{"id":152671,"date":"2015-05-22T06:45:05","date_gmt":"2015-05-22T13:45:05","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=152671"},"modified":"2015-05-22T06:49:43","modified_gmt":"2015-05-22T13:49:43","slug":"gemma-bovery-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2015\/05\/22\/gemma-bovery-movie-review\/","title":{"rendered":"Gemma Bovery Movie Review"},"content":{"rendered":"

GEMMA BOVERY<\/strong>
\nMusic Box Films<\/strong>
\nReviewed by: Harvey Karten for Shockya. Databased on Rotten Tomatoes.<\/strong>
\nGrade: A-<\/strong>
\nDirector: Anne Fontaine<\/strong>
\nScreenwriter:\u00a0 Pascal Bonitzer, Anne Fontaine, based on Posy Simmonds\u2019 1999 graphic novel<\/strong>
\nCast:\u00a0 Fabrice Luchini, Gemma Arterton, Jason Flemyng, Isabelle Candelier, Niels Schneider, Mel Raido<\/strong>
\nScreened at: Review 2, NYC, 5\/20\/15<\/strong>
\nOpens:\u00a0 May 29, 2015<\/strong><\/p>\n

Life follows art.\u00a0 Art follows life.\u00a0 Sometimes art follows art.\u00a0 In that last category, let\u2019s say an author modernized Dave Eggers\u2019s stunning 2014 novel \u201cThe Circle,\u201d about the influence of social media by bringing it right up to the present moment. Unless the modernizing author is Dave Eggers, he or she would be sued for plagiarism.\u00a0 However if you modernize a classic, that is a novel that is in the public sector, you\u2019d not only be legally in the clear.\u00a0 You might be praised.\u00a0 Such is the case with Anne Fontaine\u2019s \u201cGemma Bovery,\u201d a modernization of Flaubert\u2019s classic \u201cMadame Bovary\u201d about a materialistic, unhappily married woman who indulges in affairs, ultimately ending her life by taking arsenic.\u00a0 \u201cGemma Bovery\u201d is adapted from Rosemary Elizabeth \u201cPosy\u201d Simmonds\u2019s graphic novel of the same name originally featured in the The Guardian newspaper, later published as a book.<\/p>\n

And the movie is a delight, changing the tragic, or perhaps better defined as melodramatic, Flaubert novel into a serio-comic look at some thoroughly 21st Century people, neighbors in a small French village outside Rouen in Normandy.\u00a0 The adaptation is faithful, though names have been changed. For example, Raymond Joubert, a baker in the town, is now Martin Joubert.\u00a0 He, and not the title character, represents the principal around whom the action takes place.<\/p>\n

Director Anne Fontaine, known to cinephiles for \u201cCoco Before Channel,\u201d about Gabrielle Channel\u2019s rise from obscurity to the heights of the fashion world, is in her m\u00e9tier, this time tracing the arc of an illustrator who follows her husband from London to Rouen, engages in an affair with a neighbor while briefly following up a previous liaison, all from the point of view of an older man\u2019s imagination and a modicum of stalking.<\/p>\n

Martin Joubert (Fabrice Luchini), the older man, had moved back to his village to take over the family bakery along with his shrewish wife Val\u00e9rie (Isabelle Candelier) and high-school student son.\u00a0 When a pair of newlyweds, Charlie Bovery (Jason Flemyng) and his wife Gemma (Gemma Arterton), move across the street, Martin is both taken by the young woman\u2019s beauty and fascinated by her name: he keeps Flaubert\u2019s novel in his home and likes to imagine that Gemma may follow in the path of Flaubert\u2019s Emma Bovary despite the slightly different spelling.\u00a0 He invites her to a one-pupil baking class, hoping that she will be as hot for him as the dough that they are kneading, until she meets young, rich and handsome Herv\u00e9 de Bressigny (Niels Schneider).\u00a0 Lo and behold, Bovery and Herv\u00e9 begin an affair just like Emma and Rodolphe in the classic.<\/p>\n

As Gemma, Gemma Arterton does not become three-dimensional.\u00a0 She flits about and flirts but we do not get much insight into her character.\u00a0 Though her (almost) namesake Emma Bovary is frustrated by her rural existence, carrying on affairs to transcend her stifled feelings, Gemma seems simply caught up in Herv\u00e9\u2019s youth, looks and wealth.\u00a0 Her own husband Charlie is a nice enough guy, carrying on his trade restoring antique furniture, but like his own namesake, Charles Bovary in the Flaubert novel, he is a cipher.<\/p>\n

Instead, Pascal Bonitzer and Anne Fontaine\u2019s script highlights Fabrice Luchini\u2019s Martin, not only the principal character in this light version, but one who acts almost like the scriptwriter himself, using his imagination to such a wild extent that he believes he actually has a chance with the lovely Gemma.\u00a0 It doesn\u2019t hurt that the role is played by Luchini, born in Paris from a family of Italian immigrants and fluent in both Italian and French.\u00a0 Accomplished particularly in comic roles as in Fran\u00e7ois Ozon\u2019s \u201cDans la maison,\u201d where he performed in the role of a French teacher\u2019s relationship with a precocious pupil, Luchini is the principal reason to see this delightfully comic take on the great French classic.<\/p>\n

Rated R.\u00a0 99 minutes.\u00a0 \u00a9 Harvey Karten, Member, New York Film Critics Online<\/strong><\/p>\n

Story \u2013 B+<\/strong>
\nActing \u2013 A-<\/strong>
\nTechnical \u2013 B+<\/strong>
\nOverall \u2013 A-<\/strong><\/p>\n

\"gb\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

GEMMA BOVERY Music Box Films Reviewed by: Harvey Karten for Shockya. Databased on Rotten Tomatoes. 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