{"id":101412,"date":"2012-08-04T12:58:04","date_gmt":"2012-08-04T19:58:04","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=101412"},"modified":"2012-08-04T12:58:04","modified_gmt":"2012-08-04T19:58:04","slug":"total-recall-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2012\/08\/04\/total-recall-movie-review\/","title":{"rendered":"Total Recall Movie Review"},"content":{"rendered":"

Title: Total Recall<\/p>\n

Directed By: Len Wiseman<\/p>\n

Starring: Colin Farrell, Kate Beckinsale, Jessica Biel, Bryan Cranston<\/B><\/p>\n

Warning: Excessive use of lens flares may cause confusion, frustration, facial distortion, distraction from story, and tarnishing of what could have been impressive visual effects.<\/p>\n

After being contaminated by the effects of nuclear warfare, the Earth is left with just two safe places to live, the United Federation of Britain and The Colony. Douglas Quaid (Colin Farrell) is a resident of The Colony and rides The Fall, a transportation system that takes commuters from The Colony, formerly Australia, through the Earth\u2019s core to the UFB, to work on an assembly line constructing robots after which he hops back on The Fall and heads home to his loving wife, Lori (Kate Beckinsale).<\/p>\n

When Doug\u2019s monotonous routine becomes too much, he decides it\u2019s time to go to Rekall, a business that lets you chose the dream life you wish you could live and then implants the memories into your brain. Little does Doug know, his decision to assume the memories of a secret agent would flip a switch, sending countless police officers and robots after him led by Lori. Lucky for Doug, Melina (Jessica Biel) arrives just in time to whisk him away and clue him in on what\u2019s really going on.<\/p>\n

Paul Verhoeven\u2019s \u201cTotal Recall\u201d is undeniably dated and was ripe for remaking. As expected, director Len Wiseman and writers Kurt Wimmer and Mark Bomback took the very 90s digital and practical effects, glossed them up to the max, doused them in CGI and crammed them into an entirely futuristic landscape. Really, what\u2019s the point in rebooting an older film unless you\u2019re going to give it the benefit of the far more advanced technology? Hopes were high for more fluid action sequences and the exclusive of silly eye-popping, and while Wiseman certainly made due on that, he wound up making \u201cTotal Recall\u201d so slick, there\u2019s nothing to latch onto. Once the film begins, it\u2019s like a freefell, a montage of action sequences until you hit the bottom.<\/p>\n

Farrell makes for a decent Doug Quaid, but the information flows so fast, you never get the chance to consider the circumstances and truly understand what he\u2019s experiencing. The concept that he could just be strapped in at Rekall this entire time is such a fascinating scenario and rather than have it spice up the entire film, it\u2019s reduced to a single scene, and one in which the characters merely talk in circles at that.<\/p>\n

Minus the fact that Melina offers him a ride at the opportune time, she\u2019s a pretty ineffectual partner. She throws a few punches, shoots off a few rather reckless bullets, but never accomplishes much, making her more of a babysitting job than partner for Quaid. Beckinsale, on the other hand, makes for a pretty wicked Lori. It\u2019s an absolute blast watching her go head to head with Farrell, but then the role is reduced to her skulking down hallways, half hunting Doug and half looking like she\u2019s in a rough and tough Pantene commercial. But the big disappointment in the character department is Bryan Cranston\u2019s Cohaagen. Cranston gives it his all, but the details of Cohaagen\u2019s plan aren\u2019t conveyed clearly enough to sell his mission.<\/p>\n

It\u2019s as though Wiseman completely forgot that when you remake a movie, it not only entails improving the piece from a technical standpoint, but giving just as much attention to honing the story, too. Apparently all the energy went into figuring out a way to cut out Mars and from there, the filmmakers just kept their fingers crossed that the rest would just fall in line and if not, mesmerizing visuals would gloss over any other script issues. There\u2019s no denying that that can happen; sometimes it\u2019s a blast to throw sensibility out the window and enjoy a hefty dose of futuristic fighting, but here, it\u2019s far too repetitive to sustain a full feature. On top of that, an achievement in action or visuals effects is diminished and nearly obliterated by the excessive use of lens flares. Yes, I\u2019m well aware of the fact that J.J. Abrams took lens flares to an absurdly new level in \u201cStar Trek,\u201d but they are more distracting than ever in \u201cTotal Recall,\u201d constantly emerging out of nowhere, obscuring faces and just being incredibly annoying.<\/p>\n

\u201cTotal Recall\u201d is more of a visual-centric experiment in giving an older movie another go. It\u2019s as though so much time, energy and resources were put into the action and the digital environment that the filmmakers figured they\u2019d get their money\u2019s worth, ditch the opportunity to squeeze in an emotional moment here and there, and just put those fancy fights scenes on repeat. They\u2019re good, but not nearly good enough to keep an audience from realizing the film\u2019s got no depth whatsoever.<\/p>\n

Technical: C+<\/p>\n

Acting: B-<\/p>\n

Story: C-<\/p>\n

Overall: C<\/B><\/p>\n

By Perri Nemiroff<\/a><\/p>\n

\"Total<\/a>
Total Recall Poster<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Title: Total Recall Directed By: Len Wiseman Starring: Colin Farrell, Kate Beckinsale, Jessica Biel, Bryan Cranston Warning: Excessive use of lens flares may cause confusion, frustration, facial distortion, distraction from story, and tarnishing of what could have been impressive visual effects. After being contaminated by the effects of nuclear warfare, the Earth is left with 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