{"id":140440,"date":"2014-03-11T14:11:17","date_gmt":"2014-03-11T21:11:17","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=140440"},"modified":"2014-03-11T14:11:17","modified_gmt":"2014-03-11T21:11:17","slug":"sxsw-2014-frank-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2014\/03\/11\/sxsw-2014-frank-movie-review\/","title":{"rendered":"SXSW 2014: Frank Movie Review"},"content":{"rendered":"

Title: Frank<\/p>\n

Directed By: Lenny Abrahamson<\/p>\n

Starring: Michael Fassbender, Domhnall Gleeson, Maggie Gyllenhaal, Scoot McNairy, Fran\u00e7ois Civil, Carla Azar<\/p>\n

Screened at SXSW 2014<\/B><\/p>\n

Frank is essentially a character with one sole, lifeless facial expression yet his journey comes with more vivacity, passion and poignancy than the large majority of performances that don\u2019t require the actor to have a gigantic fake head covering his face. <\/p>\n

\u201cFrank\u201d focuses on Domhnall Gleeson\u2019s Jon, a cubical dwelling button pusher during the week and an aspiring musician in his free time. Jon\u2019s passionate about his craft and does have ability; he just can\u2019t seem to tap into it enough to produce a decent song. When Jon gets an impromptu opportunity to tag a long with an eccentric budding band called Soronprfbs \u2013 yeah, good luck with that one – he decides to take a chance and give it a go so hops in a van with a borderline mute drummer (Carla Azar), a French speaking guitarist (Fran\u00e7ois Civil), a hotheaded theremin player (Maggie Gyllenhaal) and the band\u2019s main man, Frank (Michael Fassbender), a lead singer who dons a giant fake head on stage, off stage, in the shower and quite literally everywhere else.<\/p>\n

\u201cFrank\u201d is an odd one and sometimes offputtingly so, but director Lenny Abrahamson does manage to turn this band of extreme and bizarre misfits into a likeable crew because you do become invested in their effort to hit it big.<\/p>\n

Gleeson is absolutely vital to the film\u2019s success. Thanks to Daft Punk and the Gorillaz, having a lead singer of a band hide his face behind a mask (or cartoon character) isn\u2019t particularly strange. In fact, it comes with a very marketable appeal. However, when it comes to light that Frank\u2019s head isn\u2019t just some shtick and you discover that he\u2019s really a very troubled man who\u2019s terrified to live without it, that\u2019s when things start to get weird. Tack on the fact that every single other member of the band is moody, mute or totally erratic and you absolutely need an anchor like Jon to maintain a degree of appeal.<\/p>\n

From the moment \u201cFrank\u201d begins, Gleeson strikes the perfect balance between selling Jon as your average Joe, but also as someone with a unique yet stifled creativity, too. By the time he comes face to face with the Soronprfbs, you\u2019ve identified Jon as a relatable character, but also as one with this bottled up ability that\u2019s about to explode. One may look at the members of Soronprfbs, think they\u2019re nuts and dub anyone who invests in them equally insane, but thanks to highly effective early character development, it simply makes sense that Jon would be swayed by the opportunity to join this outrageous crew of characters and take the biggest risk of his life.<\/p>\n

As for the rest of the gang, it should come as no surprise that the most influential of the bunch is Frank. He\u2019s a fascinating player to track. One minute, he comes off as a genius for giving his band a noteworthy shtick, the next, you think he\u2019s off his mind, but then, all of a sudden, you catch yourself admiring him just as much as his band mates do. In fact, about midway through, there\u2019s a good chance you\u2019ll throw all of your inhibitions out the window and look at Frank as though he\u2019s the sanest member of the bunch. Frank\u2019s arc in this movie is a true rollercoaster. Even though you\u2019re aware that he once was in a mental facility, Abrahamson makes it so easy to believe in Frank\u2019s dream of creating great music that you\u2019ll root for him, but in an instant, Abrahamson has him do a complete turnaround, hitting the viewer with the harsh reality of his situation. <\/p>\n

Of the remaining members, Gyllenhaal makes the biggest impression, but it\u2019s only because she\u2019s got far more dialogue than the rest of the bunch. It\u2019s quite clear that Clara isn\u2019t particularly stable herself, but in her case, that comes through via outrage and flat-out mean behavior. It\u2019s not funny, it\u2019s not moving and it\u2019s often disturbing. None of the supporting characters get much backstory, but in Clara\u2019s case, she needed it. Perhaps if we knew why she was so distrusting and vindictive, it would have made her outbursts easier to digest.<\/p>\n

There are a number of questions in \u201cFrank\u201d that go unanswered, namely why suicide is such an issue amongst the group, but the stride of the overarching plot is captivating enough to carry you through. Clearly there\u2019s a lot of music in this movie, but not in the way you might expect. The band never actually gets up on stage to perform a complete song. The singing, piano-playing, teremin tones and wealth of bizarre sounds coming from random objects are just all over the place. The music in \u201cFrank\u201d has no organizing principle because the music is just part of the characters\u2019 everyday lives and that gives the experience a really unique and catchy beat.<\/p>\n

Technical: B+<\/p>\n

Acting: B+<\/p>\n

Story: B-<\/p>\n

Overall: B<\/B><\/p>\n

By Perri Nemiroff<\/a><\/p>\n

\"Frank\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Title: Frank Directed By: Lenny Abrahamson Starring: Michael Fassbender, Domhnall Gleeson, Maggie Gyllenhaal, Scoot McNairy, Fran\u00e7ois Civil, Carla Azar Screened at SXSW 2014 Frank is essentially a character with one sole, lifeless facial expression yet his journey comes with more vivacity, passion and poignancy than the large majority of performances that don\u2019t require the actor 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