{"id":153476,"date":"2015-07-02T11:17:03","date_gmt":"2015-07-02T18:17:03","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=153476"},"modified":"2015-07-17T07:01:42","modified_gmt":"2015-07-17T14:01:42","slug":"trainwreck-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2015\/07\/02\/trainwreck-movie-review\/","title":{"rendered":"Trainwreck Movie Review"},"content":{"rendered":"

Title: Trainwreck<\/p>\n

Director: Judd Apatow<\/p>\n

Starring: Amy Schumer, Bill Hader, Brie Larson, Tilda Swinton, Vanessa Bayer, John Cena and Colin Quinn<\/strong><\/p>\n

Sometimes the best way to stay true to your morals and personality, while also striving to reach your full potential, is to fully embrace the idea of reinventing your signature qualities that have long since become stereotypical and clich\u00e9d. That powerful attempt to revive your emotions and thoughts, and how they\u2019re presented to the world, is the all-important theme in the upcoming comedy, \u2018Trainwreck.\u2019 The film, which is set to be released in theaters on July 17, marks the captivating recreation of director Judd Apatow, who once again fearlessly infuses the romantic comedy genre with a stunning role reversal that questions how men and women act in relationships. The movie also marks the feature film writing and leading role debuts of actress and comedian Amy Schumer, who naturally proves that she understands the difficulties of staying true to who you really are, while also striving to transform into the person you\u2019re meant to be in your ever-changing connections with the people in your life.<\/p>\n

\u2018Trainwreck\u2019 begins with two young sisters as they\u2019re being told by their philandering father, Gordon (Colin Quinn), that he\u2019s divorcing their mother, before he instills in them that monogamy isn\u2019t realistic. Almost a quarter century later, the older sister, Amy Townsend (Schumer), is still living by her dad\u2019s mentality on relationships. As a writer for a New York-based men\u2019s magazine who has aspirations to be promoted to an editor\u2019s position, Amy is enjoying her life that\u2019s free of a serious romantic commitment. She rarely ever sees the men she sleeps with for a second date, except for the fitness obsessed Steven (John Cena), who seems more interested in trying to make their causal relationship serious than she does.<\/p>\n

Amy\u2019s view on love soon begins to change, however, when she\u2019s begrudgingly assigned by her callous boss, Dianna (Tilda Swinton), to write a profile of Aaron Conners (Bill Hader). Amy initially struggles with how to best approach the article, as Aaron\u2019s a noted sports-medicine doctor, whose patients include LeBron James and Amar\u2019e Stoudemire, and she knows very little about sports. When the charming doctor begins to express interest in forming a personal romantic relationship with Amy, she begins to question if her once steadfast resistance to serious commitments can positively be changed.<\/p>\n

While her colleague and friend, Nikki (Vanessa Bayer), shares her hesitance of forming serious romantic relationships, Amy soon starts to recognize how happy her younger sister, Kim (Brie Larson), is in her marriage. While the older sister has always connected with their father\u2019s stance on monogamy, she begins to understand Kim\u2019s insistence that he was never really there for them or their mother, as she forms her connection with Aaron. As Amy reflects on their father\u2019s life, as he\u2019s suffering from the advanced stages of MS, and the expenses of his assisted-living home remain a lingering source of contention between the sisters, she finally begins to accept the fact that her new relationship is changing who she really is.<\/p>\n

While \u2018Trainwreck\u2019 is his first feature directorial effort that he didn\u2019t also write the screenplay for, Apatow was finally able to powerfully return to his helming glory that began a decade ago with his initial film directing efforts, \u2018The 40-Year-Old Virgin\u2019 and \u2018Knocked Up.\u2019 Working with Schumer on her writing and acting duties on \u2018Trainwreck\u2019 allowed the filmmaker to once again create an enthralling and relevant modern protagonist in the character of Amy, who\u2019s struggling to find true happiness and contentment in her personal relationships. Apatow fearlessly reversed the gender roles in the romantic comedy genre, showing that Amy is the initially immature hero who learns to not only accept, but also embrace, the fact that Aaron, the person who\u2019s pursuing her, is genuinely interested in her. Emphasizing her insecurities about why the respectable Aaron would be attracted to her, and her ultimate determination to fight those personal fears, showcase a welcome development in the director\u2019s signature chronicling of immature adults struggling to find their place in society.<\/p>\n

Schumer, who has rightfully garnered fame for her hilarious writing and acting on her hit Comedy Central sketch comedy series, \u2018Inside Amy Schumer,\u2019 captivatingly and effortlessly made the transition into penning and starring as the protagonist in a feature film. The scribe and actress naturally emphasized how her character\u2019s long-standing resistance to committed romantic relationships stemmed from seeing the disastrous effects of her parents\u2019 divorce, and her father\u2019s subsequent actions and beliefs towards becoming seriously involved with another woman. But after witnessing Kim\u2019s endless happiness in her marriage and being a stepmother, and seeing Aaron\u2019s devotion to making their relationship work, Amy powerfully begins to embrace the fact that she also deserves to be loved and accepted for who she really is.<\/p>\n

While Schumer crafted an overall humorous and equally sentimental exploration of how people, especially woman, can truly learn to accept themselves after receiving encouragement and inspiration from the people who care about them, some parts of her memorable script did unfortunately lag at times. From the unnecessary voice-over Amy gives throughout the comedy, which was at-times amusingly self-aware, especially when she comically mentions how the love montage sequence between her and Aaron goes against the beliefs she\u2019s held for most of her life, to her repeated similar interactions with the homeless man outside of her apartment, some plot elements soon grow tired and out-of-place. Although they do initially offer moments of humor, the inconsequential running jokes do little to further develop the more powerful and meaningful moments between Amy and Aaron, who was intriguingly portrayed by Hader in another inventive and unique performance.<\/p>\n

\u2018Trainwreck\u2019 features a stellar, amusing and relatable story that compelling showcases Schumer\u2019s natural talents and abilities as a comedic feature film writer and lead actress. The performer formed a naturally captivating bond with Hader as they developed the growing serious emotions that formed between their characters, and showed how Aaron was integral to helping Amy realize and accept the fact that truly caring for someone else doesn\u2019t have to end in pain. While the repetitive nature of some of the running jokes throughout the comedy ultimately took away from Amy\u2019s equally gripping and hilarious development, overall the writer and actress enthrallingly worked with Apatow to courageously reverse the gender roles in the romantic comedy genre, and prove that comedy can be the best way to capture someone\u2019s heart.<\/p>\n

Technical: B<\/p>\n

Acting: B+<\/p>\n

Story: A-<\/p>\n

Overall: B+<\/p>\n

Written by: Karen Benardello<\/a><\/strong><\/p>\n

\"Trainwreck<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Title: Trainwreck Director: Judd Apatow Starring: Amy Schumer, Bill Hader, Brie Larson, Tilda Swinton, Vanessa Bayer, John Cena and Colin Quinn Sometimes the best way to stay true to your morals and personality, while also striving to reach your full potential, is to fully embrace the idea of reinventing your signature qualities that have long 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