{"id":134310,"date":"2013-09-27T15:34:32","date_gmt":"2013-09-27T22:34:32","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=134310"},"modified":"2013-09-27T15:37:04","modified_gmt":"2013-09-27T22:37:04","slug":"don-jon-movie-review-2","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2013\/09\/27\/don-jon-movie-review-2\/","title":{"rendered":"Don Jon Movie Review"},"content":{"rendered":"

Title: Don Jon<\/p>\n

Directed By: Joseph Gordon-Levitt<\/p>\n

Starring: Joseph Gordon-Levitt, Scarlett Johansson, Julianne Moore, Tony Danza, Brie Larson, Glenne Headly<\/B><\/p>\n

Joseph Gordon-Levitt\u2019s highly stylized and well-executed directorial choices make \u201cDon Jon\u201d a raunchy romp, but then he throws in just enough of that good old JGL charm to give it some heart.<\/p>\n

It makes sense that Jon (Joseph Gordon-Levitt) values his physique, his home, his car, his family, his church, his friends and his girls, but porn? When it comes to things Jon just can\u2019t live without, porn is pretty high up there. And we\u2019re not talking about the occasional indulgence. Not only does Jon have a habit of using pornography to get the job done dozens of times a week, but he also prefers it to the real thing. Considering he tends to stick to one-night stands, it\u2019s never really been an issue, but when Jon meets Barbara (Scarlett Johansson) and thinks she might be worth a long-term relationship, the porn just has to go.<\/p>\n

After putting a handful of short films on his resume, Gordon-Levitt made the move to features and, turns out, he was ready. \u201cDon Jon\u201d is out there to say the least and could easily have been an unfunny, pointless disaster, but Gordon-Levitt formulates the ideal unique style that well supports the comedy and surprisingly moving character journey.<\/p>\n

Jon is the ultimate womanizer. He\u2019s overconfident, immature, takes way too much pleasure in rating woman on a scale of one to ten and then taking the top contender home with him. You should hate Jon. But Jon is played by Gordon-Levitt and Gordon-Levitt has this incredible ability to infuse the character with enough innocence that you\u2019re tempted to let the bad behavior slide just enough to care. This is the only way for the \u201cDon Jon\u201d narrative to work and Gordon-Levitt nails it.<\/p>\n

The character is something of a man-child. He lives on his own and seems to take care of himself, but there\u2019s no talk of a proper job. However, it turns out, that doesn\u2019t make Jon any less likable, rather it gives the viewer an in. Jon is very clearly a full-grown man, but it\u2019s almost as if his internal maturing process hit a snag. When you\u2019re watching a grown man fawn over his body, pad, ride, etc., it\u2019s deplorable. However, when you\u2019re watching someone on the younger side who\u2019s somewhat independent, but also stinted by a childish form of selfishness, you don\u2019t hate him, rather you pity him, and because you don\u2019t hate but pity Jon, you want to see him get past this issue and that proves to be a prime balancing factor for the film\u2019s highly stylized format and tone.<\/p>\n

The large majority of the film moves at a rip-roaring pace with quick cuts and well-timed edits to maximize each joke\u2019s potential. It\u2019s a bold move on Gordon-Levitt\u2019s part, but it\u2019s necessary because the large majority of \u201cDon Jon\u201d consists of caricatures that require the humor boost. <\/p>\n

Johansson\u2019s Barbara is like a \u201cJersey Shore\u201d transplant with a personality disorder. One minute she\u2019s kind, caring, and the girl of Jon\u2019s dreams, but the next, she\u2019s demanding, unforgiving, and a borderline lunatic. The transition is harsh, jarring, and essentially makes the character one big joke. However, it\u2019s Barbara\u2019s effect on Jon that\u2019s vital to the character\u2019s success and in that respect, Johansson gets the job done. Tony Danza, Glenne Headly, and Brie Larson earn some laughs as Jon\u2019s family, but the shtick eventually sputters out, making their primary contribution building Jon\u2019s backstory and giving his current predicament a stronger framework.<\/p>\n

Then we\u2019ve got Julianne Moore\u2019s Esther, an older woman Jon meets during a class. As far as script structure goes, Esther is an absolute mess. She\u2019s so erratic and underdeveloped that she\u2019s impossible to track, but her effect on Jon is so positive and unique that she ultimately becomes a delightful addition.<\/p>\n

What makes \u201cDon Jon\u201d particularly successful and special is that, oddly enough, whether you\u2019re willing to admit it or not, Jon\u2019s a relatable guy. You may not struggle with a severe addiction to porn, but being rigid in a certain respect and needing to change that to accommodate another person or to improve one\u2019s self is a familiar scenario and in that respect, \u201cDon Jon\u201d is pleasantly sincere. <\/p>\n

Technical: A-<\/p>\n

Acting: B+<\/p>\n

Story: B<\/p>\n

Overall: B+<\/B><\/p>\n

By Perri Nemiroff<\/a><\/p>\n

\"Don<\/p>\n","protected":false},"excerpt":{"rendered":"

Title: Don Jon Directed By: Joseph Gordon-Levitt Starring: Joseph Gordon-Levitt, Scarlett Johansson, Julianne Moore, Tony Danza, Brie Larson, Glenne Headly Joseph Gordon-Levitt\u2019s highly stylized and well-executed directorial choices make \u201cDon Jon\u201d a raunchy romp, but then he throws in just enough of that good old JGL charm to give it some heart. It makes sense 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