{"id":143681,"date":"2014-06-24T00:01:14","date_gmt":"2014-06-24T07:01:14","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=143681"},"modified":"2014-06-12T21:15:30","modified_gmt":"2014-06-13T04:15:30","slug":"10-000-km-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2014\/06\/24\/10-000-km-movie-review\/","title":{"rendered":"10.000 KM Movie Review"},"content":{"rendered":"

10.000 KM<\/strong><\/p>\n

Broad Green Pictures<\/strong><\/p>\n

Reviewed for Shockya by Harvey Karten. Data-based on Rotten Tomatoes<\/strong><\/p>\n

Grade:\u00a0 C+<\/strong><\/p>\n

Director:\u00a0 Carlos Marques-Marcet<\/strong><\/p>\n

Screenplay:\u00a0 Carlos Marques-Marcet, Clara Roquet Autonell<\/strong><\/p>\n

Cast:\u00a0 Natalia Tena, David Verdaguer<\/strong><\/p>\n

Screened at:\u00a0\u00a0\u00a0 Review 2, NYC, 6\/11\/14<\/strong><\/p>\n

Opens:\u00a0 June 28, 2014 at BAMcinemaFest, October 2014 wide<\/strong><\/p>\n

In the good old days before the Internet, or better still before the telephone was invented, people used to write letters. This is how we got such a wealth of information about the thoughts of our own founding fathers here in the U.S.\u00a0 When friends, families, and lovers regularly wrote to one another, we called those epistolary relationships, which is (kind of) what the two lovers have in Carlos Marques-Marcet\u2019s film \u201c10.000 KM.\u201d\u00a0 Marques-Marcet, heretofore known for directing only shorts like \u201cThe Yellow Ribbon\u201d (she agrees to marry him only if he asked her nothing about her past and nothing about the ribbon she wears around her neck) made a feature length movie this time.\u00a0 \u201c10.000KM,\u201d which represents the distance between Los Angeles where Alexandra has taken up a one year\u2019s residence in photography while her lover of seven years, Sergio (David Verdaguer) remains in their small Barcelona apartment.\u00a0 Marques-Marcet, who co-wrote this two-handler with Clara Roquest Autonell, wonders whether absence makes the heart grow fonder, or whether out of sight means out of mind.<\/p>\n

Actually, though, neither is true.\u00a0 If the couple were pursuing their different agendas in 1950, they would have had to spend a fortune on long-distance phone charges or do their continued verbal bonding by aerogrammes.\u00a0 Now, however, they can chat as much as they want through Skype for only the price of a modem, wherein each person can appear visually on that technology\u2019s still-blurry reception.\u00a0 It\u2019s not the same as face-to-face communication, and in fact, given the length of time that they are away from each other, the digital intercourse that takes place is so relatively impersonal that we wonder whether, at the end of the year, the two would be anything but embarrassed and tongue-tied, even acting like strangers having to reset their ties.<\/p>\n

I don\u2019t know if Marques-Marcet means to criticize the current popularity of texting and Skyping since, after all, it seems the next best thing to being there.\u00a0 It\u2019s not as though Alex and Sergio were spending a day in Barcelona\u2019s Ciudadella Park each pecking out messages to people in cyberspace while virtually ignoring each other.<\/p>\n

Whatever you think of the film\u2014and it\u2019s difficult to get wildly excited watching just two people on a big screen with no communication with anyone else, even in the background\u2014you can\u2019t fault cinematographer Dagmar Weaver-Madsen\u2019s early-on shots of the couple first in a long bout of lovemaking, then taking showers, buttering toast for breakfast, and talking all with the usual basic camera tricks like close-ups and wide shots and all without a single edit.\u00a0 The performers are up to the work.\u00a0 David Verdaguer is a strikingly handsome young man with a huge head of black hair and a thick, well-trimmed beard, while his partner, Natalia Tena, could hardly be called box-office, to use an American term for noting a woman of great beauty.<\/p>\n

In any case, despite the tediousness of the film\u2019s minimalism, one can get somewhat excited at a not necessarily intended product placement for Google, as Weaver-Madsen focuses on the miracle of seeing street-level scenes in Los Angeles and a wide array of Alex\u2019s photos, mostly of empty landscapes.\u00a0 Appearances aside, Alex and Sergei do not make for people who transcend the dullness of their conversations.<\/p>\n

Unrated. 99 minutes.\u00a0 \u00a9 2014 by Harvey Karten, Member, New York Film Critics Online<\/strong><\/p>\n

Story \u2013 C<\/strong><\/p>\n

Acting \u2013 C<\/strong><\/p>\n

Technical \u2013 B<\/strong><\/p>\n

Overall \u2013 C+<\/strong><\/p>\n

\"10000<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

10.000 KM Broad Green Pictures Reviewed for Shockya by Harvey Karten. Data-based on Rotten Tomatoes Grade:\u00a0 C+ Director:\u00a0 Carlos Marques-Marcet Screenplay:\u00a0 Carlos Marques-Marcet, Clara Roquet Autonell Cast:\u00a0 Natalia Tena, David Verdaguer Screened at:\u00a0\u00a0\u00a0 Review 2, NYC, 6\/11\/14 Opens:\u00a0 June 28, 2014 at BAMcinemaFest, October 2014 wide In the good old days before the Internet, or […]<\/p>\n","protected":false},"author":37,"featured_media":143743,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,4],"tags":[34593,34595,34594,15465],"class_list":["post-143681","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-barcelona","tag-carlos-marques-marcet","tag-david-verdaguer","tag-natalia-tena"],"apple_news_notices":[],"yoast_head":"\n10.000 KM Movie Review<\/title>\n<meta name=\"description\" content=\"10.000 KM Broad Green Pictures Reviewed for Shockya by Harvey Karten. 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