Title: The Walking Mind

Director: Andrea Fasciani

The young Italian director, Andrea Fasciani, has conquered the Rome Docscient Festival 2014, winning the category on “Scientific Disclosure.” His documentary ‘The Walking Mind,’ accounts the life of four patients who lost the use of their legs, and newly found it through a robotic mechanism.

The story is set in the labs of Fondazione Santa Lucia in Rome and tells the odyssey of Alessandro, Emanuele, Giovanni and Marius, who managed to walk again thanks to a terrific team of doctors, engineers and physiotherapists.

Filmmaker Andrea Fasciani unveils the European project “Mindwalker” – echoed in the title of the movie – conceived in several research centres located in Germany, Holland, Belgium and Iceland. The history of exoskeletons goes back to the sixties when the US army started collaborating with General Electric to provide soldiers the tools to face the most challenging circumstances. In the course of time this research has stemmed out as a clinical device to reprise the use of limbs that would otherwise be forever inanimate, providing valid alternatives to wheelchairs and crutches.

We are so accustomed to science-fiction in motion pictures, where humanoid robots are a fantasy, or the narrative tool to demonise the advent of technology, that the progress of science and its benefits are too often tossed aside. This time, far from fiction, the account of true life is impressed on film – i.e. a documentary – and it poetically conveys the benefits of technology. Thus, the exoskeleton that has been so often feared on screen, assumes a friendly trait by restoring limb movement.

Machines aren’t necessarily a threat to mankind. It all depends on the way they are used and ‘The Walking Mind’ attests that through biomedical engineering mind and body can wander together, making miracles a reality.

Technical: B

Story: A

Overall: A-

Written by: Chiara Spagnoli Gabardi

The Walking Mind Movie Review

By Chiara Spagnoli Gabardi

Chiara Spagnoli Gabardi, is a film critic, culture and foreign affairs reporter, screenwriter, film-maker and visual artist. She studied in a British school in Milan, graduated in Political Sciences, got her Masters in screenwriting and film production and studied at the Lee Strasberg Theatre and Film Institute in New York and Los Angeles. Chiara’s “Material Puns” use wordplay to weld the title of the painting with the materials placed on canvas, through an ironic reinterpretation of Pop-Art, Dadaism and Ready Made. She exhibited her artwork in Milan, Rome, Venice, London, Oxford, Paris and Manhattan. Chiara works as a reporter for online, print, radio and television and also as a film festival PR/publicist. As a bi-lingual journalist (English and Italian), who is also fluent in French and Spanish, she is a member of the Foreign Press Association in New York, the Women Film Critics Circle in New York, the Italian Association of Journalists in Milan and the Federation of Film Critics of Europe and the Mediterranean. Chiara is also a Professor of Phenomenology of Contemporary Arts at IED University in Milan.

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