{"id":107869,"date":"2012-10-26T03:08:23","date_gmt":"2012-10-26T10:08:23","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=107869"},"modified":"2012-10-25T17:10:36","modified_gmt":"2012-10-26T00:10:36","slug":"citadel-movie-review-2","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2012\/10\/26\/citadel-movie-review-2\/","title":{"rendered":"Citadel Movie Review"},"content":{"rendered":"

Title: Citadel<\/strong><\/p>\n

Director: Ciar\u00e1n Foy<\/strong><\/p>\n

Starring: Aneurin Barnard, James Cosmo, Wunmi Mosaku, Amy Shiels, Jake Wilson<\/strong><\/p>\n

Winner of the Midnighter Audience Award at this year’s SXSW Film Festival, Irish writer-director Ciar\u00e1n Foy’s psychological horror movie “Citadel” centers on a stricken agoraphobe who’s struggling to raise his newborn daughter alone and protect her from a roving band of vicious thugs that seem to be stalking them. Occasional bursts of effective atmospheric dread punctuate what is otherwise a thinly imagined genre exercise that would work far better as a short film.<\/p>\n

When his pregnant\u00a0wife Joanne (Amy Shiels) is brutally attacked in front of his very eyes by a group of strangers, Tommy Cowley (Aneurin Barnard) finds his world shattered. After she passes away, he leaves the decaying apartment complex that was the scene of the assault and holes up in a new flat with his young daughter — leaving only to take part in intense therapy sessions aimed at helping bring some sense of normalcy and stability to his life. Soon, though,\u00a0this same little pack of\u00a0hooded Jawas is back, terrorizing Tommy and trying to snatch his daughter. While social worker\u00a0Marie (Wunmi Mosaku) tries to counsel Tommy, an irascible\u00a0priest (James Cosmos) and a telepathically gifted kid (Jake Wilson) peddle a darker story about this potentially supernatural gang, and what Tommy must do to save what remains of his family.<\/p>\n

The film’s tone and\u00a0collection of below-the-line artisans\u00a0is definitely its strongest selling point. Tomandandy supplies a solid score, and Tim Fleming’s cinematography is as bleak and oppressive as any early Mike Leigh film, almost getting between a viewer and the air in their lungs. Awash in blue-grey hues and efficiently scummy production design, “Citadel” unfolds in a world where\u00a0with an almost aromatic displeasure to every scene.<\/p>\n

Its\u00a0story, however — which in stronger hands could be read as a class parable — is a muddled, pointless\u00a0mess. At it first seems that Foy is\u00a0aiming\u00a0for illuminating a panicked, paranoid state of mind — something on the order of a m\u00e9lange of Juan Carlos Fresnadillo’s “Intruders” (itself a ridiculous movie) by way of Brad Anderson’s “The Machinist.” There exists the potential for an elongated sense of woozy dread, as viewers are left guessing about dream states, flashbacks, alternate realities\u00a0or an unreliable narrator.<\/p>\n

Without giving anything away, the potential for any interesting exploration melts away pretty quickly. In its place, “Citadel” just becomes a\u00a0wandering\u00a0collection of scenes in search of a grander point. The dialogue is inane (“They can’t see us” makes four — count ’em, four —\u00a0appearances), Cosmos’ acting is overheated, and Tommy, as written,\u00a0turns on a dime and becomes a suddenly emboldened and heroic figure in the finale, for no particularly good reason. Barnard’s lead performance is one of full investment, and a certain feverish intensity. But he’s too frequently grasping at straws, because Foy’s script for “Citadel” gives him nothing of convincing substance to hold onto.<\/p>\n

Technical: B-<\/strong><\/p>\n

Acting: C<\/strong><\/p>\n

Story: D<\/strong><\/p>\n

Overall: D+<\/strong><\/p>\n

Written by: Brent Simon<\/strong><\/p>\n

\"Citadel<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Title: Citadel Director: Ciar\u00e1n Foy Starring: Aneurin Barnard, James Cosmo, Wunmi Mosaku, Amy Shiels, Jake Wilson Winner of the Midnighter Audience Award at this year’s SXSW Film Festival, Irish writer-director Ciar\u00e1n Foy’s psychological horror movie “Citadel” centers on a stricken agoraphobe who’s struggling to raise his newborn daughter alone and protect her from a roving 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