{"id":148984,"date":"2014-12-20T21:05:19","date_gmt":"2014-12-21T04:05:19","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=148984"},"modified":"2014-12-12T15:29:06","modified_gmt":"2014-12-12T22:29:06","slug":"two-days-one-night-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2014\/12\/20\/two-days-one-night-movie-review\/","title":{"rendered":"Two Days, One Night Movie Review"},"content":{"rendered":"

TWO DAYS, ONE NIGHT (Deux jours, une nuit)<\/strong><\/p>\n

IFC Films<\/strong><\/p>\n

Reviewed for Shockya by Harvey Karten. Data-based on Rotten Tomatoes.<\/strong><\/p>\n

Grade:\u00a0 C<\/strong><\/p>\n

Director:\u00a0 Jean-Pierre Dardenne, Luc Dardenne<\/strong><\/p>\n

Screenwriter:\u00a0 Jean-Pierre Dardenne, Luc Dardenne<\/strong><\/p>\n

Cast:\u00a0 Marion Cotillard, Fabrizio Rongione, Pili Groyne, Simon Caudry<\/strong><\/p>\n

Screened at:\u00a0 Review 2, NYC, 12\/8\/14<\/strong><\/p>\n

Opens:\u00a0 December 24, 2014<\/strong><\/p>\n

There\u2019s a reason that the aphorism \u201cDo unto others as you would have others do unto you\u201d is called the golden rule, and that is because the statement is the gold standard, representing the most basic rule of civilized conduct among people.\u00a0 If you put yourself into another person\u2019s shoes, and thereby really get to know what makes the other human being tick, this should give you pause before doing something that you would never want done to you.\u00a0 Probably no film-maker believes that more than Belgians Jean-Pierre Dardenne and Luc Dardenne.\u00a0 They started their careers by making videos of the rough lives of blue collar people in the Wallonie, a mostly French speaking region of southern Belgium, parlaying into \u201cRosetta,\u201d about a blue collar working with an alcoholic mother who tries to better himself in a small town.<\/p>\n

We can easily see the Dardennes\u2019 themes in \u201cTwo Days, One Night,\u201d motifs like consciousness-raising, giving helping hands to your neighbors, and the importance of forgiveness and redemption.\u00a0 But being on the right side of moral issues does not always a strong film make.\u00a0 This is where \u201cTwo Days, One Night\u201d fails as cinema while it might succeed as a sermon in church or in grade school.<\/p>\n

Its principal problem is an excess of naturalism.\u00a0 Instead of a compelling script, the Dardennes rely on the undramatic perambulations of one Sandra (Marion Cotillard), a woman in desperate need of keeping her salaried job with a small Belgian company of sixteen or seventeen employees.\u00a0 In a situation that we in the States would find difficult to believe but could conceivably be old hat in semi-socialistic countries in Europe, Sandra is just emerging from an extended sick leave for depression, expecting to return to her job only to find that Jean-Marc (Olivier Gourmet), her foreman, has been using his influence to dump her entirely.\u00a0 The gimmick is: the sixteen workers, who have been promised \u20ac1,000 each as a bonus, are to vote.\u00a0 The company, which produces solar panels and is under stiff Asian competition, can afford to give out the bonuses only if M. Dumont (Batiste Sornin) can fire a worker, namely Sandra.\u00a0 A vote is arranged to ascertain the workers\u2019 will.\u00a0 Only two out of sixteen are willing to forego their bonuses so that Sandra can keep her job.<\/p>\n

Now, we wonder whether the Dardennes are shaking a finger at any worker who would rather keep the bonus by throwing Sandra under the bus.\u00a0 Maybe not. Maybe they\u2019re simply telling it like it is: these are the politics of working-class Belgians.\u00a0 At any rate, when only two workers agree to allow her to keep the job, she appeals for a new vote on Monday, then goes around from co-worker to co-worker to lobby for her employment.\u00a0 Most employees sound sympathetic but protest that they absolutely need the money\u2014to complete a home improvement needed to protect the house structure, to pay for their children\u2019s education, to subsidize a wife who is on the dole, whatever.\u00a0 Sounds reasonable to me, and I\u2019m a union man.<\/p>\n

