{"id":105187,"date":"2012-09-21T08:46:29","date_gmt":"2012-09-21T15:46:29","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=105187"},"modified":"2012-09-21T09:34:35","modified_gmt":"2012-09-21T16:34:35","slug":"house-at-the-end-of-the-street-movie-review-2","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2012\/09\/21\/house-at-the-end-of-the-street-movie-review-2\/","title":{"rendered":"House At The End Of The Street Movie Review 2"},"content":{"rendered":"

Title: House at the End of the Street<\/p>\n

Directed By: Mark Tonderai<\/p>\n

Starring: Jennifer Lawrence, Max Thieriot, Elisabeth Shue, Gil Bellows, Eva Link, Nolan Gerard Funk, Allie MacDonald<\/B><\/p>\n

\u201cLook at that tree. Do you see the face?\u201d \u201cNo.\u201d \u201cLook for another three minutes of screen time. Now can you see the face?\u201d \u201cYes! I see the face.\u201d Two scenes about the face later and I still didn\u2019t see the thing. Thanks \u201cHouse at the End of the Street\u201d for making me stare at a tree for five minutes for no reason.<\/p>\n

One night, young Carrie Ann (Eva Link) brutally murders her parents making her brother, Ryan (Max Thieriot), the sole surviving family member. Four years later, the town still feels the effects of the vicious crime, including the fact that a local murder house drives down property values. Homeowners in the area aren\u2019t happy, but that turns out to be a plus for Sarah (Elisabeth Shue) and her daughter Elissa (Jennifer Lawrence) because they get a gorgeous house on a budget. Sarah\u2019s got no problem living next door to the location of a double homicide until Elissa befriends Ryan. Forever shunned by everyone in town, Elissa feels sorry for Ryan who, to her, seems as though he\u2019s just sad and misunderstood. <\/p>\n

Oh, please. The kid\u2019s sister butchers his parents and Ryan\u2019s just sad and misunderstood? Thieriot actually sells it pretty well, but thanks to writer David Loucka\u2019s incessant foreshadowing, you see every twist and turn coming minutes away.<\/p>\n

Poor Max Thieriot. \u201cMy Soul to Take\u201d and then this? He\u2019s either going to get pigeonholed as the psycho next door or have his talent entirely overlooked due to dismal material. Thieriot certainly had his work cut out for him, Loucka loading the character up with clich\u00e9 creepy behavior, but Thieriot handles it like a champ, turning on the charm, but always feeling quite broken.<\/p>\n

Lawrence finds herself in a similar situation with Elissa. The character is incredibly erratic. One minute she comes across as a mature young woman with a great relationship with her mother, but the next she\u2019s giving Sarah the silent treatment and behaving like a child. Loucka throws in some nonsense about a troubled past involving Elissa\u2019s father, but keeps it so vague, the point has little to no value. However, perhaps magically, Lawrence uses a notably honest performance to turn Elissa into a three dimensional character. You may not always like her or agree with her, but you do believe her.<\/p>\n

Shue\u2019s got a tougher time breaking down the script\u2019s walls, which makes sense because her material is the most ludicrous of all. Sarah is absolutely drowning in that nonsensical husband\/daddy issue and then gets stuck with a painfully desperate relationship with a local cop. There are a bunch of supporting characters in play that never really register, but the one who\u2019s got it the worst is definitely Jillian (Allie MacDonald). All she does the entire movies is pass out, throw up or glare at Elissa whenever Ryan\u2019s around.<\/p>\n

Perhaps it\u2019s because I\u2019m still so deeply traumatized by \u201cDream House,\u201d but I\u2019m eager to point every finger I\u2019ve got at Loucka\u2019s writing. Mark Tonderai\u2019s directing isn\u2019t particularly competent, but he does deserve some credit for attempting to spice up the visuals here and there, even if that means an overabundance of rack focuses and a very early scene of the film that plays out entirely in extreme close-ups. Loucka, on the other hand, just can\u2019t get off that easy. \u201cDream House\u201d is one thing, but you can\u2019t repeat the same mistake in another film and get away with it, especially when it comes to the big twist, which essentially is the crux of the film. First off, you just can\u2019t spoil it. If you spoil it, you have no climax. And secondly, if you\u2019re going to have a big twist, better make sure it makes sense before going for it.<\/p>\n

\u201cHouse at the End of the Street\u201d is just your typical pre-Halloween horror hack. It\u2019s rather slow, has zero inventive kills or any set pieces for that matter, is constantly tripping over its own narrative and, worst of all, it just flat out isn\u2019t scary. Lawrence is safe and sound, riding the \u201cHunger Games\u201d wave, but please someone help Thieriot and get him a role that matches his talent. Dylan Bates maybe? Fingers are crossed!<\/p>\n

Technical: C+<\/p>\n

Acting: B+<\/p>\n

Story: D<\/p>\n

Overall: C<\/B><\/p>\n

By Perri Nemiroff<\/a><\/p>\n

\"House<\/a>
House at the End of the Street Poster<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Title: House at the End of the Street Directed By: Mark Tonderai Starring: Jennifer Lawrence, Max Thieriot, Elisabeth Shue, Gil Bellows, Eva Link, Nolan Gerard Funk, Allie MacDonald \u201cLook at that tree. Do you see the face?\u201d \u201cNo.\u201d \u201cLook for another three minutes of screen time. Now can you see the face?\u201d \u201cYes! I see 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