{"id":145987,"date":"2014-09-02T11:10:49","date_gmt":"2014-09-02T18:10:49","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=145987"},"modified":"2014-09-02T11:10:49","modified_gmt":"2014-09-02T18:10:49","slug":"david-oelhoffen-talks-loin-des-hommes-far-from-men","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2014\/09\/02\/david-oelhoffen-talks-loin-des-hommes-far-from-men\/","title":{"rendered":"David Oelhoffen Talks \u2018Loin des hommes\u2019 (Far From Men)"},"content":{"rendered":"<p><b>David Oelhoffen Talks \u2018Loin des hommes\u2019 (Far From Men)<\/b><\/p>\n<p><i>We are in Algeria in 1954, a time when the rebellion is steaming up. Two men from opposites sides of the fence find themselves in the circumstances of having to flee together across the Atlas mountains. Daru, played polyglotly by Viggo Mortensen, is a teacher who has to escort a villager accused of murder, Mohamed, interpreted by Reda Kateb. The two fellows will confront the unknown together in pursuit of their freedom.<\/i><\/p>\n<p><i>French director Daivid Oelhoffen describes the making of his latest film, running for 2014\u2019s Golden Lion:<\/i><\/p>\n<p><b>How did \u2018Far From Men\u2019 work out as an adaptation of an Albert Camus\u2019 story\u2019 \u2018The Guest\u2019?<\/b><\/p>\n<p>I felt very free, since the story was very short I had a lot of liberty in adapting it. That is why I never considered it as a sacred piece: I was forced to change it. Catherine, Albert Camus\u2019 daughter was very supportive and she encouraged me to do exactly what I wanted, in order to make a film out of it. But I actually fed my screenplay with Camus\u2019 material, discovering his journalistic essence and his writings of the \u201830s, like \u2018Algerian Chronicles\u2019. This allowed me to feel very free, because I was still getting my inspiration from Camus itself.<\/p>\n<p><b>How about the political implications in the story?<\/b><\/p>\n<p>What interested me was the relation with current affairs. From the very beginning, when I read the short story I realised the strong bond with our present times. I immediately felt that Camus was talking about nowadays. Naturally the form of conflicts are quite different and wars: we are no longer into post-colonial conflicts like in the \u201850s. The reasons for wars are different, but what is the same, is the situation of the people that suffer, as well as the position of people who try to have a humanistic approach in finding solutions within these conflicts. I believe that there are many Darus all over the world and in countries where there are currently wars, like the west-winged people in Israel, but no one listens now because violence is everywhere.<\/p>\n<p><b>So Daru\u2019s character embodies a saviour&#8230;<\/b><\/p>\n<p>Daru is a very moving character to me, because he wants to help Mohamed but ends up being helped by him too. It\u2019s not a one-way story, it\u2019s reciprocal. He hasn\u2019t got a clear view in the life he\u2019s leading and through this adventure he realises that he has to actually live. Daru is quite naive in the beginning and has chosen to distance himself from the world and live in a very isolated environment in order to protect himself, but history catches up with you, no matter where. So he\u2019s forced to go back to life.<\/p>\n<p><b>Production-wise what were the greatest challenges?\u00a0<\/b><\/p>\n<p>It\u2019s humbling to shoot in the desert: the weather is unpredictable. It\u2019s an extraordinary experience, the weather can be very hot as well as extremely cold. But you do feel the energy of such an environment. We were very lucky, the desert was a good companion: when we need rain it rained, when we need wind there was wind, when we need fog we were given fog. We also made the choice to shoot in natural light so we had to let the sun dictate are schedule.<\/p>\n<p><b>How was Viggo\u2019s preparation to fit into character?<\/b><\/p>\n<p>Viggo is an exceptional professional. When he accepted to make the movie, he asked for time to prepare. He needed a year and a half to perfect his French accent, although he already handled the language excellently. He also wanted to get familiar with Algeria and learn the language and get familiar with Camus\u2019 work. Physically he wanted to lose some weight. That\u2019s the way he works: he needs to prepare himself in all aspects.