{"id":143851,"date":"2014-07-07T00:01:10","date_gmt":"2014-07-07T07:01:10","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=143851"},"modified":"2014-06-24T11:52:37","modified_gmt":"2014-06-24T18:52:37","slug":"honour-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2014\/07\/07\/honour-movie-review\/","title":{"rendered":"Honour Movie Review"},"content":{"rendered":"

Title: Honour<\/strong><\/p>\n

108 Media<\/strong><\/p>\n

Reviewed for Shockya by Harvey Karten. Data-based on Rotten Tomatoes<\/strong><\/p>\n

Grade:\u00a0 C<\/strong><\/p>\n

Director:\u00a0 Shan Khan<\/strong><\/p>\n

Screenplay:\u00a0 Shan Khan<\/strong><\/p>\n

Cast:\u00a0 Aiysha Hart, Paddy Considine, Faraz Ayub, Shubham Saraf, Harvey Virdi, Nikesh Patel<\/strong><\/p>\n

Screened at:\u00a0\u00a0\u00a0 Review, NYC, 6\/16\/14<\/strong><\/p>\n

Opens:\u00a0 July 11, 2014<\/strong><\/p>\n

When Terry Leonard made the 1987 action thriller \u201cDeath before Dishonor,\u201d he was setting the stage for one gunnery Sgt. Burns to rescue Marines taken hostage in the Middle East.\u00a0 These Marines believe that nothing is worse than dishonor, meaning that they, themselves would rather die than suffer a fate worse than death.\u00a0 It\u2019s bizarre to think, however, that there are thousands of families that would rather kill what they consider their wayward daughters than allow themselves to be criticized by neighbors or feel humiliated in their own religious beliefs, and in fact though 5,000 Islamic killings of this nature are recorded annually, it\u2019s believed that the figure is closer to 20,000 per year.<\/p>\n

\u201cHonour\u201d takes us into an Islamic family but is concerned more with making a thriller than examining this faith-based phenomenon.\u00a0 This is in itself not a bad idea, but writer-director Shan Khan avoids a one-thing-leads-to-another chronology in favor of a circularity that does nothing to further the plot and serves only to confuse the audience.\u00a0 The story is book-ended by a physical fight on a train between two white-power types and a Pakistani-British family, but since we don\u2019t know that the couple will show up again at the conclusion, we wonder what this introduction has to do with the story.\u00a0 The actual killing is repeated, a redundancy that is simply not necessary as we are already privy to the disaster that occurs within one family that holds the bizarre notion that a daughter who dishonors her parents and brothers (in this case through pre-marital sex with a young man from the Punjab region who may even be Muslim like them) deserves to be killed by her own mother and brothers.<\/p>\n

Shan Khan, whose brief r\u00e9sum\u00e9 includes acting and writing some TV and directing one awards-nominated short gives us his first feature film, one which centers on Mona (Aiysha Hart), a Pakistani-British subject who works as a real estate agent and who has a Punjabi boyfriend, Tanvir (Nikesh Patel), who has made her pregnant\u2014though he tells her that they are unable to marry because he had been promised at the age the age of three.\u00a0 When her mother (Harvey Virdi) tells her that without honor, a life is not worth living, the stage is set for mom and the young woman\u2019s policeman brother Kasim (Faraz Ayub), to strangle her and bury her in the countryside, though Kasim\u2019s younger brother Adel (Shubham Saraf) is not too pleased with the plan but follows along.<\/p>\n

When Mona escapes, the family hires a bounty hunter (Paddy Considine) to track her down, which is easy enough since she lacks the foresight or the money to get well out of town.\u00a0 Almost predictably, when the bounty hunter finds her, the two bond, perhaps not so strange when you consider that the man picked up a dose of regret and wants this to be his last job.<\/p>\n

As though the confused and unnecessarily non-linear plot were not enough to bring discredit on what could have been both an entertaining and enlightening film, the accents, hardly the king\u2019s English whether spoken by the Pakistanis or the white Brits, are difficult to understand.<\/p>\n

\u201cHonour\u201d was shot on the Isle of Man and Glasgow and punctuated by a percussive score.\u00a0 While well acted by the ensemble, special credit must be given to the mother, played by Harvey (!) Virdi as a sinister, evil person\u2014and what could be more evil than a mother who both plots and takes part in the execution of her own daughter?<\/p>\n

Unrated. 104 minutes.\u00a0 \u00a9 2014 by Harvey Karten, Member, New York Film Critics Online<\/strong><\/p>\n

Story \u2013 C-<\/strong><\/p>\n

Acting \u2013 B<\/strong><\/p>\n

Technical \u2013 B<\/strong><\/p>\n

Overall – C<\/strong><\/p>\n

\"Honour<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Title: Honour 108 Media Reviewed for Shockya by Harvey Karten. 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