{"id":140416,"date":"2014-03-11T02:44:22","date_gmt":"2014-03-11T09:44:22","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=140416"},"modified":"2014-03-11T21:17:35","modified_gmt":"2014-03-12T04:17:35","slug":"nymphomaniac-vol-1-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2014\/03\/11\/nymphomaniac-vol-1-movie-review\/","title":{"rendered":"Nymphomaniac Vol. 1 Movie Review"},"content":{"rendered":"<p><strong>NYMPHOMANIAC Volume I<\/strong><\/p>\n<p><strong>Magnolia Pictures<\/strong><\/p>\n<p>strong>Reviewed for CompuServe ShowBiz by Harvey Karten. Data-based on Rotten Tomatoes<\/strong><\/p>\n<p><strong>Grade: B+<\/strong><\/p>\n<p><strong>Director: Lars von Trier<\/strong><\/p>\n<p><strong>Screenplay: Lars von Trier<\/strong><\/p>\n<p><strong>Cast: Charlotte Gainsbourg, Stellan Skarsgard\u00e5rd, Stacy Martin, Shia LaBeouf, Christian Slater, Uma Thurman<\/strong><\/p>\n<p><strong>Screened at: Review 1, NYC, 3\/10\/14<\/strong><\/p>\n<p><strong>Opens: March 21, 2014<\/strong><\/p>\n<p>One can just imagine some shady-looking guy wearing a stained raincoat observing that a movie entitled \u201cNymphomaniac\u201d is opening. He smacks his lips and figures it must be screening somewhere on West 42nd St (he\u2019s in a time warp and doesn\u2019t realize that those places are no more), then notes to his amazement that it\u2019s showing at the classy Landmark Sunshine Theater! He wonders, briefly, what is happening to our city that people like him can be accommodated there.<\/p>\n<p>Happily for the rest of us, he is mistaken. \u201cNymphomaniac\u201d may be a title that attracts folks in stained raincoats, but the hot scenes are a small segment of the two-hour picture that encompasses Volume I. Director Lars van Trier is far more interested in character. In this case, he\u2019s looking into what goes into the makeup of a woman who cannot be sexually satisfied despite her merry-go-roundelay of assignations, and per her own confession has always felt lonely even in the presence of a diverse assortment of men.<\/p>\n<p>That Lars von Trier, whose \u201cMelancholia\u201d deals with a pair of sisters who test their relationship as the world is coming to an end, and whose more accessible \u201cDancer in the Dark\u201d explores the psyche of an East European woman who go to America with her young son expecting our country to be like a Hollywood film, chose Stacy Martin for the lead role as title figure is puzzling. She is an upcoming (so to speak) performer who merits only one or two sentences on the Internet Movie Database. Moreover she is slim and androgynous looking, picked perhaps to convey her passage from the innocence of a girl of fifteen until her role is taken over now and then by Charlotte Gainsbourg) decades later.<\/p>\n<p>There is nothing innocent about the mature adult, Joe (Charlotte Gainsbourg), as she is found in the alley of an undisclosed country (where even Shia LaBoeuf speaks British) beaten to a pulp, seeming near death. She is taken in by Seligman (Stellan Skarg\u00e5rd), the last character you\u2019d expect to have a carnal interest in her. Nonetheless, Seligman, an intellectual who lives in a spare flat and is an ascetic whose two luxuries in life are Bach and fishing, encourages the middle-aged Joe to tell stories about her conquests as though he were talking to Scheherazade, with Seligman as a would-be therapist with possible visions of helping her over the hump (so to speak). We in the audience are regaled with details of her life, some titillating, some graphically sexual (lower-half body doubles of porn actors are used rather than subject principal performers to immodesty). \u201cNymphomanic\u201d is nothing if not a patiently portrayed gaze into the woman\u2019s inner life. We want to know why she tells Seligman about her life with a poker face, an unchanging look whether she is describing her teen seductions of passengers on a train\u2014per a game she is playing with her best friend B (Sophie Kennedy Clark) betting who can have sex with more men\u2014or when she is relating how she feels after destroying a middle-aged married man\u2019s domestic life.