplay to weld the title of the painting with the materials placed on canvas, through an ironic reinterpretation of Pop-Art, Dadaism and Ready Made. She exhibited her artwork in Milan, Rome, Venice, London, Oxford, Paris and Manhattan. Chiara works as a reporter for online, print, radio and television and also as a film festival PR/publicist. As a bi-lingual journalist (English and Italian), who is also fluent in French and Spanish, she is a member of the Foreign Press Association in New York, the Women Film Critics Circle in New York, the Italian Association of Journalists in Milan and the Federation of Film Critics of Europe and the Mediterranean. Chiara is also a Professor of Phenomenology of Contemporary Arts at IED University in Milan.

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