But as a union man, I nonetheless put myself into the shoes of the company executives whose plant is continuing to make scant profits, a company which, if in America with our mere eight percent unionization, would simply fire the worker.\u00a0 More important the particular worker in danger had been on sick leave for depression, is still addicted to Xanax, may very well return to work and fall into a renewed state of depression, and is simply too unstable to keep around if her employment means no bonuses to sixteen mostly needy people.<\/p>\n

Of course, any Marxist or even person somewhat on the political left would add that the company is using a technique of dividing workers against themselves.\u00a0 But this is all beside the point.\u00a0 The point we should really consider is: is the film compelling or is it simply an \u201cissue\u201d movie, and this looks like the latter.\u00a0 If we put the \u201cissue\u201d aside, we get a tedious merry-go-round of Sandra\u2019s lobbying wherein she interviews all her colleagues over the weekend to get most to change their votes.\u00a0 Some sound sorrowful but \u201cwe need the money.\u201d\u00a0 Two men speak their minds, demanding that Sandra stop \u201cpissing me off,\u201d which she does seem to be doing as two characters imply, by taking money out of their pockets.\u00a0 She tells them not to pity her, but what other emotion can she expect?\u00a0 She tells her husband Manu (Dardennes\u2019 regular Fabrizio Rongione) the same.\u00a0 Again, what does she expect?<\/p>\n

The film\u2019s good reviews will come largely from critics dazzled by Marion Cotillard\u2019s performance.\u00a0 She is arguably one of France\u2019s best actresses, having contributed a riveting performance as St\u00e9phanie, a double amputee in Jacques Audiard\u2019s \u201cRust and Bone\u201d and is known to a more mainstream audience for \u201cThe Dark Knight Rises,\u201d and \u201cAnchorman 2.\u201d\u00a0 But this time, she is thwarted by a script that\u2019s all too minimalist, leading to a plot with all the suspense and excitement of a presidential candidate\u2019s staff going door to door to summon votes.<\/p>\n

\u201cTwo Days, One Night\u201d overstays its welcome even at a normal 95 minutes\u2019 length.\u00a0 The film won \u201cBest Picture\u201d from New York Film Critics Online, which more logically awarded Marion Cotillard a \u201cBest Actress\u201d citation.\u00a0 But compare it to other foreign dramas like Sweden\u2019s remarkable \u201cForce Majeure,\u201d set against a gorgeous mountain landscape, or Argentina\u2019s satiric masterpiece \u201cWild Tales\u201d (which I consider the best film of 2014), and you\u2019ll better see how truly slight this Belgian contribution can be.<\/p>\n

Rated PG-13.\u00a0 95 minutes.\u00a0 \u00a9 Harvey Karten, Member, New York Film Critics Online<\/strong><\/p>\n

Story – D<\/strong><\/p>\n

Acting \u2013 B+<\/strong><\/p>\n

Technical \u2013 C+<\/strong><\/p>\n

Overall – C<\/strong><\/p>\n

\"d\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

TWO DAYS, ONE NIGHT (Deux jours, une nuit) IFC Films Reviewed for Shockya by Harvey Karten. Data-based on Rotten Tomatoes. Grade:\u00a0 C Director:\u00a0 Jean-Pierre Dardenne, Luc Dardenne Screenwriter:\u00a0 Jean-Pierre Dardenne, Luc Dardenne Cast:\u00a0 Marion Cotillard, Fabrizio Rongione, Pili Groyne, Simon Caudry Screened at:\u00a0 Review 2, NYC, 12\/8\/14 Opens:\u00a0 December 24, 2014 There\u2019s a reason that […]<\/p>\n","protected":false},"author":37,"featured_media":149119,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,4],"tags":[10474,35792,35791],"class_list":["post-148984","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-marion-cotillard","tag-one-night","tag-two-days"],"apple_news_notices":[],"yoast_head":"\nTwo Days, One Night Movie Review<\/title>\n<meta name=\"description\" content=\"TWO DAYS, ONE NIGHT (Deux jours, une nuit) IFC Films Reviewed for Shockya by Harvey Karten. 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