{"id":149783,"date":"2015-02-12T08:50:09","date_gmt":"2015-02-12T15:50:09","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=149783"},"modified":"2015-02-11T08:50:54","modified_gmt":"2015-02-11T15:50:54","slug":"the-salt-of-the-earth-movie-review-2","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2015\/02\/12\/the-salt-of-the-earth-movie-review-2\/","title":{"rendered":"The Salt of the Earth Movie Review"},"content":{"rendered":"

THE SALT OF THE EARTH<\/strong>
\nSony Pictures Classics<\/strong>
\nReviewed for Shockya by Harvey Karten. Data-based on Rotten Tomatoes.<\/strong>
\nGrade:\u00a0 B<\/strong>
\nDirector:\u00a0 Wim Wenders, Juliano Ribeiro Salgado<\/strong>
\nScreenwriter:\u00a0 Juliano Ribeiro Salgado, Wim Wenders, David Rosier<\/strong>
\nCast:\u00a0 Sebasti\u00e3o Salgado, Lelia Wanick Salgado, Juliano Ribeiro Salgado, Sebastiao Ribeiro Salgado, Hugo Barbier, Regis Muller, Jacques Barthelemy.\u00a0 Narrated by Wim Wenders, Juliano Ribeiro Salgado<\/strong>
\nScreened at:\u00a0 Sony, NYC, 1\/12\/15<\/strong>
\nOpens:\u00a0 March 27, 2015<\/strong><\/p>\n

As with any field, photography has levels of professionalism.\u00a0 At the bottom of the heap are the folks who take selfies with their cheap, digital cameras.\u00a0 I call them the narcissists.\u00a0 Several notches higher are special events photographers who capture the happy brides and grooms at weddings and bar mitvah boys after synagogue services.\u00a0 They are the bourgeois. Then close to the highest level are photographers who go out in nature and take pictures of zebras in the Serengeti, tortoises at Galapagos.\u00a0 They are the travelers-impressing-the-folks-stuck-back-home.\u00a0 Within that level, of course, are various degrees of skill, some snapping shots that suitable for those coffee table books that nobody reads but which save other documents from the wind blowing through the windows.\u00a0 Then you reach the summit: those photographers who live with the people or animals or flora and fauna that they will capture on film.\u00a0 That\u2019s what \u201cThe Salt of the Earth\u201d is about, focusing on Sebasti\u00e3o Salgado, a decent man known for the past 40 years by a fellow photographer Wim Wenders, who co-directs this documentary about one of the world\u2019s most important picture takers.<\/p>\n

As Mr. Wenders narrates and Sebasti\u00e3o\u2019s son and co-director Juliano Ribeiro Salgado runs his own lenses, we see the subject of the movie showing up in some cases through a kind of mirror that allows his head to appear and talk in the midst of the scenes being shot.\u00a0 Salgado, born in rural Brazil, left the country in 1969 during the beginning of the military dictatorship living throughout thirty other nations until his return to Brazil over a decade later.\u00a0 But he did not lie on hammocks during that time.\u00a0 Instead, this man, whose father wanted him to be a lawyer but who trained as an economist, decided that he was not made to sit behind a desk but chose to live as an adventurer together with his Canon camera fitted with telephoto lenses.\u00a0 Nor was he content to shoot butterflies and flowers, rather concentrating on what a miserable species we human beings can be.<\/p>\n

