{"id":112758,"date":"2012-12-30T16:42:08","date_gmt":"2012-12-30T23:42:08","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=112758"},"modified":"2012-12-30T16:48:42","modified_gmt":"2012-12-30T23:48:42","slug":"perris-top-10-movies-of-2012","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2012\/12\/30\/perris-top-10-movies-of-2012\/","title":{"rendered":"Perri’s Top 10 Movies of 2012"},"content":{"rendered":"

\"Perri's<\/a>While the large majority can come to an agreement on whether or not a film is good or bad, or pinpoint a particular element that exemplifies skillful filmmaking, for me, the reviewing process is still very personal. Some moviegoers prefer horror while others go for romance, some don\u2019t mind a tearjerker while others would rather keep their emotions to themselves, and then there are the times when you just happen to walk into a movie and it strikes a chord because you just experienced something similar. Well, I certainly can\u2019t speak to your big screen preferences, but I\u2019m thrilled to share mine, a top ten that I\u2019ve populated with quality films that have thrilled, entertained and\/or moved me enough to make them some of my best memories of 2012.<\/p>\n

\"10.<\/a>
\nWouldn\u2019t it be fun to grow up on New Penzance and run off into the woods with a cute boy and kitten in a bag? Well, I\u2019m a little too old for a Khaki Scout, but at least I can live vicariously through Sam Shakusky and Suzy Bishop\u2019s budding young romance in \u201cMoonrise Kingdom.\u201d While I do recognize most of Wes Anderson\u2019s work as quality filmmaking, I often have trouble adjusting to his wildly unique characters and environments enough to establish a genuine connection to the material. However, in the case of \u201cMoonrise Kingdom,\u201d Anderson\u2019s bold and beautiful style is as evident as ever, and while he paints a picture of an amusingly heightened reality, Sam and Suzy\u2019s relationship is so charming and honest, it grounds the film just enough to offer up the best of both worlds and that left the doors wide open to come in and become wholly immersed in this world.
\nGreat Quote<\/strong>: \u201cYour girlfriend stabbed me in the back with lefty scissors.\u201d
\nFull Review<\/a><\/p>\n

\"9.<\/a>
\nI love my sister very much, but, of course, we butt heads a bit \u2013 quite a bit, really \u2013 so the fact that \u201cYour Sister\u2019s Sister\u201d had me running home after the credits, eager to tell my sister how much I really care about her leaves an indelible impression. Lynn Shelton presents a simple, well-structured script and keeps a light hand on the camera, letting her immensely talented cast shine big time. The large majority of the film plays out through one-on-one chats and table scenes, so compelling conversation is key and Shelton and co. deliver. Mark Duplass, Emily Blunt and Rosemarie DeWitt have the ideal degree of chemistry, all establishing their own connection with one another while also highlighting the group vibe, giving their relationships an incredible amount of depth, making them enjoyable and moving to see progress. \u201cYour Sister\u2019s Sister\u201d will make you smile, laugh, and want to drink a bottle of tequila with a good friend all while melting your heart away.
\nGreat Quote<\/strong>: \u201cI really think your face is gonna annoy me right now.\u201d
\nFull Review<\/a><\/p>\n

\"8.<\/a>
\nEmotion is great and all, but there\u2019s nothing more frustrating than a movie that makes you cry via manipulation. When \u201cThe Impossible\u201d began with that text reminding you it\u2019s based on a true story only to fade to black, leaving just the words \u201ctrue story\u201d glowing on the screen, I was sure it would be 103 minutes of melodrama, however, not only did the film go on to earn each and every tear, but also became one of my favorites of the year. Moviegoers love Hollywood-style disaster films. I know I most certainly do! But rather than give \u201cThe Impossible\u201d a boost, that sets it up to fail. Say what you want about Juan Antonio Bayona\u2019s choice not to go with a Spanish cast, but, as a viewer, it in no way devalued the experience, letting Bayona\u2019s representation of that catastrophic event tell the family\u2019s story in the most respectful, exhilarating, and heart wrenching way possible. Naomi Watts and Ewan McGregor are fantastic, but this industry needs more Tom Holland!
\nGreat Quote<\/strong>: \u201cEven if it\u2019s the last thing we do.\u201d
\nFull Review<\/a><\/p>\n

