{"id":137022,"date":"2013-12-18T06:37:10","date_gmt":"2013-12-18T13:37:10","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=137022"},"modified":"2013-12-18T06:37:10","modified_gmt":"2013-12-18T13:37:10","slug":"the-past-movie-review-2","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2013\/12\/18\/the-past-movie-review-2\/","title":{"rendered":"The Past Movie Review"},"content":{"rendered":"<div><strong><span style=\"color: #073763;\">THE PAST (Le pass\u00e9)<\/span><\/strong><\/div>\n<div><strong><span style=\"color: #073763;\"><br \/>\n<\/span><\/strong><\/div>\n<div><strong><span style=\"color: #073763;\">Sony Pictures Classics<\/span><\/strong><\/div>\n<div><strong><span style=\"color: #073763;\">Reviewed for Shockya by Harvey Karten. \u00a0 Data-based on RottenTomatoes.com<\/span><\/strong><\/div>\n<div><strong><span style=\"color: #073763;\">Grade: \u00a0B+<\/span><\/strong><\/div>\n<div><strong><span style=\"color: #073763;\">Director: \u00a0 \u00a0Asghar Farhadi<\/span><\/strong><\/div>\n<div><strong><span style=\"color: #073763;\">Screenwriter: \u00a0 Asghar Farhadi<\/span><\/strong><\/div>\n<div><strong><span style=\"color: #073763;\">Cast: \u00a0B\u00e9r\u00e9nice B\u00e9jo, Tahar Rahim, Ali Mosaffa, Pauline Burlet, Elyes Aguis, Jeanne Jestin, Sabrina Ouazani, Babak Karimi, Valeria Cavalli, Eleonora Marino<\/span><\/strong><\/div>\n<div><strong><span style=\"color: #073763;\">Screened at: \u00a0Sony, NYC, 8\/21\/13<\/span><\/strong><\/div>\n<div><strong><span style=\"color: #073763;\">Opens: \u00a0December 20, 2013<\/span><\/strong><\/div>\n<div><img decoding=\"async\" src=\"http:\/\/cdn11.ne.be\/movies\/12578\/46285.thumb175.jpg\" alt=\"Le Pass\u00e9 - Picture 5\" \/><strong><span style=\"color: #073763;\"><br \/>\n<\/span><\/strong><\/div>\n<div><span style=\"color: #073763;\">If this were one of the abundant numbers of sitcoms about family dysfunction, the moral might be something as vacuous as \u201cDon\u2019t mess with married men.\u201d \u00a0But \u201cThe \u00a0Past\u201d is a serious drama written and directed by Asghar Farhadi, whose previous entry, \u201cA Separation,\u201d looks closely at a family that must make a serious choice: \u00a0A couple must decide whether to leave Iran for rosier shores, or stay put in that repressive state in order to care for a mother afflicted with Alzheimer\u2019s. \u00a0So what might be this serious writer-director\u2019s moral for \u201cThe Past?\u201d \u00a0\u201cDon\u2019t mess with married men.\u201d \u00a0Sounds simple, but \u201cLe pass\u00e9\u201d as it\u2019s called in France where it was filmed, is delightfully complex, filled with almost as many twists and surprises that you\u2019d find in a story by Stephen King or Sophocles, or Shakespeare, or for that matter just about any writer who gets jollies messing with the minds of the audience.<\/span><\/div>\n<div><span style=\"color: #073763;\"><br \/>\n<\/span><\/div>\n<div><span style=\"color: #073763;\">\u201cThe Past\u201d is in French, a language in which the Iranian director is hardly fluent, making his job that much more difficult than the task he faced filming wholly in Iran. \u00a0With a mischievous eye looking to satirize us here in the West with our \u201cliberated\u201d penchant for serial marriages, Farhadi hones in on a married couple on the brink of divorce. \u00a0Ahmad (Ali Mosaffa) had lived in a Paris suburb with his wife Marie (B\u00e9r\u00e9nice Bejo) but their union had not resulted in children. \u00a0For her part Marie has had two young ones from her now-divorced Belgian husband: Lucie (Pauline Burlet), now eighteen, and little L\u00e9a (Jeanne Jestin), now about seven. \u00a0With those two kids living with her, she takes on another child, Fouad (Elyes Aguis), whose father, Samir (Tahar Rahim), is her intended third husband. \u00a0Already pregnant for two months with Samir\u2019s child, she might look forward to at least some years of wedded satisfaction, but there are complications. \u00a0Samir\u2019s wife is still alive, albeit in a vegetative state for eight months, a coma that Samir\u2019s daughter Lucie blames on Marie, her mother, noting that mom had been carrying on an affair with Samir even before Samir\u2019s wife lapsed into her unfortunate state attached to machines.