{"id":138280,"date":"2014-01-17T17:44:57","date_gmt":"2014-01-18T00:44:57","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=138280"},"modified":"2014-01-17T17:44:57","modified_gmt":"2014-01-18T00:44:57","slug":"sundance-film-festival-2014-day-one-press-conference","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2014\/01\/17\/sundance-film-festival-2014-day-one-press-conference\/","title":{"rendered":"Sundance Film Festival 2014 Day One Press Conference"},"content":{"rendered":"

Greetings from Park City, Utah, where the 2014 Sundance Film Festival is underway. Throughout the next week, we\u2019ll be bringing you coverage of the hottest movies and best events out here. Four feature films – Dinosaur 13<\/em>, The Green Prince<\/em>, Lilting<\/em>, and Whiplash<\/em> – were shown to the movie-going public on Thursday night, in addition to a shorts program. We\u2019ll have a more extensive look at some of those films in the days to come. For now, let\u2019s recap the highlights of the day one press conference, which took place at the Egyptian Theater at 1pm.<\/p>\n

Sean P. Means of the Salt Lake Tribune moderated the panel, which included actor and director Robert Redford, founder of the Sundance Institute, Keri Putnam, the director of the Sundance Institute, and John Cooper, the director of the Sundance Film Festival. Enjoy a taste of the best moments below.<\/p>\n

Q: Let\u2019s start off with an awkward topic: you weren\u2019t nominated for an Oscar for All is Lost<\/em> today.<\/b><\/p>\n

Redford: All is Lost<\/em> for me was more of a pure cinematic experience. It gave me the chance as an actor to go back to my roots. I\u2019m very happy about that film. It didn\u2019t cross over to the mainstream. Hollywood is a business, a very good one. I have nothing but respect for them, it is what it is. When these films go to be voted on, usually they\u2019re heavily defended on campaigns, and they can get political. We suffered from little to no distribution. I\u2019m fine.<\/p>\n

Q: How does the state of Utah play into this festival?<\/b><\/p>\n

Redford: I came here because of the beauty, because of the state\u2019s pioneer history. I wanted to preserve that. I said, let\u2019s put it in Utah in the middle of winter, make it weird. It was a place to put this new concept of independent film, to create opportunities for new artists to come and develop and share that with the state and see what happens.<\/p>\n

Putnam: In the last five years, the Sundance Film Festival has created $375 million of economic activity for state of Utah.<\/p>\n

Q: How do you respond to critics who say that Sundance has become too mainstream?<\/b><\/p>\n

Redford: It\u2019s a good thing now to clarify who we are. The article implied that we\u2019re not who we are because of box office receipts. That person was wrong. We\u2019re about new voices and new ways of seeing the world using independent film.<\/p>\n

Q: It\u2019s the thirtieth year of Sundance \u2013 how do you think the mission has grown or maintained in that time?<\/b><\/p>\n

Redford: If you strip away thirty years, the history and the product pretty much speaks for itself. At a New York film critics\u2019 event I attended recently, David O. Russell and Alfonso Cuaron were there and being honored. They came through our labs. That gives me great pleasure, and it\u2019s more satisfying than anything. When we first started Sundance labs, people were making films but there was nowhere for them to go. The ambition in creating the festival was simply to create a community of like-minded filmmakers to come and share their work.<\/p>\n

Putnam: We\u2019ve added a documentary program, a theater program, and more. We have eighteen labs at Sundance that support 400 artists during the year.<\/p>\n

Cooper: On the festival side, increased excellence and creativity on the part of the artists. There are people who came here with shorts and then features, and now they\u2019re here with premieres. This is our 30th year. We wanted to do something different, put a stake in the ground. We came up with failure as an issue, since it\u2019s so crucial to creative process. On Monday, all the panels are going to be about that. The thing closest to my heart was to show a film that we failed to show first time around. We\u2019ll be showing Bottle Rocket<\/em>, and Luke Wilson will be coming to introduce it. We\u2019re taking a serious look at what it means to fail, which is also a bit light-hearted.<\/p>\n

Putnam: The workshops are all in things you\u2019re destined to fail at.<\/p>\n

Q: How does this year\u2019s batch of films represent Sundance?<\/b><\/p>\n

Cooper: It\u2019s very healthy. We\u2019ve seen an increase in aesthetic excellence, a cycle of better cinematographers and editors and casting directors, seasoned actors taking roles. Our categories are structured to represent films being made, like New Frontier and Premieres. Competition Next especially is rigorous and fun to program, featuring filmmakers that are on the edge and are going to be voice of independent film in the future.<\/p>\n

Q: How can we help these films do business?<\/b><\/p>\n

Redford: That\u2019s not who we are. We wish them well but can\u2019t follow them there. It\u2019s other people\u2019s business after that. Guys like Harvey Weinstein who always had a passion in independent film, that\u2019s where it belongs. Independent film really is at the mercy of distributors. It\u2019s our hope but not our business anymore.<\/p>\n

Cooper: We think at sundance of impact, The Invisible War<\/em> as changing policy, Blackfish<\/em> as changing how things are done in the world. On the aggregate, I still have a sense that more independent films are being seen by audiences.<\/p>\n

Putnam: We have a new program where we are providing resources to filmmakers who want to be independent from beginning to end. There are lots of pipelines and ways to get films seen, we want to empower that. We\u2019re more of a learning organization.<\/p>\n

Redford: Change is inevitable, either you resist it or you go with it. We want to ride with wave of change. Years ago, there was no texting, no iPhone. Since it\u2019s come along, we\u2019ve made our adjustments to accommodate that, we go with it. Look at how many films have been financed by Kickstarter.<\/p>\n

Keri: On Kickstarter alone, we\u2019ve helped artists raise over $7 million.<\/p>\n

Q: Four of this year\u2019s Oscar Best Documentary nominees played at Sundance last year. How do you feel about that?<\/b><\/p>\n

Putnam: To the credit of the programming team, that\u2019s been true for a couple of years.<\/p>\n

Cooper: They are all different kids of documentaries. It\u2019s great to see that the world is accepting nonfiction in a lot of different ways.<\/p>\n

Q: The animated film Ernest and Celestine<\/em> from Sundance Kids is also nominated.<\/b><\/p>\n

Cooper: There\u2019s a notion of creating a young audience for independent film. We want to make sure we don\u2019t skip a generation and want to turn young people on to exciting medium of film that can be different from Hollywood. We weren\u2019t expecting it to be nominated; we\u2019re happy!<\/p>\n

Written by Abe Fried-Tanzer<\/a><\/p>\n

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Greetings from Park City, Utah, where the 2014 Sundance Film Festival is underway. Throughout the next week, we\u2019ll be bringing you coverage of the hottest movies and best events out here. Four feature films – Dinosaur 13, The Green Prince, Lilting, and Whiplash – were shown to the movie-going public on Thursday night, in addition […]<\/p>\n","protected":false},"author":39,"featured_media":138302,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3,1],"tags":[658,3696,33461],"class_list":["post-138280","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews","category-news-release","tag-robert-redford","tag-sundance","tag-sundance-2014"],"apple_news_notices":[],"yoast_head":"\nSundance Film Festival 2014 Day One Press Conference<\/title>\n<meta name=\"description\" content=\"Greetings from Park City, Utah, where the 2014 Sundance Film Festival is underway. 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