{"id":105834,"date":"2012-09-29T10:10:01","date_gmt":"2012-09-29T17:10:01","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=105834"},"modified":"2012-12-29T17:08:32","modified_gmt":"2012-12-30T00:08:32","slug":"nyff-2012-life-of-pi-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2012\/09\/29\/nyff-2012-life-of-pi-movie-review\/","title":{"rendered":"Life Of Pi Movie Review"},"content":{"rendered":"

New York Film Festival Review<\/p>\n

Title: Life of Pi<\/p>\n

Directed By: Ang Lee<\/p>\n

Starring: Suraj Sharma, Irrfan Khan, Ayush Tandon, Rafe Spall, Tabu, Vibish Sivakumar, Adil Hussain<\/B><\/p>\n

Piscine lives with his brother and parents in Pondicherry, India. When he isn\u2019t spending time with the animals at his family-owned zoo, an inquisitive Pi is off exploring different faiths of which he adopts three. When Pi makes an attempt at befriending the zoo\u2019s tiger, Richard Parker, his father steps in to teach him a rather harsh lesson, one that rattles his beliefs and curiosity.<\/p>\n

At 17, Pi\u2019s parents decide it\u2019s time to seek a better life so board a Japanese cargo ship with their animals and set sail for Canada. Along the way, the boat encounters a vicious storm, sinking the ship and leaving just one human survivor, Pi. But Pi is not alone. He shares his lifeboat with Richard Parker.<\/p>\n

Talk about bringing Yann Martel\u2019s book to life. The instant the opening credits kick in, you know you\u2019re in for one of the most vivid experiences the movies can offer. Ang Lee\u2019s use of 3D throughout the film isn\u2019t distracting in the least, but during this opening montage, the animals really do pop off the screen and the fact that the images are so colorful and crisp makes the effect particularly impressive and striking.<\/p>\n

However, from that point on, it\u2019s all about the story. Pi\u2019s a charmer right from the start. His unique way of beating the bullies sets up his boundless need to explore humanity, faith and more, and it\u2019s so inspiring that when his father nearly destroys that curiosity, it pains the audience just as much as it does Pi. Even without that sense of wonder, Pi still maintains a loveable personality, letting the story continue to tug on your heartstrings as Pi loses his family and is marooned on a tiny lifeboat with a vicious tiger. Even then, you\u2019ve only scratched the surface of \u201cLife of Pi.\u201d The humor is charming and the action sequences are riveting, but it\u2019s Lee\u2019s ability to keep Pi\u2019s desperation for something to believe in so strong throughout that makes this more than a story, rather something that\u2019s truly inspiring.<\/p>\n

The only element that does manage to detract from Pi\u2019s downright incredible experience is the way that Lee chooses to frame it. Having never read the book, I can\u2019t judge Martel\u2019s choice to use a writer looking for inspiration (Rafe Spall) and consulting with an older Pi (Irrfan Khan) to present the tale, but in the film, the contemporary moments are a bit of a drag. It\u2019s really just Spall and Khan having one-on-one chats, eating and taking leisurely walks, and while both actors offer up solid performances, a mere conversation just can\u2019t compare to Pi\u2019s story. Every time the film jumps from young Pi to older Pi, you\u2019re itching for it to get back to the good stuff again.<\/p>\n

Again, Khan makes for a fine older Pi, but this is Suraj Sharma\u2019s movie. What a find! Sharma is one of those actors that doesn\u2019t need a single word of dialogue; a mere glare is enough to sell how Pi feels, giving the audience constant access to the character and access to Richard Parker as well. Richard Parker is the result of CG technology, but you would never suspect it. Not only does he look like a living, breathing tiger, but Lee also doesn\u2019t soften him in the least. Richard Parker is ferocious and, just as Pi\u2019s father suggests, he will hurt Pi if he gets too close. Toss in the fact that as Pi\u2019s only companion out at sea, he truly needs Richard Parker to survive, and you get this beautiful dichotomy of Richard Parker evoking a sense of danger, but comfort as well.<\/p>\n

As for the world around them, if you\u2019re looking for it (and thanks to the overwhelmingly engaging story you shouldn\u2019t be), there are moments that hint that Sharma\u2019s in a tank and not really out at sea, but otherwise, the environments are all on point. Most seascapes aim for realism, but with particularly rich colors simply making \u201cLife of Pi\u201d a gorgeous watch. However, there are also a few moments when Lee straddled the line of realism and surrealism, and that\u2019s something that not only keeps up in line with Pi\u2019s physical arc, but his mental and emotional one, too.<\/p>\n

\u201cLife of Pi\u201d is a film with lofty goals, but thanks to Lee\u2019s firm grasp on everything from story to visuals to tone and more, he grounds everything just enough for you to deem it credible, but also question everything you just experienced, and when you find yourself fighting for the parts you want to believe in, you\u2019ll know Pi\u2019s done right.<\/p>\n

By Perri Nemiroff<\/a><\/p>\n

\"Life<\/a>
Life of Pi Poster<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

New York Film Festival Review Title: Life of Pi Directed By: Ang Lee Starring: Suraj Sharma, Irrfan Khan, Ayush Tandon, Rafe Spall, Tabu, Vibish Sivakumar, Adil Hussain Piscine lives with his brother and parents in Pondicherry, India. When he isn\u2019t spending time with the animals at his family-owned zoo, an inquisitive Pi is off exploring 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