{"id":5971,"date":"2008-04-08T16:00:12","date_gmt":"2008-04-08T23:00:12","guid":{"rendered":"http:\/\/www.toxicshock.tv\/news\/toxic-shock-tv-contact-us\/"},"modified":"2026-01-14T09:14:36","modified_gmt":"2026-01-14T16:14:36","slug":"shockya-contact-us","status":"publish","type":"page","link":"https:\/\/www.shockya.com\/news\/shockya-contact-us\/","title":{"rendered":"ShockYa Publisher &#8211; Alkiviades &#8220;Alki&#8221; David"},"content":{"rendered":"\n<!-- SHOCKYA PROFILE HIGHLIGHTS WITH IMAGE -->\n<div style=\"max-width:980px;margin:36px auto;padding:0;\n            background:#ffffff;\n            border-left:6px solid #b00020;\n            color:#000;\n            font-family:Arial,Helvetica,sans-serif;\">\n\n  <!-- IMAGE -->\n  <div style=\"border-bottom:4px solid #b00020;\">\n    <img decoding=\"async\"\n      src=\"https:\/\/www.shockya.com\/news\/wp-content\/uploads\/alki-david-tech.jpg\"\n      alt=\"Alki David at his Hologram USA theater in Hollywood\"\n      style=\"width:100%;height:auto;max-height:600px;object-fit:cover;\"\n    >\n  <\/div>\n\n  <div style=\"padding:28px;\">\n\n    <p style=\"font-size:12px;font-weight:900;letter-spacing:1px;\n              color:#b00020;margin:0 0 8px 0;\">\n      PROFILE \u00b7 ON THE RECORD\n    <\/p>\n\n    <h2 style=\"font-size:26px;font-weight:900;line-height:1.2;\n               margin:0 0 18px 0;\">\n      Alki David \u2014 Publisher, Media Architect, SIN Network Creator\n    <\/h2>\n\n    <p style=\"font-size:15px;line-height:1.6;margin-bottom:18px;\">\n      <strong>Alki David at his Hologram USA theater in Hollywood<\/strong> \u2014 an early\n      proving ground for live, direct-to-public communication that later shaped his\n      approach to media infrastructure, accountability journalism, and independent distribution.\n    <\/p>\n\n    <ul style=\"font-size:15px;line-height:1.6;\n               padding-left:18px;margin:0;\">\n\n      <li>\n        Born in Lagos, Nigeria; educated in the United Kingdom and Switzerland;\n        attended the Royal College of Art.\n      <\/li>\n\n      <li>\n        Early internet broadcaster \u2014 participated in real-time public coverage\n        during the 1997 Mars landing era using experimental online transmission\n        from Beverly Hills.\n      <\/li>\n\n      <li>\n        Founder of FilmOn, one of the earliest global internet television networks\n        offering live and on-demand broadcasting outside legacy gatekeepers.\n      <\/li>\n\n      <li>\n        Publisher of SHOCKYA \u2014 reporting since 2010 on systemic corruption inside\n        the entertainment business and its expansion into law, finance, and regulation.\n      <\/li>\n\n      <li>\n        Creator of the SIN Network (ShockYA Integrated Network), a federated media\n        and civic-information infrastructure spanning investigative journalism,\n        live TV, documentary, and court-record reporting.\n      <\/li>\n\n      <li>\n        Lived and worked for over 40 years inside global media hubs including\n        Malibu, Beverly Hills, London, Hong Kong and Gstaad.\n      <\/li>\n\n      <li>\n        Early encounter with Julian Assange during the first Hologram USA operations\n        proved a formative turning point \u2014 exposing the realities of lawfare,\n        information suppression, and concentrated media power.\n      <\/li>\n\n      <li>\n        Principal complainant and driving force behind what court filings describe\n        as the largest consolidated media\u2013legal accountability action on record,\n        now before the Eastern Caribbean Supreme Court.\n      <\/li>\n\n      <li>\n        Relocated to Antigua &amp; Barbuda and entered sustained legal, civic, and\n        informational confrontation over media power, safeguarding, and accountability\n        at Commonwealth scale.\n      <\/li>\n\n    <\/ul>\n\n    <p style=\"margin-top:22px;font-size:14px;font-weight:800;color:#b00020;\">\n      REAL TALK \u2014 Red. White. Truth.\n    <\/p>\n\n  <\/div>\n\n<\/div>\n<!-- END SHOCKYA PROFILE HIGHLIGHTS WITH IMAGE -->\n\n\n<p><a href=\"http:\/\/www.shockya.com\/news\/wp-content\/uploads\/anakando-media.png\"><img decoding=\"async\" class=\"size-full wp-image-168168 alignleft\" src=\"http:\/\/www.shockya.com\/news\/wp-content\/uploads\/anakando-media.png\" alt=\"anakando media\" width=\"200\" srcset=\"https:\/\/www.shockya.com\/news\/wp-content\/uploads\/anakando-media.png 463w, https:\/\/www.shockya.com\/news\/wp-content\/uploads\/anakando-media-300x270.png 300w\" sizes=\"(max-width: 463px) 100vw, 463px\" \/><\/a><\/p>\n<p>If you have any questions or comments, please feel free to contact us with the following e-mails.<\/p>\n<p><strong>Interested in writing for ShockYa<\/strong>\u00a0Submit your <a href=\"legal@swissx.com\" target=\"_blank\" rel=\"noopener noreferrer\">Guest Post<\/a>\u00a0here.