<\/span><\/div>\n<div><span style=\"color: #073763;\"><br \/>\n<\/span><\/div>\n<div><span style=\"color: #073763;\">You can\u2019t get much more dysfunctional than this family. \u00a0Loud arguments from the adults punctuate the screen combined with melodramatic flourishes from the children. \u00a0Lucie would like to break up her mom\u2019s relationship with Samir. \u00a0Marie dislikes Ahmad, as divorcing couples are wont to feel, despite what you hear about \u201camicable splits.\u201d \u00a0Fouad is not fond of anyone but his young sister, resisting all efforts of his prospective stepmother. \u00a0And something may be going on between Samir, who owns a dry cleaning establishment in this dreary Paris suburb, and his assistant, Na\u00efma!<\/span><\/div>\n<div><span style=\"color: #073763;\"><br \/>\n<\/span><\/div>\n<div><span style=\"color: #073763;\">The ensemble has done terrific work. Notwithstanding the difficulties that directors have working with children, we are surprised by how realistic the terminally pouting and sometimes door-kicking Elyes Aguis comes across, truly a boy who is frightened by changes whose origin he is too young to comprehend. \u00a0Pauline Burlet is especially good in the role of the teen Lucie, who charges the atmosphere by revealing a secret that she should have kept to herself for a lifetime but which becomes the major twist of the film. \u00a0We can see how B\u00e9r\u00e9nice Bejo would capture the accolades of the folks at Cannes this year, taking away the Best Actress award while the film won the Ecumenical Jury prize and secured a nomination for the Palme d\u2019Or. \u00a0<\/span><\/div>\n<div><span style=\"color: #073763;\"><br \/>\n<\/span><\/div>\n<div><span style=\"color: #073763;\">Oh yes, another moral for those of us who insist that every story must have more than one: if you\u2019ve failed at two marriages, the men disappearing on you to other parts of the world, chill out: don\u2019t be in such a hurry to find a third husband. \u00a0Iran chose &#8220;The Past&#8221; as its Oscar nominee for movie opening in 2013.<\/span><\/div>\n<div><strong><span style=\"color: #073763;\"><br \/>\n<\/span><\/strong><\/div>\n<div><strong><span style=\"color: #073763;\">Unrated. 130 minutes \u00a9 2013 by Harvey Karten, Member, New York Film Critics Online<\/span><\/strong><\/div>\n<div><strong><span style=\"color: #073763;\"><br \/>\n<\/span><\/strong><\/div>\n<div><strong><span style=\"color: #073763;\">Story &#8211; B+<\/span><\/strong><\/div>\n<div><strong><span style=\"color: #073763;\">Acting &#8211; A-<\/span><\/strong><\/div>\n<div><strong><span style=\"color: #073763;\">Technical &#8211; B+<\/span><\/strong><\/div>\n<div><strong><span style=\"color: #073763;\">Overall &#8211; B+<\/span><\/strong><\/div>\n","protected":false},"excerpt":{"rendered":"<p>THE PAST (Le pass\u00e9) Sony Pictures Classics Reviewed for Shockya by Harvey Karten. \u00a0 Data-based on RottenTomatoes.com Grade: \u00a0B+ Director: \u00a0 \u00a0Asghar Farhadi Screenwriter: \u00a0 Asghar Farhadi Cast: \u00a0B\u00e9r\u00e9nice B\u00e9jo, Tahar Rahim, Ali Mosaffa, Pauline Burlet, Elyes Aguis, Jeanne Jestin, Sabrina Ouazani, Babak Karimi, Valeria Cavalli, Eleonora Marino Screened at: \u00a0Sony, NYC, 8\/21\/13 Opens: \u00a0December [&hellip;]<\/p>\n","protected":false},"author":37,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,4],"tags":[],"class_list":["post-137022","post","type-post","status-publish","format-standard","hentry","category-movies","category-reviews"],"apple_news_notices":[],"yoast_head":"<!-- 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