{"id":123931,"date":"2013-05-28T09:45:21","date_gmt":"2013-05-28T16:45:21","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=123931"},"modified":"2013-05-28T09:45:21","modified_gmt":"2013-05-28T16:45:21","slug":"the-kings-of-summer-movie-review-2","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2013\/05\/28\/the-kings-of-summer-movie-review-2\/","title":{"rendered":"The Kings of Summer Movie Review"},"content":{"rendered":"

Title: The Kings of Summer<\/p>\n

Directed By: Jordan Vogt-Roberts<\/p>\n

Starring: Nick Robinson, Gabriel Basso, Moises Arias, Nick Offerman, Alison Brie, Mary Lynn Rajskub, Erin Moriarty, Megan Mullally, Marc Evan Jackson<\/B><\/p>\n

\u201cThe Kings of Summer\u201d boasts the innocence and carefree nature of younger years right alongside the profundity of adulthood, resulting in an experience that functions both as an entertaining romp and tender tale of growing up.<\/p>\n

Since the passing of his mother, Joe\u2019s (Nick Robinson) relationship with his father, Frank (Nick Offerman), has been more strained than ever, the two not being able to see eye to eye on a single thing, even a game of Monopoly. Meanwhile, Joe\u2019s best friend Patrick (Gabriel Basso) has parental problems of his own, but in a much different respect. His mother and father (Megan Mullally and Marc Evan Jackson) smother him, drowning him in juvenile affection and vegetable soup. Desperate to not become his father, Joe decides that their only shot at gaining a sense of independence and becoming the men they want to be is to get out from under their parents\u2019 roofs and build their own. Joe, Patrick, and the school oddball, Biaggio (Moises Arias), take to the woods, find a clearing and build their very own home.<\/p>\n

\u201cThe Kings of Summer\u201d strikes a unique balance between coming-of-age charm, comedy, and honest drama, and it\u2019s the constant give and take between all three that makes the film work particularly well as a whole. There are moments specifically rooted in humor and others aiming to earn weighty emotional arcs, but director Jordan Vogt-Roberts and writer Chris Galletta always keep all three elements in play, resulting in something that\u2019s both pleasantly enchanting and rather poignant.<\/p>\n

Just about every character in the film is highly successful, but Offerman, in particular, highlights that distinctive blend more than most. One minute Frank\u2019s an absolute jerk, but the next his behavior treads into snarky territory and then the layers start to strip away and we get a loving father with some very real, touching emotions. Robinson certainly hold his own, but Frank\u2019s transition serves as an ideal backbone for Joe\u2019s.<\/p>\n

Vogt-Roberts and Galletta play their cards right by opening with Frank in jerk mode, allowing easy access to Joe and his cause. However, rather than merely make Joe the straight man to root for, he\u2019s peppered with enough flaws to feel like his father\u2019s son, but also entice you to root for him for all the right reasons. It\u2019s not just about making it out into the woods to get some much needed space from Frank; it\u2019s also about simply having fun and then, on the other hand, about becoming a good person, too. Similar to Offerman, Robinson finds immense triumph building and then playing with the traits that make Joe who he is. He\u2019s a kid with sass that knows how to push his dad\u2019s buttons, he\u2019s a devout best friend, and a kid with a crush, and Robinson manages to sell an arc for each individual issue while also keeping them connected and serving the character as a whole.<\/p>\n

That\u2019s also a particularly noteworthy accomplishment on Galletta\u2019s end, too. \u201cThe Kings of Summer\u201d is full of memorable moments, moments that stand on their own that you can look forward to during repeat watches, but even then, just about every single thing in the film, from grander fights to minor props, also serve the larger experience. Joe\u2019s thing for Kelly (Erin Moriarty) isn\u2019t just your typical high school crush; it develops into something that adds a layer to his friendship with Patrick. Frank\u2019s frustration with a local restaurant\u2019s abnormally large wontons isn\u2019t just a scene filled with wildly amusing and unforgettable banter; it winds up marking a major turning point for Offerman\u2019s character. A ruthless game of Monopoly doesn\u2019t just shed light on Joe\u2019s relationship with Frank; the game returns to make a mark regarding Joe\u2019s connection to his father, his relationship with Patrick, and the status of the boys\u2019 new life in the woods. Very little happens in \u201cThe Kings of Summer\u201d for the sake of earning a laugh or pushing the narrative forward.<\/p>\n

Every now and then you tread into territory that could use a little more depth, but for the most part, \u201cThe Kings of Summer\u201d is the result of thoughtful and effective filmmaking through and through.<\/p>\n

Technical: A-<\/p>\n

Acting: A-<\/p>\n

Story: B<\/p>\n

Overall: B+<\/B><\/p>\n

By Perri Nemiroff<\/a><\/p>\n

\"The
The Kings of Summer Poster<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Title: The Kings of Summer Directed By: Jordan Vogt-Roberts Starring: Nick Robinson, Gabriel Basso, Moises Arias, Nick Offerman, Alison Brie, Mary Lynn Rajskub, Erin Moriarty, Megan Mullally, Marc Evan Jackson \u201cThe Kings of Summer\u201d boasts the innocence and carefree nature of younger years right alongside the profundity of adulthood, resulting in an experience that functions 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