\"7.<\/a>
\nI\u2019m not going to lie; I was thrilled to death to catch \u201cMagic Mike\u201d for the commercial appeal alone \u2013 Channing Tatum and his sexy cohorts rocking it out as male strippers \u2013 but it\u2019s so much more than that. After a dirty dancing and six pack-filled promotional campaign, it was easy to forget that \u201cMagic Mike\u201d is a Steven Soderbergh movie, and Soderbergh doesn\u2019t hold back in the least reminding you with the full feature, ultimately making \u201cMagic Mike\u201d a mesmerizing big screen anomaly. It\u2019s got the feel of a grand scale charmer, but there are countless nuances that scream deliberate and proficient filmmaking while also being so subtle. It isn\u2019t until the credits role that you sit back and realize what a nice surprise the experience was and how deeply connected you were to the characters as people and not just the thrill of their profession.
\nGreat Quote<\/strong>: \u201cThe law says you cannot touch, but I think I see a lotta lawbreakers up in this house.\u201d
\nFull Review<\/a><\/p>\n

\"6.<\/a>
\nIt\u2019s a movie about a dude trapped on a boat with a tiger! How could this not be one of the great movies of the year? But in all seriousness, Suraj Sharma isn\u2019t getting the attention he deserves for \u201cLife of Pi.\u201d The CGI Richard Parker is quite the achievement, but Sharma\u2019s ability to play off a fake tiger and sell every single moment, basically carrying the entire film, is nothing less than incredible. But, of course, Ang Li deserves a major thumbs up for selling each and every element of the piece, from Pi\u2019s wavering relationship with the tiger to the more fantastical portions of the story. Rather than putting the focus on Pi\u2019s need to find safety before Richard Parker eats him, Li gives the adventure a noteworthy degree of dimension through Pi\u2019s thoughts and emotions. It\u2019s not just about survival. This experience means much more to Pi than that and that, in turn, gives the audience much more to think about, letting \u201cLife of Pi\u201d have a long-lasting impression.
\nGreat Quote<\/strong>: \u201cAnimals have souls. I have seen it in their eyes.\u201d
\nFull Review<\/a><\/p>\n

\"5.<\/a>
\nIf I could be a fly on the wall during any scene of a 2012 movie, it\u2019d undoubtedly be the elevator massacre in \u201cThe Cabin in the Woods.\u201d Really, is there any horror movie out there that combines genre clich\u00e9s with originality so well? The movie\u2019s the ultimate two-for-one, offering up that good old secluded cabin in the middle of nowhere scenario while spicing it up with a wildly inventive and surprisingly believable reason for it all. (Or perhaps it\u2019s more just wanting to believe, which is also fine by me.) You\u2019re rooting for poor Dana and her helpless friends to survive, but you also want Hadley and Sitterson to take them out so they can top the Japanese. Then again, Hadley and Sitterson get bonus points for the wonderfully sadistic and entertaining ways they go about killing their victims, so their cause wins out the slightest bit. Is it going too far to call \u201cCabin in the Woods\u201d horror-lover porn? I\u2019m leaning towards a no.
\nGreat Quote<\/strong>: \u201cYes, you had Zombies, but this is Zombie Redneck Torture Family. Entirely separate thing. It’s like the difference between an elephant and an elephant seal.\u201d
\nFull Review<\/a><\/p>\n

\"4.<\/a>
\n\u201cSinister\u201d had me with its sick and twisted way of saying hello, opening with a minute that feels like ten of watching a helpless family dangling from a tree by their necks. The \u201cSinister\u201d mini movies alone are more than enough to keep you up at night, but then director Scott Derrickson also offers up a disturbing original story, horrifying imagery, and a powerful lead performance from Ethan Hawke to make it all feel real. From beginning to end, we\u2019re trapped in that house with Ellison. You know something terrible is going down, but the thought of this murder inspiring Ellison\u2019s next big true crime novel makes you want him to dig deeper. But, of course, this is a horror movie so there comes the time when you\u2019re itching to yell at the screen and tell Ellison to reconsider his priorities. It makes for a nice surprise when he actually obliges – in the best and worst ways. I\u2019ve got a \u201cSinister\u201d poster hanging in my apartment and you know who is on it, so maybe I shouldn\u2019t move out anytime soon.
\nGreat Quote<\/strong>: \u201cDon\u2019t worry, Daddy. I\u2019ll make you famous again.\u201d
\nFull Review<\/a><\/p>\n

