{"id":148636,"date":"2014-12-20T21:05:07","date_gmt":"2014-12-21T04:05:07","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=148636"},"modified":"2014-12-03T09:10:56","modified_gmt":"2014-12-03T16:10:56","slug":"big-eyes-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2014\/12\/20\/big-eyes-movie-review\/","title":{"rendered":"Big Eyes Movie Review"},"content":{"rendered":"

BIG EYES<\/strong><\/p>\n

The Weinstein Company<\/strong><\/p>\n

Reviewed for Shockya by Harvey Karten. Data-based on Rotten Tomatoes.<\/strong><\/p>\n

Grade:\u00a0 B+<\/strong><\/p>\n

Director:\u00a0 Tim Burton<\/strong><\/p>\n

Screenwriter:\u00a0 Scott Alexander, Larry Karaszewski<\/strong><\/p>\n

Cast:\u00a0 Amy Adams, Krysten Ritter, Christoph Waltz, Jason Schwartzman, Danny Huston, Terence Stamp<\/strong><\/p>\n

Screened at:\u00a0 Review 1, NYC, 12\/1\/14<\/strong><\/p>\n

Opens:\u00a0 December 25, 2014<\/strong><\/p>\n

I remember standing in line at a bank in Madrid during the 1970s, during the bad old days of Franco\u2019s government.\u00a0 A woman in front of me was cashing her own travelers\u2019 checks.\u00a0 The bank teller asked her for a document from her husband allowing her to take money out of the bank.\u00a0 She insisted that the checks were her own in her name, but the teller was convinced to hand over the cash only when she informed him that she was an American tourist and therefore not bound by the domestic laws of Spain.<\/p>\n

Thankfully America never suffered from a Fascist government, but in some ways women\u2019s lives during the 1950s could be compared to those of their gender across the ocean.\u00a0 For example when Margaret Keane (Amy Adams) in Tim Burton\u2019s movie \u201cBig Eyes,\u201d applies for a job in a furniture store, the employment counselor asks\u00a0 whether her husband knows that she intends to spend her weekdays away from home.\u00a0 Only when Margaret states that she is no longer married to her (first) husband does she get a job, painting cute figures on the backs of the chairs and bedposts.<\/p>\n

That should have been the worst offense against women like Margaret Keane, but as scripters Scott Alexander and Larry Karaszewski (\u201cPeople vs. Larry Flynt\u201d) point out in making \u201cBig Eyes\u201d a story in female fragility and vulnerability during the most repressive decade of the 20th Century, Margaret is to become exploited for at least a decade.\u00a0 And, alas, she is complicit in her own defeat.\u00a0 Her second husband, Walter Keane (Christoph Waltz), a charming and most effective salesman, becomes guilty of an outrageous fraud that will lead to a judgment of $4 million against him by his then ex-wife.\u00a0 So \u201cBig Eyes\u201d is a story of fraud, outlandish chutzpah, the subjugation of women, and the nature of art.<\/p>\n

And \u201cBig Eyes\u201d has anything but a Masterpiece Theater format to get across its points, as director Tim Burton (\u201cSweeney Todd,\u201d \u201cBatman,\u201d \u201cEdward Scissorhands\u201d) mines the story for comedy as well as pathos while at the same time giving his audience a painless, graphic essay on painting.\u00a0 This biopic is about the creator of the world-famous portraits of weepy, lost children whose big eyes\u2014the mirrors of their souls\u2014sometimes shed tears but are always heart-rending.\u00a0 The paintings are signed \u201cKeane,\u201d which was Margaret\u2019s mistake, because when an opportunity arises, her husband names himself the creator of all the works, even putting his name on a coffee-table book filled with the repetitive paintings.<\/p>\n

Director Burton takes us from the first meeting of Walter Keane (Christoph Waltz) and Margaret in an outdoor art exhibit in San Francisco where Walter, exhibiting a number of Paris street scenes, begins flirting with Margaret, who does quick portraits of visitors for a buck or two.\u00a0 Walter brags that he studied in Paris, wines and dines her, sweeps her off her feet, a parable, as it were, for those romances that begin with fireworks and end with mayhem.\u00a0 When Walter, who is hardly a nonentity but a successful people person, talks the owner of a local night club, Enrico Banducci (Jon Pilito) to exhibit Margaret\u2019s paintings of forlorn children in his night club, he begins to take credit for his wife\u2019s work, while Margaret, believing that \u201clady paintings\u201d will not sell\u2014which may be true\u2014allows her man to do this for ten years.<\/p>\n

By 1964, however, a much needed retribution takes place as Margaret becomes her own person, begins painting like Modigliani, and ultimately makes the claim to San Francisco Examiner reporter Dick Nolan (Danny Huston) that she is the artist.\u00a0 All this is not to say that Margaret is a saint.\u00a0 Her life\u2019s work is described by New York Times art critic John Canaday (Terence Stamp) as kitsch, allowing \u201cBig Eyes\u201d to wrest with that ol\u2019 conflict between what is popular but tacky and what is true art and elitist.<\/p>\n

\u201cBig Eyes\u201d is graced by a potentially award-winning performance from Amy Adams, arguably the cutest actress in Hollywood today, in the role of a woman who now, at the age of 87, is alive and well and is shown in a brief cameo as well as in an epilogue.\u00a0 Christoph Waltz is delightful for most of his time on the screen, but in a directorial misjudgment goes too far over the top, particularly in a comic courtroom scene but also in a dangerous fight with his wife involving his throwing of matches at her and threatening to have her \u201cwhacked.\u201d\u00a0 Effective side roles include those of Terence Stamp as the art critic, Danny Huston as the reporter, Jon Polito as the night club owner, Jason Schwartzman as the owner of an art gallery, James Saito as the judge in Honolulu\u2019s federal court, Madeleine Arthur as Margaret\u2019s teen daughter, and Krysten Ritter as Margaret\u2019s best friend DeAnn.\u00a0 Rick Heinrichs\u2019 production design casts the 1950s look of San Francisco, all set to celluloid by Bruno Delbonnel.<\/p>\n

Rated PG-13.\u00a0 106 minutes.\u00a0 \u00a9 Harvey Karten, Member, New York Film Critics Online<\/strong><\/p>\n

Story \u2013 B+<\/strong><\/p>\n

Acting \u2013 B+<\/strong><\/p>\n

Technical \u2013 B<\/strong><\/p>\n

Overall \u2013 B+<\/strong><\/p>\n

\"bgi\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

BIG EYES The Weinstein Company Reviewed for Shockya by Harvey Karten. Data-based on Rotten Tomatoes. Grade:\u00a0 B+ Director:\u00a0 Tim Burton Screenwriter:\u00a0 Scott Alexander, Larry Karaszewski Cast:\u00a0 Amy Adams, Krysten Ritter, Christoph Waltz, Jason Schwartzman, Danny Huston, Terence Stamp Screened at:\u00a0 Review 1, NYC, 12\/1\/14 Opens:\u00a0 December 25, 2014 I remember standing in line at a […]<\/p>\n","protected":false},"author":37,"featured_media":148692,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,4],"tags":[1546,23358,10262],"class_list":["post-148636","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-amy-adams","tag-big-eyes","tag-christoph-waltz"],"apple_news_notices":[],"yoast_head":"\nBig Eyes Movie Review<\/title>\n<meta name=\"description\" content=\"BIG EYES The Weinstein Company Reviewed for Shockya by Harvey Karten. 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