Title: Tim’s Vermeer

Director: Teller

Starring: Tim Jenison

Teller’s latest documentary hits on a profound aesthetic question, did those ancient artists, we look upon in awe, use the help of some tools to portray real life with such accuracy? This question was first posed in 2001 by David Hockney on the 17th-century Dutch painter Johannes Vermeer and whether the artist used optical devices to achieve his visual poetics of light.

How could Vermeer paint so photo-realistically, 150 years before the invention of photography? Tim Jenison, a Texas based inventor, (Video Toaster, LightWave, TriCaster), triggered by this query, attempted to prove that the painter of ‘Girl With A Pearl Earring’ used some technology of his time to support him. Tim embarked upon an epic research project to test his theory: attempting to re-create Vermeer’s 1662 masterpiece ‘The Music Lesson.’
Tim’s adventure takes him to Delft, Holland, where Vermeer painted his masterpieces, on a pilgrimage to the North coast of Yorkshire to meet artist David Hockney and eventually to Buckingham Palace, to see the Queen’s Vermeer. He builds, by hand, almost every object in the painting (floor tile, carved harpsichord), and that’s before he gets to the herculean task of using a homemade camera obscura and mirror to fill in what is basically the ultimate paint-by-numbers diagram.

What he discovers is extraordinary. This engaging and fascinating documentary raises some challenging questions about the nature of art and serves as a remarkable portrait of obsession, while casting Vermeer’s original technique in an intriguing new light. Unmasking art history’s greatest trick not only adds to its wonder, but also brings up the important issue of how, through time, technology and art have always been placed in opposition with each other, rather than being considered complimentary to one another.

Technical: B

Story: A+

Overall: A

Written by: Chiara Spagnoli Gabardi

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By Chiara Spagnoli Gabardi

Chiara Spagnoli Gabardi, is a film critic, culture and foreign affairs reporter, screenwriter, film-maker and visual artist. She studied in a British school in Milan, graduated in Political Sciences, got her Masters in screenwriting and film production and studied at the Lee Strasberg Theatre and Film Institute in New York and Los Angeles. Chiara’s “Material Puns” use wordplay to weld the title of the painting with the materials placed on canvas, through an ironic reinterpretation of Pop-Art, Dadaism and Ready Made. She exhibited her artwork in Milan, Rome, Venice, London, Oxford, Paris and Manhattan. Chiara works as a reporter for online, print, radio and television and also as a film festival PR/publicist. As a bi-lingual journalist (English and Italian), who is also fluent in French and Spanish, she is a member of the Foreign Press Association in New York, the Women Film Critics Circle in New York, the Italian Association of Journalists in Milan and the Federation of Film Critics of Europe and the Mediterranean. Chiara is also a Professor of Phenomenology of Contemporary Arts at IED University in Milan.

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