\"3.<\/a>
\n\u201cThe Hunger Games\u201d is my most-viewed movie of 2012 and for good reason. Sure, I\u2019m obsessed with Suzanne Collins\u2019 books and do a great deal of writing on the material, but my love of the source has nothing to do with the film version making the list. Gary Ross took a mere $80 million (a low number compared to the major\u2019s all-too-frequent $200 million+ budgets) and turned it into one of the highest-grossing films of the year, and one of quality at that! Ross and co. just absolutely nail the adaptation process. He never undermines the gravity of the Hunger Games, making the event compelling in and of itself, but also does a superb job of putting the audience in Katniss\u2019 shoes, making the experience personal and upping the emotion tenfold. And who can talk \u201cHunger Games\u201d without gushing over Jennifer Lawrence? Had the studio miscast the role of Katniss Everdeen, it would have been detrimental, but not only did they land the perfect Katniss, they found an actress who would ultimately go on to soar far beyond expectations. Not only is \u201cThe Hunger Games\u201d my third best movie of 2012, but it is the<\/em> most re-watchable movie of the year, hitting the same beats with a notable amount of intensity over and over again.
\nGreat Quote<\/strong>: \u201cI’m here to help you make an impression.\u201d
\nFull Review<\/a><\/p>\n

\"2.<\/a>
\nWhile you don\u2019t want to think of the task of killing Osama bin Laden as entertainment, \u201cZero Dark Thirty\u201d is a movie and a movie\u2019s got to be entertaining, especially at a running time of 157 minutes. Clearly not an easy task with an issue that hits homes for many, but Kathryn Bigelow and Mark Boal handle every element of the process so delicately that they create an enthralling and entertaining experience while also honoring and respecting the facts. Jessica Chastain\u2019s Maya is pleasant, but leaves just enough room to let you somewhat pity her for handing her entire life over to her job. Then again, she also manages to establish a firm enough connection between the character and the viewer, compelling you to root for her and go along with anything she says. Tack on the fact that it\u2019s impossible to sit through \u201cZero Dark Thirty\u201d without feeling the effects of the film\u2019s true roots and you end up with the ideal adaptation, a piece that takes the true event and amplifies it with a lesser-known side of the story.
\nGreat Quote<\/strong>: \u201cI’m the mother***er who found this place.\u201d
\nFull Review<\/a><\/p>\n

\"1.<\/a>
\nTop-notch filmmaking, an endlessly entertaining experience and almost overwhelmingly moving. The second I walked out of \u201cSilver Linings Playbook,\u201d I knew it\u2019d be a tough one to beat. Bradley Cooper gives Pat this fantastic push and pull. You\u2019re well aware of his diagnosis yet still hope he gets what he wants, so when Jennifer Lawrence\u2019s Tiffany steps into the picture, you\u2019ve still got your fingers crossed Pat\u2019s wife will take him back, but are also being increasingly charmed by Tiffany. What results is this wonderful quirky, deep connection between the characters that makes one person\u2019s arc totally reliant on the other\u2019s, an achievement that can only result from the best of performances. Cooper is excellent, but Lawrence does it again. Even while drowning in \u201cHunger Games\u201d fame, Lawrence has no trouble embodying another character to the fullest extent. Tiffany is impulsive and a bit too blunt, but Lawrence keeps her likable enough and then infuses her with a degree of vulnerability that just melts your heart and hope she gets what she wants, or, rather, deserves. \u201cSilver Linings Playbook\u201d is part romantic comedy, part drama, part family film and even a little feel-good sports movie, too, and, in the end, it leaves you with only the most satisfying assets of each.
\nGreat Quote<\/strong>: \u201cYou say more inappropriate things than appropriate things.\u201d
\nFull Review<\/a><\/p>\n

