{"id":155522,"date":"2015-10-10T10:07:53","date_gmt":"2015-10-10T17:07:53","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=155522"},"modified":"2015-10-08T10:08:30","modified_gmt":"2015-10-08T17:08:30","slug":"son-of-saul-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2015\/10\/10\/son-of-saul-movie-review\/","title":{"rendered":"Son of Saul Movie Review"},"content":{"rendered":"

SON OF SAUL (Saul Fia)<\/strong>
\nSony Pictures Classics<\/strong>
\nReviewed by: Harvey Karten for CompuServe ShowBiz. Databased on Rotten Tomatoes.<\/strong>
\nGrade: B<\/strong>
\nDirector:\u00a0 L\u00e1szl\u00f3 Nemes<\/strong>
\nWritten by: Clara Royer, L\u00e1szl\u00f3 Nemes<\/strong>
\nCast: G\u00e9z\u00e1 R\u00f6hrig, Levente Monar, Urs Rechn, Tood Charmont, S\u00e1ndor Zsot\u00e9r, Marcin Czarnik, Jerzy Walczak<\/strong>
\nScreened at: Sony, NYC, 9\/30\/15<\/strong>
\nOpens:\u00a0 December 18, 2015<\/strong><\/p>\n

As you watch L\u00e1szl\u00f3 Nemes\u2019s \u201cSon of Saul\u201d with its realistic m\u00e9lange of Hungarian, German and Yiddish dialogue, you might become even more enraged at the pronouncements of former Iranian president Mahmoud Ahmadinejad.\u00a0 When Ahmadinejad assured us that the Holocaust was merely an invention to garner sympathy for the desire for a home in the Jews\u2019 ancestral land, he was either a stupid man or one who cleverly used propaganda for domestic consumption.\u00a0 Just notice what \u201cSon of Saul\u201d director Nemes shows us in portraying life in Auschwitz-Birkenau, the most notorious death camp which the Nazis constructed in Poland.\u00a0 The Polish partisans smuggled a camera to the inmates to allow them secretly to photograph the gruesome crematoria and gas chamber, with a look at some of the thousands of naked bodies pouring into the chamber thinking they were about to take a shower to delouse themselves.\u00a0 Writers in the camps hid descriptive notes within the walls, assuming that they would be killed like all the others leaving no survivors to tell the tales of the treatment dished out by the German and guards at the camp and even by fellow Jews serving the Germans as Capos, or Jewish police.\u00a0 What emerges from Nemes\u2019s feature which he co-wrote with Clara Royer is a picture of Auschwitz-Birkenau in 1944, a year that Germany knew it would be defeated by the Allies, its camp officials determined to kill seemingly endless convoys of Jews before the Russians would enter and liberate them.
\nHolocaust pictures, books and theatrical pieces can be tallied not in the scores but in the hundreds, surely not because they are entertaining but rather because the Holocaust was, like the bombs at Hiroshima and Nagasaki, among the seminal events of the 20th Century.\u00a0 (This is why I shuddered on the way up the elevator to the screening when one of the security officials, meaning well but ignorant of the subject of the film, said, \u201cEnjoy\u201d)!\u00a0 \u201cSon of Saul\u201d focuses largely on its central character, Saul Ausl\u00e4nder, a Hungarian member of the camp\u2019s Sonderkommandos, responsible along with 100-200 others for lying to the Jews who are entering the gas chamber, telling them to leave their clothing on hooks,to remember the number of their hooks, and come out of the \u201cshower\u201d quickly before the \u201csoup gets cold.\u201d\u00a0 Men and women, naked together, would enter but, since the director states that he is not making a horror film (he could have fooled me), he would not take the cameras inside but would merely allow the victims to shout and scream and bang on the door.
\nAll is told from Saul\u2019s viewpoint, which is why your theater curtain may close partway to give the audience the sense of a narrowed vision with its slim aspect ratio.\u00a0 To make sure we all understand that this is R\u00f6hrig\u2019s movie, all from his point of view, \u201cNemes opens the movie on a long close-up at Saul\u2019s troubled face as the protagonist simply stares as though in disbelief at the mayhem surrounding him, with people moving about, removing bodies from the gas chamber, burning them (the bodies are called \u201cpieces\u201d and each human being lying lifeless is called \u201cit\u201d).\u00a0 After each removal, the Sonderkommandos are ordered to scrub the floor clear of all evidence of death and to operate quickly because a new convoy would soon arrive.<\/p>\n

