{"id":115017,"date":"2013-01-31T22:43:08","date_gmt":"2013-02-01T05:43:08","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=115017"},"modified":"2013-01-31T22:43:08","modified_gmt":"2013-02-01T05:43:08","slug":"interview-warm-bodies-director-author-and-cast","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2013\/01\/31\/interview-warm-bodies-director-author-and-cast\/","title":{"rendered":"Interview: Warm Bodies Director, Author, and Cast"},"content":{"rendered":"

ShockYa had the pleasure of sitting down with the creative minds behind Warm Bodies<\/em>, which opens this Friday, February 1st. Present at the Four Seasons Hotel were director Jonathan Levine, author Isaac Marion, and stars Nicholas Hoult, Teresa Palmer, Analeigh Tipton, and Dave Franco.<\/p>\n

Q: Are you a fan of zombie movies?<\/strong><\/p>\n

Isaac Marion: They\u2019re all kind of interesting in their own way. I liked 28 Days Later<\/em> because it wasn\u2019t campy and tried to tell a genuinely powerful drama with a monster that\u2019s usually seen as lowbrow. On the flip side, Shaun of the Dead<\/em> takes all of the clich\u00e9s of zombie movies and turns them inside out and examines them.<\/p>\n

Nicholas Hoult: I was before this, and I went to watch the 80s ones and some of the recent ones as well. I like Shaun of the Dead<\/em> and Zombieland<\/em>. This one is kind of switched around, from the zombie\u2019s point of view.<\/p>\n

Teresa Palmer: I\u2019ve always been a fan of zombie films. I loved Zombieland<\/em>. It doesn\u2019t take itself too seriously, and it pokes fun at the zombie genre.<\/p>\n

Dave Franco: My favorite zombie films? 28 Days Later, Evil Dead<\/em>\u2026can we only do two?<\/p>\n

Q: What were your first impressions of this project?<\/strong><\/p>\n

Analeigh Tipton: Skeptical. It could really go either way. It could be absolute shit or it could be great, there\u2019s not a lot of in-between. But then I heard about the people involved, and that\u2019s what sold it for me.<\/p>\n

Teresa Palmer: I made a point of not reading the book until the movie was complete. I was just so impressed. There was romance, which worked. I wasn\u2019t too sure before I read it, but after I did, it was really so beautiful and poignant. There were so many amazing messages, like how love can breathe life back into people. In our society, there are so many people with broken spirits, and the power of human connection can brighten these souls. I can understand how the whole world started to heal itself through Julie and R\u2019s love.<\/p>\n

Q: What was the tone like on set?<\/strong><\/p>\n

Teresa Palmer: It was so fun. Jonathan Levine is amazing at creating an environment where everyone wants to be at work. I think because we felt so connected to the material, everyone worked harder.<\/p>\n

Nicholas Hoult: It was very difficult to not laugh with Rob Corrdry around.<\/p>\n

Dave Franco: It was a primarily younger cast. There wasn\u2019t a bad seed on this one. People feed off the director\u2019s energy, and Jonathan loves making movies. On set, if you do a take that he likes, he\u2019ll jump at his chair and run at you pumping with his fist.<\/p>\n

Q: What was zombie school like?<\/strong><\/p>\n

Nicholas Hoult: We trained with an ex-Cirque de Soleil guy in how to walk. It was one of those things where you just have to try it out and see what works. We didn\u2019t want to be too over-the-top with the zombie stuff.<\/p>\n

Jonathan Levine: With Nick, we watched Return of the Living Dead<\/em>. And, he was like, okay, let\u2019s watch Awakenings<\/em>. I was like, whoa, this guy is coming at it from a very different angle. The Cirque de Soleil stuff was really helpful but super weird. I was waiting for Nick and Rob to just start cracking up, and they didn\u2019t, to their credit. It was great to have that baseline of movement and facial expressions. Extras worked with the movement coach as well, but I didn\u2019t want it to be uniform, so we let people do their own thing. We wanted our version of zombies to be slightly different, but also pretty much the same.<\/p>\n

Q: How do you console genre fans upset with your interpretation of zombies?<\/strong><\/p>\n

Jonathan Levine: All I can say is that I would really hope that people would be open-minded about it. The jumping-off point for this is that genre is meant to be used as a way to access certain truths about life today. The core metaphor is holding a mirror up to who we are today. Zombies more than anything are social commentary. I wanted people to be able to confuse our zombies with really depressed people.<\/p>\n