<\/p>\n<p><b>Since the topic may be taken as controversial do you fear the general public\u2019s response?<\/b><\/p>\n<p>I had no fear when I was making the film. Now I simply hope the audience will love the film, the way we made it and it won\u2019t raise any controversies, considering its delicate issue.<\/p>\n<figure id=\"attachment_145997\" aria-describedby=\"caption-attachment-145997\" style=\"width: 600px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.shockya.com\/news\/wp-content\/uploads\/David-Oelhoffen-Talks-Loin-des-Hommes.jpg\"><img decoding=\"async\" src=\"http:\/\/www.shockya.com\/news\/wp-content\/uploads\/David-Oelhoffen-Talks-Loin-des-Hommes.jpg\" alt=\"David Oelhoffen Talks Loin des Hommes\" width=\"600\" class=\"size-full wp-image-145997\" srcset=\"https:\/\/www.shockya.com\/news\/wp-content\/uploads\/David-Oelhoffen-Talks-Loin-des-Hommes.jpg 525w, https:\/\/www.shockya.com\/news\/wp-content\/uploads\/David-Oelhoffen-Talks-Loin-des-Hommes-300x200.jpg 300w\" sizes=\"(max-width: 525px) 100vw, 525px\" \/><\/a><figcaption id=\"caption-attachment-145997\" class=\"wp-caption-text\">From right, actor Viggo Mortensen, director David Oelhoffen and actor Reda Kateb arrive on the red carpet for the screening of Loin des Hommes during the 71st edition of the Venice Film Festival in Venice, Italy, Sunday, Aug. 31, 2014.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>David Oelhoffen Talks \u2018Loin des hommes\u2019 (Far From Men) We are in Algeria in 1954, a time when the rebellion is steaming up. Two men from opposites sides of the fence find themselves in the circumstances of having to flee together across the Atlas mountains. Daru, played polyglotly by Viggo Mortensen, is a teacher who [&hellip;]<\/p>\n","protected":false},"author":53,"featured_media":145997,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3,8,1,4],"tags":[],"class_list":["post-145987","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews","category-movies","category-news-release","category-reviews"],"apple_news_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>David Oelhoffen Talks \u2018Loin des hommes\u2019 (Far From Men)<\/title>\n<meta name=\"description\" content=\"David Oelhoffen Talks \u2018Loin des hommes\u2019 (Far From Men) We are in Algeria in 1954, a time when the rebellion is steaming up. 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She studied in a British school in Milan, graduated in Political Sciences, got her Masters in screenwriting and film production and studied at the Lee Strasberg Theatre and Film Institute in New York and Los Angeles. Chiara\u2019s \u201cMaterial Puns\u201d use wordplay to weld the title of the painting with the materials placed on canvas, through an ironic reinterpretation of Pop-Art, Dadaism and Ready Made. She exhibited her artwork in Milan, Rome, Venice, London, Oxford, Paris and Manhattan. Chiara works as a reporter for online, print, radio and television and also as a film festival PR\/publicist. As a bi-lingual journalist (English and Italian), who is also fluent in French and Spanish, she is a member of the Foreign Press Association in New York, the Women Film Critics Circle in New York, the Italian Association of Journalists in Milan and the Federation of Film Critics of Europe and the Mediterranean. 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She studied in a British school in Milan, graduated in Political Sciences, got her Masters in screenwriting and film production and studied at the Lee Strasberg Theatre and Film Institute in New York and Los Angeles. Chiara\u2019s \u201cMaterial Puns\u201d use wordplay to weld the title of the painting with the materials placed on canvas, through an ironic reinterpretation of Pop-Art, Dadaism and Ready Made. She exhibited her artwork in Milan, Rome, Venice, London, Oxford, Paris and Manhattan. Chiara works as a reporter for online, print, radio and television and also as a film festival PR\/publicist. As a bi-lingual journalist (English and Italian), who is also fluent in French and Spanish, she is a member of the Foreign Press Association in New York, the Women Film Critics Circle in New York, the Italian Association of Journalists in Milan and the Federation of Film Critics of Europe and the Mediterranean. 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