{"id":149615,"date":"2015-01-28T16:39:48","date_gmt":"2015-01-28T23:39:48","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=149615"},"modified":"2015-01-28T16:39:48","modified_gmt":"2015-01-28T23:39:48","slug":"clouds-of-sil-maria-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2015\/01\/28\/clouds-of-sil-maria-movie-review\/","title":{"rendered":"Clouds of Sils Maria Movie Review"},"content":{"rendered":"

CLOUDS OF SILS MARIA<\/strong><\/p>\n

Sundance Selects<\/strong><\/p>\n

Reviewed for Shockya by Harvey Karten. Data-based on Rotten Tomatoes.<\/strong><\/p>\n

Grade:\u00a0 B+<\/strong><\/p>\n

Director:\u00a0 Olivier Assayas<\/strong><\/p>\n

Screenwriter:\u00a0 Olivier Assayas<\/strong><\/p>\n

Cast:\u00a0 Juliette Binoche, Kristen Stewart, Chlo\u00eb Grace Moretz<\/strong><\/p>\n

Screened at:\u00a0 Review 1, NYC, 1\/7\/15<\/strong><\/p>\n

Opens:\u00a0 April 10, 2015<\/strong><\/p>\n

Olivier Assayas, now sixty years old, has been in the film business since co-writing his first movie in 1985 at the age of thirty.\u00a0 His contributions have included \u201cAlice and Martin\u201d about a young man who leaves his home town for Paris at the age of twenty and becomes a model (which he co-wrote with director Andr\u00e9 T\u00e9chin\u00e9 at the age of forty-four) and my own favorite, \u201cDemonlover,\u201d at the age of forty-seven, about two corporations competing in the field of illicit manga pornography.\u00a0 Now with \u201cClouds of Sils Maria,\u201d one can hardly say that Assayas if washed up.\u00a0 Far from it: as the clich\u00e9 goes, he\u2019s not getting older, he\u2019s getting better.\u00a0 But would young people think the same of the man who is now in his seventh decade of life?\u00a0 This might have been one of the questions going through his mind as he took on the writing and directing of \u201cClouds of Sils Maria,\u201d thematically about aging, and specifically about the anxieties of Maria Enders (Juliette Binoche), a celebrated actress known largely for the role of Jo-Ann Ellis, who is the twenty-year-old assistant to a forty-year-old who runs an elaborate office.<\/p>\n

Mirroring Ms Binoche herself, Assayas\u2019s theatrical film ponders whether a person is \u201cdone,\u201d ready for the trash heap, when she is no longer young, with this interesting twist: Maria Enders is now offered the role of the factory boss, who in the work known as \u201cMaloja Snake\u201d by Wilhelm Melchior, had fallen in love with her young assistant and simply disappeared, a possible suicide, when she is dumped by Ellis.<\/p>\n

As essentially a two-hander that could turn off those in the audience who do not care for theater\u2014a medium in which dialogue is generally emphasized to the minimization of physical action\u2014Maria Enders and her assistant , Valentine (Kristen Stewart), are seen as a duo, knocking theories of aging back and forth, two of them feeling comfortable with each other.\u00a0 Despite her living the life of the wealthy in Europe, saying in five-star hotels, traveling across the Alps by train, Val suffers a lack of privacy, an irritation that makes her take risks with her employer by stating what\u2019s on her mind even if those matters are in contrast to theories held by Enders.\u00a0 In the biggest clash, Maria and Val take in a 3-D superhero movie because the star is Jo-Ann Ellis (Chlo\u00eb Grace Moretz), who is to play alongside Maria on the London stage following rehearsals.\u00a0 Val\u2019s position is that this type of picture is the wave of the future, notwithstanding that both the young actress and the character she plays is a bimbo.\u00a0 By contrast, Maria, who spends her time in the movie theater taking off and putting on her 3-D glasses, laughs in her face.<\/p>\n

Maria, who despite her age still has the heart of a twenty-year-old, had been conflicted about taking on the role because she fears it will force her to face her mortality.\u00a0 (The theory that older people have really not changed within but remain with the full memory of youth is true, by the way.)<\/p>\n

As a splendid version of meta-fiction or meta-theater, which is to say the concept of fiction and real lives merging, the best scenes show Maria and her assistant rehearsing the play.\u00a0 Often we are not sure which lines are in the play and which are those of Maria.\u00a0 The differences between the confident assistant, who fields a bevy of cell phone calls, knowing her boss so well that she can tell which calls are important, and Maria, who is somewhat neurotic and indecisive, are played so naturally that the two never appear to be simply acting.\u00a0 Val talks fast and in a monotone.\u00a0 Maria is more deliberate and more excitable.\u00a0 Things that Val might take with a grain of salt are upsetting to Maria, The give and take between these two splendid performers is at the heart of the movie.<\/p>\n

Kristen Stewart, a twenty-four year old best known in these parts for her role as Bella Swan in the \u201cTwilight\u201d series, is quite comfortable in this deeper, more complex role while Paris-born Juliette Binoche at fifty and with an impressive r\u00e9sum\u00e9 that includes such masterworks as \u201cThe English Patient,\u201d \u201cChocolat\u201d and \u201cThe Widow of Saint-Pierre\u201d solidifies her reputation as an A-list actress wholly comfortable in French and English.<\/p>\n

Unrated.\u00a0 123 minutes.\u00a0 \u00a9 Harvey Karten, Member, New York Film Critics Online<\/strong><\/p>\n

Story \u2013 B+<\/strong><\/p>\n

Acting \u2013 A-<\/strong><\/p>\n

Technical \u2013 B+<\/strong><\/p>\n

Overall \u2013 B+<\/strong><\/p>\n

\"ks\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

CLOUDS OF SILS MARIA Sundance Selects Reviewed for Shockya by Harvey Karten. Data-based on Rotten Tomatoes. Grade:\u00a0 B+ Director:\u00a0 Olivier Assayas Screenwriter:\u00a0 Olivier Assayas Cast:\u00a0 Juliette Binoche, Kristen Stewart, Chlo\u00eb Grace Moretz Screened at:\u00a0 Review 1, NYC, 1\/7\/15 Opens:\u00a0 April 10, 2015 Olivier Assayas, now sixty years old, has been in the film business since […]<\/p>\n","protected":false},"author":37,"featured_media":150174,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,4],"tags":[35945,16354,5131],"class_list":["post-149615","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-clouds-of-sil-maria","tag-juliette-binoche","tag-kristen-stewart"],"apple_news_notices":[],"yoast_head":"\nClouds of Sils Maria Movie Review<\/title>\n<meta name=\"description\" content=\"CLOUDS OF SILS MARIA Sundance Selects Reviewed for Shockya by Harvey Karten. 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