{"id":136086,"date":"2013-11-18T20:43:30","date_gmt":"2013-11-19T03:43:30","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=136086"},"modified":"2013-11-19T13:48:16","modified_gmt":"2013-11-19T20:48:16","slug":"inside-llewyn-davis-movie-review-2","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2013\/11\/18\/inside-llewyn-davis-movie-review-2\/","title":{"rendered":"Inside Llewyn Davis Movie Review"},"content":{"rendered":"

INSIDE LLEWYN DAVIS<\/strong><\/p>\n

CBS Films<\/strong>
\nReviewed for Shockya by Harvey Karten. Data-based on RottenTomatoes.com<\/strong>
\nGrade: A-<\/strong>
\nDirector: Ethan Coen, Joel Coen <\/strong>
\nScreenwriter: Joel Coen<\/strong>
\nCast: Oscar Isaac, Carey Mulligan, Justin Timberlake, John Goodman, Garrett Hedlund, F. Murray Abraham, Jeanine Serralles<\/strong>
\nScreened at: Dolby 24, NYC, 11\/18\/13<\/strong>
\nOpens: December 6, 2013<\/strong><\/p>\n

What comes to mind, dear reader, when you hear the term \u201cAmerican Folk Music?\u201d If you\u2019re like the majority of your countrymen, you were either not born during the height of the folk era (1960\u2019s) or too young to have appreciated it or attended a concert. Some of the concerts were held in Carnegie Hall, featuring such greats as Joan Baez while the best listening was from the small clubs in New York\u2019s Greenwich Village. When I heard some months ago that a movie was in production featuring the music of that era, I leaped at the chance to see \u201cInside Llewyn Davis\u201d and, having achieved this dream, was bowled over in part from the memories of those little clubs around Bleecker and MacDougal Streets such as The Bitter End and Caf\u00e9 Wha, but mostly from the Coen Brothers\u2019 array of dry humor better than you\u2019ll find in any other movie this year.<\/p>\n

Young people today are so much into acid rock, hard rock, punk, hip-hop and the like that the simple, gentle, soulful tunes of the sixties would not hold their attention. But for a special audience\u2014not exclusively of people whose coming of age took place during the hoped-for greening of America\u2014\u201cInside Llewyn Davis\u201d offers a gem of satire overlaid with the feeling of loss. The only song that might be familiar to most would be \u201c500 Miles,\u201d which I heard sung many moons ago by Peter, Paul and Mary, lyrics \u201cLord I\u2019m 500 miles from my home\u201d referring to the singer who is far from home, out of money, and too ashamed to return. This is the overriding theme of the Coen Brothers\u2019 movie, a theme that embraces the loss of love, loss of identity, loss of meaning.<\/p>\n

The Coens luck out with the Guatemalan-born, Miami raised actor Oscar Isaac. His character\u2019s name is Welsh. He had a stint in the merchant marine. Now, though, with his guitar resting on his leg, he tries and fails to make it big or have even moderate success in showbiz. We watch the title character\u2019s adventures with several people who for want of a better term are played by character actors like John Goodman, Ethan Philips, Robin Bartlett, Max Casella and Jerry Grayson. Isaac\u2019s Llewyn Davis is in bad shape, bereft of profitable gigs or even a place to sleep, with a bunch of unsold albums staring him in the face. He lacks the money to pay for an abortion sought by Jean, a girlfriend played by the adorable Carey Mulligan, though considering her bohemian life might not be carrying Davis\u2019s kid after all.<\/p>\n

As though Davis\u2019s failures in the music biz were not enough, he gets beaten in a dark alley in a scene that frames the movie. He mooches a few nights here and there with friends including a professor, Mitch Gorfein (Ethan Phillips), whose cat he loses and seems to recover and keep for a long ride to Chicago to meet with club owner Bud Grossman (F. Murray Abraham). Grossman notes that \u201cI don\u2019t see money there.\u201d On the way to that failed meeting, he\u2019d have been better off paying for a train if he had the cash and avoiding the biting comments of Roland Turner (John Goodman), the passenger in the back seat who, when not fast asleep, nudges Davis with his cane, comments on his dislike of Welsh rarebit, and wonders whether everything in Wales is sh*t. How should we take Turner\u2019s view in hearing that Davis\u2019s former singing partner threw himself off the George Washington Bridge? According to the back-seat passenger, that\u2019s not at all logical since everyone knows that the Brooklyn Bridge, not the G.W., was made for just those antics.<\/p>\n

The soundtrack, which should be right up there for guild awards including an Oscar (no pun intended), was produced by T. Bone Burnett, who has a history with the Coen Brothers. The performers, the music, the spirit of the times, all play together to enable the Coens to convey a quiet movie with more depth of feeling than you\u2019ll find even in the most celebrated indies. Paul Mazursky heralded \u201cNext Stop, Greenwich Village.\u201d That filmmaker would now meet his objective in this sad but lyrical, biting yet sympathetic, portrayal of a singer in his early thirties who convinces us that it\u2019s difficult to make a go with art.<\/p>\n

Rated R. 105 minutes \u00a9 2013 by Harvey Karten, Member, New York Film Critics Online<\/strong><\/p>\n

Story \u2013 B+<\/strong>
\nActing \u2013 A-<\/strong>
\nTechnical \u2013 B+<\/strong>
\nOverall \u2013 A-<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

INSIDE LLEWYN DAVIS CBS Films Reviewed for Shockya by Harvey Karten. Data-based on RottenTomatoes.com Grade: A- Director: Ethan Coen, Joel Coen Screenwriter: Joel Coen Cast: Oscar Isaac, Carey Mulligan, Justin Timberlake, John Goodman, Garrett Hedlund, F. Murray Abraham, Jeanine Serralles Screened at: Dolby 24, NYC, 11\/18\/13 Opens: December 6, 2013 What comes to mind, dear […]<\/p>\n","protected":false},"author":37,"featured_media":134382,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,4],"tags":[21460],"class_list":["post-136086","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-inside-llewyn-davis"],"apple_news_notices":[],"yoast_head":"\nInside Llewyn Davis Movie Review<\/title>\n<meta name=\"description\" content=\"INSIDE LLEWYN DAVIS CBS Films Reviewed for Shockya by Harvey Karten. 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