{"id":151243,"date":"2015-03-15T21:05:32","date_gmt":"2015-03-16T04:05:32","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=151243"},"modified":"2015-03-13T06:12:34","modified_gmt":"2015-03-13T13:12:34","slug":"la-sapienza-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2015\/03\/15\/la-sapienza-movie-review\/","title":{"rendered":"La Sapienza Movie Review"},"content":{"rendered":"

LA SAPIENZA<\/strong>
\nKino Lorber<\/strong>
\nReviewed for Shockya by Harvey Karten. Data-based on Rotten Tomatoes.<\/strong>
\nGrade:\u00a0 B+<\/strong>
\nDirector:\u00a0 Eug\u00e8ne Green<\/strong>
\nScreenwriter:\u00a0 Eug\u00e8ne Green<\/strong>
\nCast:\u00a0 Fabrizio Rongione, Christelle Prot, Ludovico Succio, Arianna Nastro, Herv\u00e9 Compagne, Sabine Ponte<\/strong>
\nScreened at:\u00a0 Dolby88, NYC, 3\/11\/15<\/strong>
\nOpens:\u00a0 March 20, 2015<\/strong><\/p>\n

In Edward Albee\u2019s play \u201cWho\u2019s Afraid of Virginia Woolf,\u201d George and Martha entertain a much younger couple, Nick and Honey.\u00a0 In discussing their merits and their appeal to women, George states \u201cI have history on my side,\u201d while Nick counters with \u201cI have biology.\u201d\u00a0 Reductive as this may be, a similar theme is on display in Eug\u00e8ne Green\u2019s \u201cLa Sapienza,\u201d or \u201cSapience.\u201d\u00a0 Green, not well known in North America, is a U.S. born, France-naturalized filmmaker and educator prominent for teaching French baroque film styles to his students and whose 2009 film \u201cLa Religieuse portugaise\u201d deals with a young French actress in Lisbon to shoot a movie is intrigued by a nun she sees kneeling in the in the chapel where she is filming.\u00a0 What that film has in common with \u201cLa Sapienza\u201d is the French baroque style of presentation, which is a 17th century method juxtaposing contrasting events to create movement and tension and which uses ornate ornamentation characteristic of that baroque era.\u00a0 (In a related theatrical form, the French neo-classicism of the 1600\u2019s, featured actors facing the audience instead of one another and making declamations.\u00a0 In a modified form, this is in use in \u201cLa Sapienza\u201d).<\/p>\n

While a potential audience unused to such stylization may be put off by a robotic delivery from the four principal performers, when one gets accustomed to the pace, the frequent close-ups, the long takes, the viewer can appreciate the ways that \u201cLa Sapienza\u201d is far different from mainstream attractions and even from the bulk of indies.<\/p>\n

Two ideas are covered by the 67-year-old Green, who has a small role in the film.\u00a0 One finds the influence of a young man and his younger sister on a middle-aged couple with a dried-up marriage (biology), while the older man, an architect, and his wife, a social psychologist, change the lives of the younger pair (history).\u00a0\u00a0 Interspersed within the human drama is a narrative documentary about architecture, particularly the need to preserve beautiful, ornamental forms versus soul-killing, contemporary, functional building.<\/p>\n

Alexandre Schmidt (Fabrizio Rongione), a French architect, disgusted with the failure of a city planning commission to adopt his ideas of beauty in favor of functionality, takes a leave in Italy to study.\u00a0 His wife Ali\u00e9nor Schmidt (Christelle Prot Landman) joins him\u2014though they barely communicate on an emotional level.\u00a0 The couple meet another pair in Italy, Goffredo (Ludovico Succio), an eighteen-year-old about to study architecture, and Goffredo\u2019s younger sister, Lavinia (Arianna Nastro), a fragile teen subject to dizzy spells that land her in bed for several days each month.\u00a0 While Alexandre spends several days mentoring the student with an extended narration in Stresa on the architecture of Francesco Borromini\u2014marveling at the works on churches and palaces, and spending considering film time elaborating on 17th century architecture–Ali\u00e9nor psyches out and mentors Lavinia, determining that her vertigo is prompted by guilt over her unnatural attraction to her brother.<\/p>\n

Each couple changes the other duo\u2014as they say\u2014forever.\u00a0 Ali\u00e9nor will grow closer to Alexandre, reviving their more passionate days.\u00a0 Lavinia will determine to grow some distance from her brother.\u00a0 The film juxtaposes the documentary-style narration about the need for beauty vs. functionality in buildings with the romantic theme involving the middle-aged couple.\u00a0 Humor is sparse but quite effective in its suddenness, as when an \u201cugly Australian\u201d tourist from Sydney demands that a watchman open the door to a church though the key is not currently available.\u00a0 All four people \u201cfind the light,\u201d an expression used metaphorically to good effect.<\/p>\n

Original that this film may be, it does recall Roberto Rossellini\u2019s 1954 \u201cJourney to Italy\u201d starring Ingrid Bergman and George Sanders, about a workaholic businessman and his more sensitive wife whose journey recalls memories of a poet friend, Charles Lewington.\u00a0 On the brink of divorce, the couple are saved after a visit to Pompeii when a religious procession in Naples rekindles their love.\u00a0 As with that classic movie, the landscape scenes in \u201cLa Sapienza\u201d will rekindle your desire to go to Italy\u2014tomorrow.<\/p>\n

Unrated.\u00a0 100 minutes.\u00a0 \u00a9 Harvey Karten, Member, New York Film Critics Online<\/strong><\/p>\n

Story \u2013 B+<\/strong>
\nActing \u2013 B+<\/strong>
\nTechnical \u2013 A-<\/strong>
\nOverall \u2013 B+<\/strong><\/p>\n

\"spaa\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

LA SAPIENZA Kino Lorber Reviewed for Shockya by Harvey Karten. Data-based on Rotten Tomatoes. Grade:\u00a0 B+ Director:\u00a0 Eug\u00e8ne Green Screenwriter:\u00a0 Eug\u00e8ne Green Cast:\u00a0 Fabrizio Rongione, Christelle Prot, Ludovico Succio, Arianna Nastro, Herv\u00e9 Compagne, Sabine Ponte Screened at:\u00a0 Dolby88, NYC, 3\/11\/15 Opens:\u00a0 March 20, 2015 In Edward Albee\u2019s play \u201cWho\u2019s Afraid of Virginia Woolf,\u201d George and […]<\/p>\n","protected":false},"author":37,"featured_media":151268,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,4],"tags":[36296],"class_list":["post-151243","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-la-sapienza"],"apple_news_notices":[],"yoast_head":"\nLa Sapienza Movie Review<\/title>\n<meta name=\"description\" content=\"LA SAPIENZA Kino Lorber Reviewed for Shockya by Harvey Karten. 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