You could not think of a more squalid place on this earth than this camp, where dead bodies, after burning, would convert to mountains of ashes thrown into the river.\u00a0 Now Saul has a special mission, one that you may find unbelievable given the huge numbers of victims.\u00a0 One young boy survived the gas, only the second time in the memory of at least some of the guards, though his breathing was shallow and he was near death.\u00a0 A Hungarian doctor who is a prisoner is ordered to autopsy the young man to see how he was able to survive.\u00a0 Saul claims that the boy is his own, though from a different woman than his wife, but whether he means this metaphorically as Arthur Miller must have meant when he entitled his first play \u201cAll My Sons\u201d or means this literally is anybody\u2019s guess.\u00a0 Ausl\u00e4nder is determined to give this boy a proper Jewish burial by finding a rabbi to recite Kaddish\u2014which is a prayer for the dead\u2014and then bury him as demanded by Jewish law and tradition.\u00a0 Considerable dialogue is taken up by Ausl\u00e4nder\u2019s querying his fellow Sonderkommandos, \u201cAre you a rabbi?\u201d while at the same time he is helping to stage a rebellion\u2014one which actually took place in Auschwitz-Birkenau in 1944 and was the only such action by the prisoner throughout the way.<\/p>\n

R\u00f6hrig is a strong presence, charismatic some might say, delivering a fine performance though he is not a professional actor.\u00a0 He is rather a Budapest-born writer and poet who now resides in New York and is at work on a book.\u00a0 M\u00e1ty\u00e1s Erd\u00e9ly\u2019s cinematography enhances the strength of the man\u2019s features, concentrating now and then on long takes, as the anxiety-ridden character holds on to the need to do what\u2019s right for his \u201cson.\u201d\u00a0 This is a film without a typical narrative, but one which rather emphasizes how the camp functioned, like an assembly line really, the Sonderkommandos getting much better food than the watery soup fed to other inmates so allow them to do the heavy work of fetching, burning bodies, and disposing of mountains of ashes.\u00a0 It\u2019s perhaps the most visceral experience you\u2019ll receive this year on celluloid but is not necessarily a film that will be favored even by audience members who avidly seek out Holocaust works.\u00a0 To some \u201cSon of Saul\u201d is little more than a progression of noisy desperation.\u00a0 To others, who value true-to-life recreations in their films, it is among the prizes of the subgenre, one of the most realistic depictions of its century\u2019s most horrendous, even unbelievable, event.<\/p>\n

The folks at the Cannes Festival thought highly enough to award \u201cSon of Saul\u201d the Grand Prix, while Toronto\u2019s and New York\u2019s film festivals have given the picture their homes.\u00a0 \u201cSon of Saul\u201d is also Hungary\u2019s official selection for the Academy Award for Best Foreign Film.<\/p>\n

Rated R.\u00a0 107 minutes.\u00a0 \u00a9 Harvey Karten, Member, New York Film Critics Online<\/strong><\/p>\n

Story \u2013 B-<\/strong>
\nActing \u2013 B+<\/strong>
\nTechnical \u2013 B+<\/strong>
\nOverall – B<\/strong><\/p>\n

\"saa\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

SON OF SAUL (Saul Fia) Sony Pictures Classics Reviewed by: Harvey Karten for CompuServe ShowBiz. Databased on Rotten Tomatoes. Grade: B Director:\u00a0 L\u00e1szl\u00f3 Nemes Written by: Clara Royer, L\u00e1szl\u00f3 Nemes Cast: G\u00e9z\u00e1 R\u00f6hrig, Levente Monar, Urs Rechn, Tood Charmont, S\u00e1ndor Zsot\u00e9r, Marcin Czarnik, Jerzy Walczak Screened at: Sony, NYC, 9\/30\/15 Opens:\u00a0 December 18, 2015 As […]<\/p>\n","protected":false},"author":37,"featured_media":155695,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,4],"tags":[37228,18549,177,37227],"class_list":["post-155522","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-auschwitz","tag-holocaust","tag-hungary","tag-son-of-saul"],"apple_news_notices":[],"yoast_head":"\nSon of Saul Movie Review<\/title>\n<meta name=\"description\" content=\"SON OF SAUL (Saul Fia) Sony Pictures Classics Reviewed by: Harvey Karten for CompuServe ShowBiz. 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