{"id":135770,"date":"2013-11-06T20:43:35","date_gmt":"2013-11-07T03:43:35","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=135770"},"modified":"2013-11-06T20:43:55","modified_gmt":"2013-11-07T03:43:55","slug":"narco-cultura-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2013\/11\/06\/narco-cultura-movie-review\/","title":{"rendered":"Narco Cultura Movie Review"},"content":{"rendered":"

NARCO CULTURA<\/strong><\/p>\n

Cinedigm<\/strong>
\nReviewed for Shockya by Harvey Karten. Data-based on RottenTomatoes.com<\/strong>
\nGrade: B+<\/strong>
\nDirector: Shaul Schwarz <\/strong>
\nCast: Richi Soto, Edgar Quintero<\/strong>
\nScreened at: Review 1, NYC, 11\/6\/13<\/strong>
\nOpens: November 22, 2013 in NY, national rollout to follow<\/strong><\/p>\n

As we in the audience watch the frames unfold in director-cinematographer Shaul Schwarz\u2019s \u201cNarco Cultura,\u201d some of us will see parallels with the vulgar lyrics embraced by some within the American hip-hop movement. Others may conjure scenes from docs and dramas about how the Nazi party in Germany had no problem getting millions of that country\u2019s citizenry to raise their arms in salute and cheer wildly when listening to speeches of their evil chancellor. The Israeli-born director, whose documentary \u201cThe Block\u201d follows the last months of the Jewish settlers\u2019 lives in Gaza, points his lenses on the seemingly hopeless drug wars in Mexico, which have resulted in the deaths of 60,000 of that country\u2019s residents since 2006. The cartels, notably the powerful Sinaloa gang, target rival drug gangs (for example the criminals in Sinaloa move in on their opposite numbers in Ju\u00e1rez), and go after police and business owners who do not give in to extortionate demands.<\/p>\n

More specifically, Schwarz gives us a view of one aspect of the tragic conflicts in our neighbors to the south, that of the popularity of narco corridos, i.e. songs whose lyrics glorify the activities of these very gangs, its listeners bopping to the rhythms of the songs about people looked up to as heroes who have made it out of the ghetto and are living large.<\/p>\n

The doc divides its time primarily between two individuals: Richi Soto, a crime scene investigator living in Ju\u00e1rez with a family that wants him to quit his dangerous work; and Edgar Quintero, a musician living in Los Angeles who makes a good living recording these narco corridos.<\/p>\n

We need not wonder who is more admired by fans of these songs, and it\u2019s not Richi Soto\u2014who is in most ways a better person than Edgar Quintero. Soto, now thirty-four years of age, is called upon to look into crime scenes whenever a body is found either sitting bloodied in a car, lying on the street, or even cut up into several pieces. To add to Soto\u2019s problem, the official does not even have the pride of doing great things for his country, since most killers are not caught. In fact, 97% of the homicides are scarcely investigated, and of the 3% of murderers who are brought to trial, figure half of those are going to be found not guilty. In just the city of Ju\u00e1rez in 2010, almost 4,000 Mexicans were murdered by the cartels, while just a football-field\u2019s distance away, over a tall, barbed-wired fence in El Paso, Texas, the police registered only five murders, making El Paso the safest urban center in the U.S.<\/p>\n

Meanwhile Quintero, seven years younger than Soto, is knocking out ballads to celebrate the criminals notwithstanding their role in destroying the social fabric of Mexico. In fact Quintero is shielded from the blood by recording his songs in the U.S., perhaps not even visiting Mexico to get a better feel for its culture. The ballads may remind some of us here in the U.S. of a fashion still followed by some of our youths for wearing T-shirts with pictures of Che Guevara, perhaps not even knowing much of his exploits or of Guevara\u2019s habit of ordering the execution of hundreds of alleged spies and informers without a trial.<\/p>\n

Schwarz contrasts Quintero, rich and successful, protected from the dangers in Mexico, with Soto, who must be considered by all rational people to be the better man, up to his neck in murders while never knowing whether he will be the next victim. But who\u2019s rational? Surely not the vast assemblages eating up the music on both sides of the border. Now and then, Schwarz shows us the grisly carnage, getting his cameras up close to the bodies of people whose murders will never be avenged.<\/p>\n

One sin of omission, a major one at that: while I\u2019m not fond of an over-reliance on talking-heads interviews, I would have liked to see interviews with members of the audience for these songs. After all, isn\u2019t Schwarz\u2019s principal point that hordes of innocent citizens revel in these ballads? I\u2019d have liked to hear from members of that audience in L.A. and Atlanta and Ju\u00e1rez and Culiac\u00e1n the reasons for their interest. Would they say, \u201cMy friends like it, so I do to?\u201d Or, \u201cThese gangsters are the most exciting people I know?\u201d<\/p>\n

What do you think would they say?<\/p>\n

Rated R. 102 minutes \u00a9 2013 by Harvey Karten, Member, New York Film Critics Online<\/strong><\/p>\n

Story \u2013 B<\/strong>
\nActing \u2013 B+<\/strong>
\nTechnical \u2013 B+<\/strong>
\nOverall \u2013 B+<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

NARCO CULTURA Cinedigm Reviewed for Shockya by Harvey Karten. Data-based on RottenTomatoes.com Grade: B+ Director: Shaul Schwarz Cast: Richi Soto, Edgar Quintero Screened at: Review 1, NYC, 11\/6\/13 Opens: November 22, 2013 in NY, national rollout to follow As we in the audience watch the frames unfold in director-cinematographer Shaul Schwarz\u2019s \u201cNarco Cultura,\u201d some of […]<\/p>\n","protected":false},"author":37,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,4],"tags":[],"class_list":["post-135770","post","type-post","status-publish","format-standard","hentry","category-movies","category-reviews"],"apple_news_notices":[],"yoast_head":"\nNarco Cultura Movie Review<\/title>\n<meta name=\"description\" content=\"NARCO CULTURA Cinedigm Reviewed for Shockya by Harvey Karten. 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