{"id":153350,"date":"2015-07-19T21:05:03","date_gmt":"2015-07-20T04:05:03","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=153350"},"modified":"2015-06-26T06:28:57","modified_gmt":"2015-06-26T13:28:57","slug":"phoenix-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2015\/07\/19\/phoenix-movie-review\/","title":{"rendered":"Phoenix Movie Review"},"content":{"rendered":"<p><strong>PHOENIX<\/strong><br \/>\n<strong>Sundance Selects<\/strong><br \/>\n<strong>Reviewed by: Harvey Karten for Shockya. Databased on Rotten Tomatoes.<\/strong><br \/>\n<strong>Grade: A-<\/strong><br \/>\n<strong>Director: Christian Petzold<\/strong><br \/>\n<strong>Screenwriter:\u00a0 Christian Petzold, Harun Farocki, Hubert Monteilhet, adapted from Hubert Monteilhet\u2019s \u201cReturn From the Ashes\u201d<\/strong><br \/>\n<strong>Cast:\u00a0 Nina Hoss, Nina Kunzendorf, Ronald Zehrfeld, Trystan Putter, Michael Maertens, Imogen Kogge, Felix Romer<\/strong><br \/>\n<strong>Screened at: Review 1, NYC, 6\/25\/15<\/strong><br \/>\n<strong>Opens:\u00a0 July 24, 2015<\/strong><\/p>\n<p>Just when you thought that all Holocaust-themed movies had been exhausted, along comes \u201cPhoenix\u201d which, actually, is not a brand new take on its repercussions.\u00a0 Hubert Monteilhet\u2019s novel \u201cReturn from the Ashes\u201d covers the material, adapted by Harun Farocki, and the novel had been filmed by J. Lee Thompson starring Maximilan Schell and Ingrid Thulin.\u00a0 \u201cPhoenix,\u201d which is both the name of a Berlin cabaret and a symbol of a recreated woman, is a fascinating look at the relationship of a German-Jewish woman who hid out during the war but was arrested in 1944, and the man who was her husband and who thinks of a plan to use his wife, a survivor of Auschwitz, to collect and split a sum of money set aside by Germany to compensate living persons who got out of the camps alive.<\/p>\n<p>\u201cPhoenix\u201d is done as a Hitcockian ghost story in the vein of \u201cVertigo\u201d about a shipbuilder who asks a retired police detective to follow his wife, who may be in danger of suicide as she thinks she is possessed by a dead ancestor.\u00a0 This new take on an identity crisis is directed by Christian Petzold, whose \u201cBarbara\u201d deals with a doctor in the East Germany of the 1980s who finds herself banished to a small country hospital.<\/p>\n<p>Not only is \u201cPhoenix\u201d a wholly absorbing, even mystical tale albeit one set amidst the rubble of Berlin in 1945.\u00a0 It is graced by a first-rate performance from Nina Hoss, not only the title figure in \u201cBarbara\u201d but a performer with twenty-eight films in her r\u00e9sum\u00e9.\u00a0 Hoss takes the part of Nelly Lenz, who opens the story in a conversation with a plastic surgeon who suggests remodeling her face, which had been destroyed by a bullet, and assuming a new identity.\u00a0 As she would prefer to look exactly like her old self, the doctor does his best but not quite enough to allow her husband Johnny (Ronald Zehrfeld who comes through as a cross between Clark Gable and Russell Crowe) to recognize her.\u00a0 Johnny was a pianist before the war and his wife Nelly was his singer.<\/p>\n<p>Though Nelly\u2019s best friend Lene Winter (Nina Kunzendorf) pushes her to go with her to Palestine, allowing her to choose either Tel Aviv or Haifa, Nelly wants first to determine whether her husband ratted her out to the Nazi authorities and whether he still loves her.\u00a0 She seeks out and finds Johnny, now a busboy in the Phoenix cabaret and living in a basement.\u00a0 In the film\u2019s least believable theme, Johnny does not recognize his wife but considers \u201cEsther\u201d so close in appearance to Nelly that he concocts with her a plan to declare \u201cEsther\u201d to be actually Nelly and to split a survivor\u2019s sum of $40,000 50-50 with her once the ploy is believed by the authorities.<\/p>\n<p>Each of the two principals, then, wants something.\u00a0 She wants to find out whether her Christian husband remained loyal to her or whether her arrest came about by his revealing her hiding place.\u00a0 He wants money. The relationship between the two anchors the film as we in the audience wonder whether a) she can pull off her wish, and b) whether he can deceive the authorities.\u00a0 We also wonder whether at some point the husband will see through Nelly\u2019s scheme and, if so, how that revelation will be made.\u00a0 In that regard, the conclusion is at once subtle and highly dramatic.<\/p>\n<p>Hans Fromm shot the movie largely on location in Berlin\u2019s Brandenburg area and also in Wroclaw, Poland.\u00a0 Dialogue is in German with English subtitles with some songs in English.\u00a0 \u201cPhoenix\u201d played at festivals in Toronto, Vancouver, London, Rome and Seattle.<\/p>\n<p><strong>Rated PG-13.\u00a0 98 minutes.\u00a0 \u00a9 Harvey Karten, Member, New York Film Critics Online<\/strong><\/p>\n<p><strong>Story \u2013 A-<\/strong><br \/>\n<strong>Acting \u2013 A<\/strong><br \/>\n<strong>Technical \u2013 A-<\/strong><br \/>\n<strong>Overall \u2013 A-<\/strong><\/p>\n<p><a href=\"http:\/\/www.shockya.com\/news\/wp-content\/uploads\/nh.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.shockya.com\/news\/wp-content\/uploads\/nh.jpg\" alt=\"nh\" width=\"560\" height=\"254\" class=\"alignnone size-full wp-image-153364\" srcset=\"https:\/\/www.shockya.com\/news\/wp-content\/uploads\/nh.jpg 560w, https:\/\/www.shockya.com\/news\/wp-content\/uploads\/nh-300x136.jpg 300w\" sizes=\"auto, (max-width: 560px) 100vw, 560px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>PHOENIX Sundance Selects Reviewed by: Harvey Karten for Shockya. Databased on Rotten Tomatoes. Grade: A- Director: Christian Petzold Screenwriter:\u00a0 Christian Petzold, Harun Farocki, Hubert Monteilhet, adapted from Hubert Monteilhet\u2019s \u201cReturn From the Ashes\u201d Cast:\u00a0 Nina Hoss, Nina Kunzendorf, Ronald Zehrfeld, Trystan Putter, Michael Maertens, Imogen Kogge, Felix Romer Screened at: Review 1, NYC, 6\/25\/15 Opens:\u00a0 [&hellip;]<\/p>\n","protected":false},"author":37,"featured_media":153364,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,4],"tags":[16440,36775],"class_list":["post-153350","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-nina-hoss","tag-phoenix"],"apple_news_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Phoenix Movie Review<\/title>\n<meta name=\"description\" content=\"PHOENIX Sundance Selects Reviewed by: Harvey Karten for Shockya. 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