Isaac Marion: I got a lot of flak for having a talking zombie, which was kind of enjoyable. With a fan page on Facebook, I would get some really amusing hate mail. I was doing a reading one time and I decided to spice it up with some hate mail I had just gotten. It\u2019s been really popular because it\u2019s horribly written and exaggerated, like \u201cYou should be launched into the sun and burned alive.\u201d It comes from people who have a very narrow view of what a genre or a mythology is, like \u201cThis is medically impossible\u2026\u201d It\u2019s funny to see people\u2019s reactions.<\/p>\n

Nicholas Hoult: Hardcore zombie film fans should give it a chance because it\u2019s funny, and it\u2019s a sweet movie that doesn\u2019t take itself very seriously.<\/p>\n

Dave Franco: I think they\u2019ll like it. It\u2019s obviously a zombie movie, but it\u2019s one that we haven\u2019t seen before. It\u2019s got a really interesting tone that infuses humor, which we saw in Shaun of the Dead<\/em>, but it\u2019s more serious. Levine was the perfect man for the job after coming from 50\/50<\/em>, a tough tightrope walk, dealing with a really serious concept but also adding this element of humor. In the wrong hands, who knows what would have happened.<\/p>\n

Q: How was it filming some of the more serious action scenes?<\/strong><\/p>\n

Teresa Palmer: It was actually pretty petrifying, but I love doing stunts. It\u2019s hard when you\u2019re freezing cold and you have to be sprinting down concrete.<\/p>\n

Analeigh Tipton: It was terrifying going toe-to-toe with John Malkovich. In the first take, he grabbed my hand and pushed the gun to his skin, and said \u201cI need to feel the gun to believe it.\u201d I was like, okay, John. On the next few takes, I would always apologize, and he would take my cheek, and just go, \u201cThank you.\u201d It was great, it was awesome actually.<\/p>\n

Q: Can you talk about the transition from paper to screen?<\/strong><\/p>\n

Isaac Marion: I was pleasantly surprised with how faithful it was. I was happy that it even remotely resembled it, and that it\u2019s 75% faithful.<\/p>\n

Q: Is there more to this story?<\/strong><\/p>\n

Isaac Marion: R didn\u2019t have a life before it started. His past will be more important than he thinks in the sequel. His past is not very pleasant. There\u2019s a novella which is 100 pages long which is a prequel, which takes seven years before. I\u2019m just finishing that now, and so hopefully that will come out soon.<\/p>\n

Jonathan Levine: I don\u2019t love talking about it until I know if anything likes or will see the movie. My superstitious Jewish side doesn\u2019t want to think about that. On the other hand, I love these actors, I love the story, and, should anyone desire it, I will be there to help again.<\/p>\n

Q: How did you negotiate the comedic material with some of the more dramatic content?<\/strong><\/p>\n

Jonathan Levine: This is a trick I learned on 50\/50<\/em>. Just always try to make it funny, never to the point where it\u2019s a goof and you\u2019re taking people out of the scene. People like to laugh, and when you\u2019re screening a movie for people, you like to hear them laugh. You always have the option of taking it out. Give the actors the freedom to go for the joke when they see it.<\/p>\n

Q: How are zombies and vampires good or bad for the society?<\/strong><\/p>\n

They\u2019re both good, I think. Zombies are the opposite of vampires. They\u2019re not sexy, they\u2019re dull and boring, the result of what it means to have lost touch with being alive. They\u2019re the worst possible version of a person.<\/p>\n

Q: Dave, you\u2019ve established a certain kind of standard role for yourself. What\u2019s that like?<\/strong><\/p>\n

Dave Franco: I\u2019ve been kind of pigeonholed recently as the asshole. It\u2019s not who I am, and I don\u2019t know why people keep seeing me that way and why I can do that decently well. I\u2019ve exhausted the douchebag role. There\u2019s nothing else I can bring to it. I\u2019ll be an extra in a Paul Thomas Anderson movie. I just want to be around and learn from these guys.<\/p>\n

Q: Analeigh, Are you writing a zombie movie?<\/strong><\/p>\n

Analeigh Tipton: When I first got on, I was working on this animated feature about a loveable zombie. I\u2019m going to need to do some re-working on a storyline that I thought was really clever. It was a similar approach to Monsters\u2019 Inc<\/em>, where they work in haunted houses and live among us.<\/p>\n

Q: In what way can you relate to being a zombie in real life?<\/strong><\/p>\n

Nicholas Hoult: I\u2019ve had some bangin\u2019 hangovers, and that\u2019s a great way to associate with being a zombie.<\/p>\n

Written by Abe Fried-Tanzer<\/a><\/p>\n

\"Warm<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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