{"id":110053,"date":"2012-11-23T04:34:06","date_gmt":"2012-11-23T11:34:06","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=110053"},"modified":"2012-11-22T22:38:58","modified_gmt":"2012-11-23T05:38:58","slug":"amour-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2012\/11\/23\/amour-movie-review\/","title":{"rendered":"Amour Movie Review"},"content":{"rendered":"<p><strong>Title: Amour<\/p>\n<p>Director: Michael Haneke<\/p>\n<p>Cast: Jean-Louis Trintignant, Emmanuelle Riva, Isabelle Huppert<\/strong><\/p>\n<p>Michael Haneke\u2019s reputation as a \u2018cold\u2019 filmmaker is sorely misleading, and it also represents a misinterpretation of his cinema. Every film of his\u2013as I\u2019ve seen them all\u2013has been emotionally powerful. Of course, he has had a few films that I\u2019m not quite as fond of, namely Funny Games (both the original and the remake) and Benny\u2019s Video, but even those have a strong sense of sincerity. Haneke\u2019s newest, Amour, is perhaps his most widely received so far. But it\u2019s also the easiest film of his to swallow\u2013at least, in Haneke\u2019s universe. Amour, of course, means \u2018love\u2019 in French and it suitably takes place in Paris, where an elderly couple is faced with the inevitability of death. This certainly seems like a topic that has been covered countless times in Hollywood, and in various other cinemas around the globe, but not to this extent, or in this capacity. In Haneke\u2019s Amour, dying is accepted as a part of life and there\u2019s no other way around it. He doesn\u2019t toy with us and never once lets us believe that there\u2019s any way around it. There\u2019s just death. It\u2019s not all grim, however, as the love between them is as strong as ever.<\/p>\n<p>Georges (Jean-Louis Trintignant) and Anne (Emmanuelle Riva) are well-to-do, upper middle-class Parisians who are in their 80\u2019s. Their relationship seems no different from that of any other elderly couple. They have a comedic understanding of each other, with the occasional nitpicking that goes on. They love one another dearly, but they also have a funny way of interacting. While their relationship begins like any other, one morning Anne is almost despondent. She sits there, staring at nothing, not responding, while Georges is panicking and trying to snap her out of it. He doesn\u2019t know until she\u2019s taken to the doctor that she has had a stroke. Of course, she has no recollection of the incident. As a result, the right side of her body is paralyzed all the way down. She insists that she needs no help moving around. Georges, like anyone, insists that she is not fine and requires assistance. Trintignant and Riva\u2019s acting is heartbreakingly real. Each moment they share with one another feels palpable. Riva exudes a quiet dignity that is unparalleled.<\/p>\n<p>Dignity is a theme that is explored in great detail in Amour. Haneke\u2019s feelings on old age are entirely unique; they\u2019re also, to some degree, a little subversive\u2014at least in contrast with how society and Hollywood would like us to see death and old age. For those uninitiated, the films of Michae Haneke are always tough. He forces us to see what makes us feel uncomfortable, and on occasion, denies us what we want to see most. In Amour, he has put us brutally and intimately close to their lives. It also makes for an incredibly uncomfortable viewing experience. We are forced to watch Anne struggle to take care of herself, and ultimately arrive at the point in her illness where she is utterly unable to communicate.<\/p>\n<p>If this review hasn\u2019t turned you away, then I\u2019m glad. Michael Haneke is unequivocally one of the world\u2019s greatest living directors, who has repeatedly created masterstroke after masterstroke. His work with Trintignant and Riva is stellar, and their ability to create chemistry that feels both old and refreshing at the same time is unbelievable. Even though it lacks the urgency and visceral quality that his other films possess, he has quite possibly made his most focused and centered work to date\u2013easily Haneke\u2019s most accessible, at least. Though his films are difficult, they have a tender delicacy to their nature that seems inherent in his directorial choices. He never leads us by the hand, nor does he manipulate us with a saccharine soundtrack, Haneke allows us to dwell on life\u2019s complexities, rather than cheating us with simple-minded answers.<\/p>\n<p><strong>Story \u2013 B<\/p>\n<p>Acting \u2013 A-<\/p>\n<p>Technical \u2013 A-<\/p>\n<p>Overall \u2013 A-<\/strong><\/p>\n<p><a href=\"http:\/\/www.shockya.com\/news\/wp-content\/uploads\/amour-movie.jpg\"><img decoding=\"async\" src=\"http:\/\/www.shockya.com\/news\/wp-content\/uploads\/amour-movie.jpg\" alt=\"Amour Movie Review\" title=\"Amour Movie Review\" width=\"600\" class=\"alignleft size-full wp-image-110056\" srcset=\"https:\/\/www.shockya.com\/news\/wp-content\/uploads\/amour-movie.jpg 610w, https:\/\/www.shockya.com\/news\/wp-content\/uploads\/amour-movie-300x167.jpg 300w\" sizes=\"(max-width: 610px) 100vw, 610px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Title: Amour Director: Michael Haneke Cast: Jean-Louis Trintignant, Emmanuelle Riva, Isabelle Huppert Michael Haneke\u2019s reputation as a \u2018cold\u2019 filmmaker is sorely misleading, and it also represents a misinterpretation of his cinema. Every film of his\u2013as I\u2019ve seen them all\u2013has been emotionally powerful. Of course, he has had a few films that I\u2019m not quite as [&hellip;]<\/p>\n","protected":false},"author":40,"featured_media":110056,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,4],"tags":[28478],"class_list":["post-110053","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-amour"],"apple_news_notices":[],"yoast_head":"<!-- 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