{"id":135660,"date":"2013-11-04T15:23:03","date_gmt":"2013-11-04T22:23:03","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=135660"},"modified":"2013-11-04T15:23:03","modified_gmt":"2013-11-04T22:23:03","slug":"the-book-thief-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2013\/11\/04\/the-book-thief-movie-review\/","title":{"rendered":"The Book Thief Movie Review"},"content":{"rendered":"

Title: The Book Thief<\/p>\n

Directed By: Brian Percival<\/p>\n

Starring: Sophie N\u00e9lisse, Geoffrey Rush, Emily Watson, Ben Schnetzer, Nico Liersch<\/B><\/p>\n

\u201cThe Book Thief\u201d celebrates love and life in one sequence and takes it all away in the next, only to come back around to give your heart yet another bruising, but it always does so with purpose, making the film a well-earned flood of emotion.<\/p>\n

After being put up for adoption, Liesel Meminger (Sophie N\u00e9lisse) is sent to live with Hans and Rosa Hubermann (Geoffrey Rush and Emily Watson) in a pre-war German town. Heartbroken over the passing of her brother and her mother\u2019s abandonment, Liesel has difficulty adjusting to her new life until Hans discovers her passion for books and takes it upon himself to teach her to read. Liesel warms up to the Hubermanns and befriends her neighbor Rudy (Nico Liersch), but as the pressure of the Nazi regime bears down on the town, Liesel finds it increasingly difficult to fall in line, especially when the Hubermanns agree to care for the son (Ben Schnetzer) of a Jewish man who saved Hans\u2019 life in the First World War.<\/p>\n

Even though Markus Zusak\u2019s book comes with a wealth of cinematic material, \u201cThe Book Thief\u201d is a particularly challenging piece to adapt to film. The book takes place over a lengthy period of time during which Liesel begins as a child and winds up a young woman. N\u00e9lisse is the film\u2019s one and only Liesel, but thanks to excellent hair, makeup and costume choices, the filmmakers successfully bring her from innocent, frightened girl to knowing young adult over the course of the film\u2019s 127-minute running time.<\/p>\n

The success of this transition also speaks to N\u00e9lisse\u2019s talent. She\u2019s got an undeniably absorbing on-screen presence. At the start of the film, Liesel is a girl of very few words, but N\u00e9lisse\u2019s facial expressions and body language provide a firm understanding of how she\u2019s feeling about her new life during each stage of the process. Ultimately, Liesel becomes a learned and outspoken character and both N\u00e9lisse and screenwriter Michael Petroni handle that transition beautifully. Liesel is driven by personal dreams and her huge heart, but she\u2019s always well aware of the risk that comes with making certain decisions, so N\u00e9lisse\u2019s ability to offer insight into that thought process is key to \u201cThe Book Thief\u2019s\u201d success.<\/p>\n

N\u00e9lisse is the driving force of the film, but Rush, Watson and Liersch all offer stellar supporting performances that result in fully realized secondary characters, but also ones that are key to building Liesel. Similar to Liesel\u2019s aging, the relationship between her and her foster parents is a delicate, extensive transition that works surprisingly well considering the truncated version of the story in the film. Hans is warm and lovable right from the start, but as the threat of war creeps closer and closer, his tenor changes. He\u2019s always a source of warmth, but that actually winds up raising the stakes in \u201cThe Book Thief\u201d because when Hans opts to use a firmer tone with Liesel, you know it\u2019s for a good reason.<\/p>\n

Watson\u2019s character excels more so due to her extreme arc. Rosa is a tough-as-nails type, always bossing Liesel around and picking on Hans for not having a job. However, she is a loving person and cares for both of them dearly, so it\u2019s a pleasure to see that side of her break through more and more as the family\u2019s circumstances change.<\/p>\n

Liersch is another young standout in the film. Just like N\u00e9lisse, he\u2019s got your full attention every time he\u2019s on screen. Rudy\u2019s playfulness is infectious and considering \u201cThe Book Thief\u201d involves some rather bleak circumstances, Rudy\u2019s everlasting jubilance makes for a much-needed addition. However, that\u2019s not to say Rudy is a one-note character. The impending war eventually hits home from him, too, and the fact that it chips away at his fun-loving demeanor is upsetting. Schnetzer\u2019s Max, on the other hand, finds more success in helping reveal more about Liesel. Max is the Jewish son of a man who once saved Hans\u2019 life and that\u2019s really as far as the character goes. His effect on Liesel, however, is extensive and that alone makes him a worthy supporting character.<\/p>\n

\u201cThe Book Thief\u201d is loaded with picturesque visuals, John Williams\u2019 score is rousing and, as it should, the narrative essentially uses your heart as a punching bag, but there are two elements in the film that do run the risk of taking a viewer out of the story. The first will only effect fans of the source material. In Zusak\u2019s book, Death is the narrator. Even though Percival and Petroni make the best possible choice by relegating this narration to the very beginning and end of the film, Death\u2019s presence is sorely missed. But, then again, it\u2019s hard to imagine the filmmakers upping his presence without the narration becoming distracting. Then there\u2019s the issue of the accents. As someone who knows little to nothing about accent accuracy, this has nothing to do with the authenticity of the cast\u2019s German accents, but rather the fact that by speaking English with this German accent, it can dull the intonation of the dialogue and make moments feel wooden. <\/p>\n

Those missteps aside, \u201cThe Book Thief\u201d is a highly successful epic that will lift your spirits, break you down and then earn that emotional roller coaster by leaving you with something to think about well after the credits roll. <\/p>\n

Technical: A-<\/p>\n

Acting: A-<\/p>\n

Story: B+<\/p>\n

Overall: A-<\/B><\/p>\n

By Perri Nemiroff<\/a><\/p>\n

\"The<\/p>\n","protected":false},"excerpt":{"rendered":"

Title: The Book Thief Directed By: Brian Percival Starring: Sophie N\u00e9lisse, Geoffrey Rush, Emily Watson, Ben Schnetzer, Nico Liersch \u201cThe Book Thief\u201d celebrates love and life in one sequence and takes it all away in the next, only to come back around to give your heart yet another bruising, but it always does so with 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