\"Perri's<\/a>5. SNOW WHITE AND THE HUNTSMAN<\/strong>
\nStellar production design and visual effects come nowhere close to saving \u201cSnow White and the Huntsman\u201d from its train wreck of a script and unemotional lead. Hands down one of the slowest films of the year, what could have made for a decent 90-minute fantasy action flick turns into a miserable bore drowning in dead air and nonsensical transitions. Making the film even more of a snooze is the fact that Stewart looks just as bored acting in it as the audience feels watching it.<\/p>\n

4. CLOUD ATLAS<\/strong>
\nYet again, great set design, visual effects, makeup and costume work, but all of it ultimately amounts to no more than a boring gimmick. Rather than use the multi-narrative format in a way to enhance each and every story, it makes \u201cCloud Atlas\u201d feel disjointed and basically just winds up repeating what the trailer told us six times over – we\u2019re all connected. Even worse, it never even makes you believe it. You\u2019re better off just watching the trailer and stepping in for the last two minutes of the film when they present a montage revealing which characters each actor plays – further solidifying the whole thing as a gimmick.<\/p>\n

3. ANNA KARENINA<\/strong>
\nPretty picture with a lame story and poor pacing all over again. \u201cAnna Karenina\u201d might have been my most painful experience at the theater all year. The ultimate watch-checker, I couldn\u2019t wait for the credits to role so I didn\u2019t have to hear Keira Knightley blather on about her romantic woes for another second more. You get to choose between Jude Law and Aaron Johnson; are you really complaining? Just pick one and get on with your on with your life. Don\u2019t drown us all in your self-created sorrows.<\/p>\n

2. THIS MEANS WAR <\/strong>
\nHow does a script like this go on to get financed? And how does it go on to attract talent like Chris Pine and Tom Hardy? There\u2019s nothing wrong with a run-of-the-mill romance romp for Valentine\u2019s Day, but \u201cThis Means War\u201d is nonsensical garbage. McG seems to have lost his sense of proper shot composition, Reese Witherspoon continues to carry on acting even without the talent she lost years ago, and Pine manages to create the least likeable leading man of the year. Thank you Tom Hardy for giving \u201cThis Mean War\u201d at least one nice thing to look at.<\/p>\n

1. TIM & ERIC\u2019S BILLION DOLLAR MOVIE<\/strong>
\nThis movie should not exist, plain and simple. \u201cTim & Eric\u2019s Billion Dollar Movie\u201d isn\u2019t just unfunny, poorly made and downright ridiculous; it\u2019s so bad it\u2019s nearly impossible to watch. There\u2019s nothing pleasant, charming or even relatable about Tim and Eric, and their little adventure is so preposterous, it\u2019s impossible to get on board even if you tried. Top that of with the fact that it\u2019s weird and grotesque to the point of being truly troubling and you\u2019ve got absolutely no reason whatsoever to even consider allowing yourself to suffer through this atrocity.<\/p>\n

Happy and healthy New Year, Shockya readers! Until 2013!<\/em><\/p>\n

By Perri Nemiroff<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

While the large majority can come to an agreement on whether or not a film is good or bad, or pinpoint a particular element that exemplifies skillful filmmaking, for me, the reviewing process is still very personal. Some moviegoers prefer horror while others go for romance, some don\u2019t mind a tearjerker while others would rather 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content=\"https:\/\/www.facebook.com\/shockyafans\/\" \/>\n<meta property=\"article:published_time\" content=\"2012-12-30T23:42:08+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2012-12-30T23:48:42+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.shockya.com\/news\/wp-content\/uploads\/Perri-Best-of-2012-Thumb.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"250\" \/>\n\t<meta property=\"og:image:height\" content=\"156\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Perri Nemiroff\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@shockya\" \/>\n<meta name=\"twitter:site\" content=\"@shockya\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Perri Nemiroff\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"13 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