<\/p>\n<p>The sexual scenes are one thing. They show young Joe generally ecstatic except for the time she is fifteen and invites a boy to help her lose her virginity. She is hurting and vows never to have sex again. What\u2019s clear from these scenes is the temporary nature of release leaving the poor nymphomaniac feeling as lonely as the old man she sees regularly when she takes her cleansing walks in the woods. She has sex with Jer\u00f4me (Shia LaBeouf), who turns up later as the guy who hires her for his printing firm despite what Jer\u00f4me\u2019s secretary (Felicity Gilbert) thinks about the prognosis of a woman sans skills. She has sex with a man who is not allowed to touch her. In the film\u2019s best scene, one which brims with morbid humor, she causes a breakup of Mr. H\u2019s (Hugo Speer) marriage leading the roving man\u2019s wife, Mrs. H. (Uma Thurman), to deliver a caustic, guilt-inducing monologue to her husband and her three young boys (Frankie Dawson, George Dawson, Harry Dawson).<\/p>\n<p>The movie is filled with style, particularly the metaphor that Seligman draws in the first chapter of this Volume 1, comparing Joe\u2019s ventures of hooking in men with Seligman\u2019s own acquaintance of fishing with artificial fly baits, which he uses to tantalize the fish, pulling away, drawing back. In split screens von Trier compares a slice of humanity with a tiger bearing prey in its mouth. If Joe has a saving grace, she loves her father (Christian Slater), spending long hours with him when he is on his deathbed, watching as the nurses respond to an emergency delirium and orderlies clean him up and mop the floor.<\/p>\n<p>Ultimately, this volume tantalizes the audience enough to want to see the second part, one which involves African partners and brings in Willem Dafoe while showing us what has happened to Jer\u00f4me, her favorite bedmate, when he is old.<\/p>\n<p><strong>Unrated. 117 minutes. \u00a9 2014 by Harvey Karten, Member, New York Film Critics Online<\/strong><\/p>\n<p><strong>Story &#8211; B+<\/strong><\/p>\n<p><strong>Acting &#8211; B<\/strong><\/p>\n<p><strong>Technical &#8211; B<\/strong><\/p>\n<p><strong>Overall &#8211; B+<\/strong><\/p>\n<p><a href=\"http:\/\/www.shockya.com\/news\/wp-content\/uploads\/Nymphomaniac-Vol-1.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.shockya.com\/news\/wp-content\/uploads\/Nymphomaniac-Vol-1.jpg\" alt=\"Nymphomaniac Vol 1\" width=\"599\" height=\"337\" class=\"alignleft size-full wp-image-140418\" srcset=\"https:\/\/www.shockya.com\/news\/wp-content\/uploads\/Nymphomaniac-Vol-1.jpg 599w, https:\/\/www.shockya.com\/news\/wp-content\/uploads\/Nymphomaniac-Vol-1-300x168.jpg 300w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>NYMPHOMANIAC Volume I Magnolia Pictures strong>Reviewed for CompuServe ShowBiz by Harvey Karten. Data-based on Rotten Tomatoes Grade: B+ Director: Lars von Trier Screenplay: Lars von Trier Cast: Charlotte Gainsbourg, Stellan Skarsgard\u00e5rd, Stacy Martin, Shia LaBeouf, Christian Slater, Uma Thurman Screened at: Review 1, NYC, 3\/10\/14 Opens: March 21, 2014 One can just imagine some shady-looking [&hellip;]<\/p>\n","protected":false},"author":37,"featured_media":140418,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,4],"tags":[],"class_list":["post-140416","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews"],"apple_news_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Nymphomaniac Vol. 1 Movie Review<\/title>\n<meta name=\"description\" content=\"NYMPHOMANIAC Volume I Magnolia Pictures strong&gt;Reviewed for CompuServe ShowBiz by Harvey Karten. 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