{"id":153065,"date":"2015-06-19T07:00:03","date_gmt":"2015-06-19T14:00:03","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=153065"},"modified":"2015-06-19T07:00:03","modified_gmt":"2015-06-19T14:00:03","slug":"the-second-mother-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2015\/06\/19\/the-second-mother-movie-review\/","title":{"rendered":"The Second Mother Movie Review"},"content":{"rendered":"

THE SECOND MOTHER (Que Horas Ela Volta)<\/strong>
\nOscilloscope Laboratories<\/strong>
\nReviewed by: Harvey Karten for Shockya. Databased on Rotten Tomatoes.<\/strong>
\nGrade: A-<\/strong>
\nDirector: Anna Muylaert<\/strong>
\nScreenwriter:\u00a0 Anna Muylaert<\/strong>
\nCast:\u00a0 Regina Cas\u00e9, Camila M\u00e1rdila, Michel Joelsas, Karine Teles, Louren\u00e7o Mutarelli, Helena Albergeria<\/strong>
\nScreened at: Critics\u2019 DVD, NYC, 6\/13\/15<\/strong><\/p>\n

One of the better classic studies of social differences since George Bernard Shaw found an unspoken love between a professor and a sidewalk flower seller in \u201cPygmalion,\u201d \u201cThe Second Mother\u201d highlights the ways an allegedly liberal woman acts with condescension toward her long-employed maid.\u00a0 More important, though, the often comic Brazilian film contrasts a maid\u2019s affection toward her employer\u2019s child whom she treats like a second mother against her dysfunctional relationship with her own daughter whom she abandoned years back to be brought up by another woman.<\/p>\n

Even more important is the dazzling role of the title figure, Val (Regina Cas\u00e9), a live-in domestic blessed with terrific dialogue by writer-director Anna Muylaert, whose previous contributions include \u201cSmoke Gets in Your Eyes,\u201d about a cigarette-addicted lower-middle-class guitar teacher is on the outs with her two sisters.\u00a0 With \u201cThe Second Mother,\u201d lower-middle-class domestic Val caters to her bosses, B\u00e1rbara (Karine Teles) and Carlos (Louen\u00e7o Mutarelli), cooking, cleaning, and for the most raising their boy, Fabrinho (Michel Joelsas).\u00a0\u00a0 While young and old get along just dandy when director Muylaert describes the tenderness that Val has for Fabinho, this is nothing like that affection between Val and her daughter Jessica (Camila M\u00e1rdila), who have barely seen each other for a decade but who are tentatively united when the bright, progressive young woman, studying for a college entrance exam, moves into the spacious home of the well-to-couple in S\u00e3o Paulo.<\/p>\n

Young Jessica, however, nearly gets her mother fired as she has no regard for the social class rules.\u00a0 She thinks nothing of having breakfast in the homeowners\u2019 kitchen, even getting served by the woman of the house.\u00a0 Nor does she intend to sleep on a mattress in her mother\u2019s stuffy quarters, instead insisting on knocking off in the well-appointed guest room and splashing merrily with Fabrinho and his friend in the large, well maintained pool.<\/p>\n

Everything that passes during the weeks of Jessica\u2019s visit is unfolded naturally, including the housekeeper, who cooks, cleans, and nurtures, serving her employers beyond duty\u2019s call, and who cares far more for Fabrinho than for her own teenage girl.\u00a0 One of the embarrassing moments in the movie, but one we can readily understand, occurs when Carlos, the man of the house and the one responsible for its financing through an inheritance, falls for Jessica, even proposing marriage though he is already hitched to Barbara and seems twenty older than even his own wife.\u00a0 If Jessica laughs in his face, this is right in character for a young woman who has no use for the usual regulations of social behavior.<\/p>\n

Everyone changes with Jessica\u2019s visit serving as a catalyst, especially Regina Cas\u00e9\u2019s lead character, a housekeeper wedded for decades to her servitude who wakes up to the need to find some balance in her life.\u00a0\u00a0 Not only is the story tightly written and flawlessly directed: it is anchored by a wholly riveting performance from Ms. Cas\u00e9 who, like the others in the story come across as authentic as your next-door neighbors.<\/p>\n

The picture won the audience award at the Berlin Film Festival.\u00a0 In Portuguese with English subtitles.<\/p>\n

Unrated.\u00a0 113 minutes.\u00a0 \u00a9 Harvey Karten, Member, New York Film Critics Online<\/strong><\/p>\n

Story \u2013 B+<\/strong>
\nActing \u2013 A-<\/strong>
\nTechnical \u2013 B+<\/strong>
\nOverall –\u00a0 A-<\/strong><\/p>\n

\"aa\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

THE SECOND MOTHER (Que Horas Ela Volta) Oscilloscope Laboratories Reviewed by: Harvey Karten for Shockya. Databased on Rotten Tomatoes. Grade: A- Director: Anna Muylaert Screenwriter:\u00a0 Anna Muylaert Cast:\u00a0 Regina Cas\u00e9, Camila M\u00e1rdila, Michel Joelsas, Karine Teles, Louren\u00e7o Mutarelli, Helena Albergeria Screened at: Critics\u2019 DVD, NYC, 6\/13\/15 One of the better classic studies of social differences […]<\/p>\n","protected":false},"author":37,"featured_media":153195,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,4],"tags":[],"class_list":["post-153065","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews"],"apple_news_notices":[],"yoast_head":"\nThe Second Mother Movie Review<\/title>\n<meta name=\"description\" content=\"THE SECOND MOTHER (Que Horas Ela Volta) Oscilloscope Laboratories Reviewed by: Harvey Karten for Shockya. 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