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Mah-Ze-Tar’s Self-titled Album Review

Mah-Ze-Tar Album Cover

The cover for singer-instrumentalist Mah-Ze-Tar’s self-titled, world-fusion-ambient-experimental, album.

Artist: Mah-Ze-Tar

Album: ‘Mah-Ze-Tar’

Musician can truly emphasize their genuine emotions and ideals in a meaningful way through their unique blend of musical styles and traditions. Instrumentalist, vocalist and composer, Mah-Ze-Tar, is powerfully proving that there are endless possibilities for people to share their feelings. He’s encouraging musicians to match their personal pick of world instruments with their gliding vocals and rhythmic grooves together to create a sound that’s completely unheard of before. Mah-Ze-Tar is also fusing his traditions and intents for the future in an unparalleled way on his new self-titled album. The nine-track record enthrallingly showcases how his past experiences are influencing his present and future sentiments and outlooks on life.

The ‘Mah-Ze-Tar’ album begins with the mellow entry, ‘Maand,’ which features ambient world strings and a soothing beat. The song, which features the perfect blend of modern and traditional beats, is an emotional journey through the musician’s self-reflection.

‘Maand’ is followed by the ‘Mah-Ze-Tar’ record’s sophomore effort, ‘Bhoopali,’ which immediately delves into the comforting sounds of nature. The strings on the track serve as the perfect background for Mah-Ze-Tar’s calming vocals, which are introduced for the first time on the album. The tune also features the stunning blend of adult contemporary and world-infused instrumentation and vocals, with offer listeners a continued feeling of appreciating the life they have developed.

The third entry on ‘Mah-Ze-Tar’ is the album’s lead single, ‘Liquid Lotus,’ which features modest guitar riffs that simmer throughout the entirety of the song. The simple, but equally effective, drums, guitars, synths and piano create the perfect dynamic undertone. The layered and multi-cultural rhythm helps maintain the the record’s smooth theme and sound, which uniquely range from Asian and hip hop-inspired vocals to whimsical and harmonious instrumentation. The musician’s up-tempo vocals emote soulful emotion, as he contemplates who he is and where he will go.

Another intriguing song on on the musician’s recently released first record is its penultimate track, ‘Hamsa,’ which features dark and brooding strings and vocals. Mah-Ze-Tar continues to evolve his signature experimental fusion of diverse instrumentation and vocals, which prove what a stylized musician he truly is.

The ‘Mah-Ze-Tar’ album ends with the mellow and soulful entry, ‘Bilawal.’ The tune completes the musician’s full circle of his self-exploration and analysis. The song showcases how people experiment with different beliefs, but they ultimately fall back to their comfort zone and reality, at least to a certain extent. The track offers an insightful view into the way people contend with reality.

Musician can truly emphasize their authentic emotions and ideals in a meaningful way through their unique blend of musical styles and traditions. Mah-Ze-Tar is powerfully proving that there are endless possibilities for people to share their feelings. One way he’s accomplishing that is by encouraging musicians to match their personal pick of world instruments with their gliding vocals and rhythmic grooves together to create a sound that’s completely unheard of before. Mah-Ze-Tar is fusing his traditions and intents for the future in an unparalleled way on his new self-titled album. The record enthrallingly highlights how his past experiences are influencing his present and future sentiments and outlooks on life.

For more information on Mah-Ze-Tar, visit his official website, as well as his Facebook, Instagram, Spotify and YouTube pages.

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Mah-Ze-Tar's self-titled world-fusion-ambient-experimental album
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As a life-long fan of entertainment, particularly films, television and music, and an endless passion for writing, Karen Benardello decided to combine the two for a career. She graduated from New York's LIU Post with a B.F.A in Journalism, Print and Electronic. While still attending college, Karen began writing for Shockya during the summer of 2007, when she began writing horror movie reviews. Since she began writing for Shockya, Karen has been promoted to the position of Senior Movies & Television Editor. Some of her duties in the position include interviewing filmmakers and musicians, producing posts on celebrity news and contributing reviews on albums and concerts. Some of her highlights include attending such festivals and conventions as the Tribeca Film Festival, the New York Film Festival, SXSW, Toronto After Dark, the Boston Film Festival and New York Comic-Con.

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