{"id":154811,"date":"2015-09-09T09:13:02","date_gmt":"2015-09-09T16:13:02","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=154811"},"modified":"2015-09-08T09:14:10","modified_gmt":"2015-09-08T16:14:10","slug":"labyrinth-of-lies-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2015\/09\/09\/labyrinth-of-lies-movie-review\/","title":{"rendered":"Labyrinth of Lies Movie Review"},"content":{"rendered":"

LABYRINTH OF LIES (Im Labyrinth des Scheigens)<\/strong>
\nSony Pictures Classics<\/strong>
\nReviewed by: Harvey Karten for Shockya.\u00a0 Databased on Rotten Tomatoes.<\/strong>
\nGrade: A-<\/strong>
\nDirector:\u00a0 Giulio Ricciarelli<\/strong>
\nWritten by: Elisabeth Bartel, Giulio Ricciarelli<\/strong>
\nCast: Andr\u00e9 Szymanski, Alexander Fehling, Gert Voss, Johannes Krisch, Friederike Becht, Hansi Jochmann, Johann von B\u00fclow, Robert Hunger-B\u00fchler<\/strong>
\nScreened at: Sony, NYC, 9\/2\/15<\/strong>
\nOpens:\u00a0 September 30, 2015<\/p>\n

Giulio Ricciarelli\u2019s film \u201cLabyrinth of Lies\u201d brings to mind Arthur Miller\u2019s equally melodramatic play, \u201cAll My Sons.\u201d\u00a0 In that latter work, sixty-year-old Joe Keller is guilty of shipping damaged aircraft cylinder heads to U.S. pilots during World War II, causing the deaths of twenty-one pilots.\u00a0 Though Keller is exonerated, he ultimately commits suicide.\u00a0 The playwright bludgeons the audience with the most melodramatic finale possible.\u00a0\u00a0 Similarly, we are told in \u201cLabyrinth of Lies\u201d that the guilty party is not one person but perhaps twenty-five percent of the German population, specifically members of the Nazi Party during and before World War II and, secretly, after the war as well.\u00a0 But even those Germans who were not Party members are presumably guilty for working in the perverse interests of their country, even with such mundane tasks as performing clerical work that aided in the extermination of \u201cnon-Aryan enemies,\u201d including not only Jews but also Jehovah\u2019s Witnesses, homosexuals, Romanis and the disabled.<\/p>\n

According to the director and co-writer Elisabeth Bartel, in the late fifties when Johann Radmann (Alexander Fehling)\u00a0 in the role of a young, ambitious prosecutor, asks Germans from various walks of life what they know about Auschwitz, the standard answer is \u201cnothing.\u201d\u00a0 This may be true since the German government at least in those early years since the war did what they could to cover up the Nazi crimes. (Today, by contrast, Germany confesses to the crimes, and in Berlin, you can even take a \u201cThird Reich tour\u201d which includes allowing tourists to stand directly above Hitler\u2019s Bunker and which in one exhibit plasters the walls with news clippings about the era.)<\/p>\n

All action centers on Fehling, an idealistic prosecutor who acts with rage throughout much of the two-hour narrative film, a fictional character who is really a composite of three prosecutors that actually lived at the time and who prosecuted the small fish who had taken part in atrocities during the war.\u00a0 He is motivated when Simon Kirsch (Johannes Krisch), an Auschwitz survivor, accepts a light for his cigarette, dropping what he is carrying when he notes that the helpful school teacher with the match had been his tormentor when he was in the camps.\u00a0 Radmann is furious that nobody appears to want to follow up, to charge the teacher with war crimes though he had been in the Waffen SS.\u00a0 Visiting the U.S. Army Document Center, he sees proof that the public arena is filled with former Nazis who just wanted to return to peaceful lives and, of course, to avoid prosecution by their own country.\u00a0 (What the film does not bring out is that although the U.S. had been interested in de-Nazification, in removing war criminals from their government posts, our government became more concerned with winning over the German people as our allies in the Cold War against the Soviet Union.)<\/p>\n

Eventually, Radmann\u2019s aim is to expose hundreds of ex-Nazis, most notably to make sure that the children of those involved in the crimes know what their fathers did during the war.\u00a0 He does not excuse himself either, prepared to admit that his own father was a Nazi, and loses his girlfriend, Marlene (Friederike Becht) when he exposes her father as well.<\/p>\n

The film is a crowd-pleaser, though one that operates with a heavy hand by throwing in a romance but not indulging in humor to lighten the ambiance.\u00a0 Radmann might have been na\u00efve, but ultimately his investigations lead to The Auschwitz Trial of 1963, in which a just a handful of small fish are found guilty, though all have since been freed.\u00a0 Fehling could be seen in my vote for best movie of 2009 \u201cInglourious Bastards\u201d in a relatively small role of Master Sergeant Wilhelm.\u00a0 You cannot help noticing his \u201cMad Men\u201d good looks, his granite-like face, his self-righteous delivery. The film is both an entertainment and an education, one which should be seen especially by youths around the world who know almost nothing of the period, though we\u2019re pretty sure that German kids have been enlightened by units on the Holocaust in school and by public buildings in Berlin and outside housing a wealth of information about the infamous period.<\/p>\n

Rated R.\u00a0 124 minutes.\u00a0 \u00a9 Harvey Karten, Member, New York Film Critics Online<\/strong><\/p>\n

Story \u2013 B+<\/strong>
\nActing \u2013 A-<\/strong>
\nTechnical \u2013 A-<\/strong>
\nOverall \u2013 A-<\/strong><\/p>\n

\"Im<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

LABYRINTH OF LIES (Im Labyrinth des Scheigens) Sony Pictures Classics Reviewed by: Harvey Karten for Shockya.\u00a0 Databased on Rotten Tomatoes. Grade: A- Director:\u00a0 Giulio Ricciarelli Written by: Elisabeth Bartel, Giulio Ricciarelli Cast: Andr\u00e9 Szymanski, Alexander Fehling, Gert Voss, Johannes Krisch, Friederike Becht, Hansi Jochmann, Johann von B\u00fclow, Robert Hunger-B\u00fchler Screened at: Sony, NYC, 9\/2\/15 Opens:\u00a0 […]<\/p>\n","protected":false},"author":37,"featured_media":155051,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,4],"tags":[280,37081,37045],"class_list":["post-154811","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-germany","tag-labyrinth-of-lies","tag-nazis"],"apple_news_notices":[],"yoast_head":"\nLabyrinth of Lies Movie Review<\/title>\n<meta name=\"description\" content=\"LABYRINTH OF LIES (Im Labyrinth des Scheigens) Sony Pictures Classics Reviewed by: Harvey Karten for Shockya.\u00a0 Databased on Rotten Tomatoes. 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