He went to war zones in Rwanda and Ethiopia, observing people suffering from the fighting, and from famine and economic dislocation, homeless folks living in tents if they were lucky, dying of malnutrition and outright starvation if not.\u00a0 Hutus killed Tutsis and Tutsis got a measure of revenge: Salgado\u2019s photos graphically illustrate a portion of Robert Louis Stevenson\u2019s essay, \u201cPulvis et Umbra,\u201d which includes this: \u201cWhat a monstrous spectre is this man, the disease of the agglutinated dust, lifting alternate feet or lying drugged with slumber; killing, feeding, growing, bringing forth small copies of himself; grown upon with hair like grass, fitted with eyes that move and glitter in his face; a thing to set children screaming.\u201d\u00a0 Salgado\u2019s photos, incorporated into doorstopper-sized books, include \u201cWorkers: Archaeology of the Industrial Age,\u201d \u201cMigrations,\u201d and \u201cSahel.\u201d\u00a0 In fact the film opens with a Hieronymous Bosch style picture of Brazilian gold miners which, blown up to the size of the movie screen, is a monumental picture, perhaps the most striking piece of camerawork that Salgado had ever done.<\/p>\n

In a long visit with an\u00a0 Amazonian tribe still living in the Paleolithic era, Salgado refuses to hand over his knife, as this would corrupt the \u201cpurity\u201d of the people, though we wonder how this naked folks who are the world\u2019s last remnant of a garden of Eden, were able to carve arrows for their bows.<\/p>\n

Yet, to quote another section of Stevenson\u2019s essay, \u201cAnd we look and behold him instead filled with imperfect virtues: infinitely childish, often admirably valiant, often touchingly kind; sitting down, amidst his momentary life, to debate of right and wrong and the attributes of the deity; rising up to do battle for an egg or die for an idea; singling out his friends and his mate with cordial affection; bringing forth in pain, rearing with long-suffering solicitude, his young.\u201d Ultimately, despite hundreds of thousands of deaths caused not only by drought and dried out soil but by our fellow creatures, he finds grounds for optimism, as Salgado photographs the family return to a range in Aimor\u00e9s, Brazil, a deforested wasteland which finds good people replanting two million trees, structure which will reach full maturity well behind its planters\u2019 lifetimes but which already show rewards.\u00a0 Thus Salgado\u2019s last book, \u201cGenesis,\u201d filled with nature shots restoring the man\u2019s faith in humankind.<\/p>\n

I would have liked to hear from of the technical details, such as the specific kinds of cameras and lenses he uses, where he gets the photos developed, why he chose black-and-white only.\u00a0 Also, I would like to have found out exactly what makes a great photographer aside from a willingness to live with the subjects.\u00a0 For example, when he shoots a polar bear in the Arctic Circle, rolling on the ground just like the big animal, he notes that there is no background and that therefore the picture of the bear would not be a good one.\u00a0 Wouldn\u2019t any photographer know to frame pictures with backgrounds?<\/p>\n

Rated PG-13.\u00a0 109 minutes.\u00a0 \u00a9 Harvey Karten, Member, New York Film Critics Online<\/strong><\/p>\n

Story \u2013 B<\/strong>
\nActing \u2013 B<\/strong>
\nTechnical \u2013 A-<\/strong>
\nOverall – B<\/strong><\/p>\n

\"soa\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

THE SALT OF THE EARTH Sony Pictures Classics Reviewed for Shockya by Harvey Karten. Data-based on Rotten Tomatoes. Grade:\u00a0 B Director:\u00a0 Wim Wenders, Juliano Ribeiro Salgado Screenwriter:\u00a0 Juliano Ribeiro Salgado, Wim Wenders, David Rosier Cast:\u00a0 Sebasti\u00e3o Salgado, Lelia Wanick Salgado, Juliano Ribeiro Salgado, Sebastiao Ribeiro Salgado, Hugo Barbier, Regis Muller, Jacques Barthelemy.\u00a0 Narrated by Wim […]<\/p>\n","protected":false},"author":37,"featured_media":150548,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,4],"tags":[35989,35987,35988],"class_list":["post-149783","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-sebastiao-salgado","tag-the-salt-of-the-earth","tag-win-wenders"],"apple_news_notices":[],"yoast_head":"\nThe Salt of the Earth Movie Review<\/title>\n<meta name=\"description\" content=\"THE SALT OF THE EARTH Sony Pictures Classics Reviewed for Shockya by Harvey Karten. 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