<\/p>\n<p>For Media Inquires and Tips: <a href=\"mailto:press@shockya.com\">Contact Here<\/a><\/p>\n<p>Editorials: <a href=\"mailto:press@shockya.com\">Contact Here<\/a><\/p>\n<p>All studio stills, images and videos are used for the purpose of publicity only and no copyright infringement is intended. If you would like us to take down any such media, please <a href=\"mailto:shockyas@gmail.com\">contact us<\/a> and it will be removed immediately.<\/p>\n<p data-start=\"223\" data-end=\"403\"><strong data-start=\"223\" data-end=\"234\">Since 1999 &#8211; SHOCKYA<\/strong> began as a traditional entertainment and media reporting outlet\u2014covering film, television, music, and culture from inside the same commercial ecosystems we wrote about.<\/p>\n<p data-start=\"405\" data-end=\"501\"><strong data-start=\"405\" data-end=\"501\">Since 2014, we have been reporting on systemic corruption within the entertainment business.<\/strong><\/p>\n<p data-start=\"503\" data-end=\"818\">As court records accumulated, whistleblowers came forward, and evidence crossed from entertainment into law, finance, and government, conventional reporting became insufficient. What started as media coverage was <strong data-start=\"716\" data-end=\"757\">forced into accountability journalism<\/strong>. What was once optional inquiry became unavoidable scrutiny.<\/p>\n<p data-start=\"820\" data-end=\"881\">We did not choose activism.<br data-start=\"847\" data-end=\"850\" \/><strong data-start=\"850\" data-end=\"881\">The record chose it for us.<\/strong><\/p>\n<p data-start=\"883\" data-end=\"1104\">SHOCKYA has since <strong data-start=\"901\" data-end=\"985\">merged entertainment reporting, media analysis, and investigative accountability<\/strong> into a single platform focused on how power actually operates\u2014behind screens, contracts, narratives, and institutions.<\/p>\n<p data-start=\"1106\" data-end=\"1132\">Today, SHOCKYA reports on:<\/p>\n<ul data-start=\"1133\" data-end=\"1477\">\n<li data-start=\"1133\" data-end=\"1167\">\n<p data-start=\"1135\" data-end=\"1167\">Media ownership and governance<\/p>\n<\/li>\n<li data-start=\"1168\" data-end=\"1236\">\n<p data-start=\"1170\" data-end=\"1236\">Digital safeguarding and institutional child-protection failures<\/p>\n<\/li>\n<li data-start=\"1237\" data-end=\"1286\">\n<p data-start=\"1239\" data-end=\"1286\">Whistleblower suppression and lawfare tactics<\/p>\n<\/li>\n<li data-start=\"1287\" data-end=\"1344\">\n<p data-start=\"1289\" data-end=\"1344\">Cross-border legal, financial, and regulatory capture<\/p>\n<\/li>\n<li data-start=\"1345\" data-end=\"1409\">\n<p data-start=\"1347\" data-end=\"1409\">The intersection of entertainment, politics, and enforcement<\/p>\n<\/li>\n<li data-start=\"1410\" data-end=\"1477\">\n<p data-start=\"1412\" data-end=\"1477\">Commonwealth and Small Island Developing States (SIDS) exposure<\/p>\n<\/li>\n<\/ul>\n<p data-start=\"1479\" data-end=\"1735\">We distinguish clearly between <strong data-start=\"1510\" data-end=\"1540\">facts on the public record<\/strong>, <strong data-start=\"1542\" data-end=\"1559\">court filings<\/strong>, <strong data-start=\"1561\" data-end=\"1587\">ongoing investigations<\/strong>, and <strong data-start=\"1593\" data-end=\"1631\">unanswered institutional questions<\/strong>. We do not declare guilt where courts have not\u2014but we do not ignore silence when accountability is due.<\/p>\n<p data-start=\"1737\" data-end=\"1805\">What SHOCKYA is today is the result of <strong data-start=\"1776\" data-end=\"1804\">evolution, not intention<\/strong>.<\/p>\n<p data-start=\"1807\" data-end=\"1976\">Neutrality without scrutiny became impossible when entertainment pipelines intersected with power, money, and harm. Reporting had to follow the evidence\u2014wherever it led.<\/p>\n<p data-start=\"1978\" data-end=\"2031\">Transparency is not activism.<br data-start=\"2007\" data-end=\"2010\" \/>It is infrastructure.<\/p>\n<p data-start=\"2033\" data-end=\"2081\"><strong data-start=\"2033\" data-end=\"2056\">SHOCKYA | REAL TALK<\/strong><br data-start=\"2056\" data-end=\"2059\" \/><strong data-start=\"2059\" data-end=\"2081\">Red. White. Truth.<\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>PROFILE \u00b7 ON THE RECORD Alki David \u2014 Publisher, Media Architect, SIN Network Creator Alki David at his Hologram USA theater in Hollywood \u2014 an early proving ground for live, direct-to-public communication that later shaped his approach to media infrastructure, accountability journalism, and independent distribution. Born in Lagos, Nigeria; educated in the United Kingdom and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-5971","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>About Us<\/title>\n<meta name=\"description\" content=\"Shockya.com was established in 1999, we are a trusted news source for everything movies and TV. 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