{"id":158000,"date":"2016-03-06T21:05:15","date_gmt":"2016-03-07T04:05:15","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=158000"},"modified":"2016-02-14T22:23:50","modified_gmt":"2016-02-15T05:23:50","slug":"creative-control-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2016\/03\/06\/creative-control-movie-review\/","title":{"rendered":"Creative Control Movie Review"},"content":{"rendered":"

CREATIVE CONTROL<\/strong>
\nMagnolia Pictures<\/strong>
\nReviewed by: Harvey Karten for Shockya d-based on Rotten Tomatoes<\/strong>
\nGrade: B<\/strong>
\nDirector:\u00a0 Benjamin Dickinson<\/strong>
\nWritten by:\u00a0 Benjamin Dickinson, Micah Bloomberg<\/strong>
\nCast: Benjamin Dickinson, Nora Zehetner, Dan Gill, Alexia Rasmussen, Reggie Watts<\/strong>
\nScreened at: Review, NYC, 1\/28\/16<\/strong>
\nOpens:\u00a0 March 11, 2016<\/strong><\/p>\n

Restaurants ideally are not simply places to fuel up but to savor good food and enjoy the company of your dining companions.\u00a0 Whenever I\u2019m in such an establishment I look around and find that the young people, the millennials as they\u2019re called, could be sitting in pairs or at individual tables in which four or more seats are occupied.\u00a0 More often than not, I\u2019m astounded that a typical foursome may not be communicating with one another, but rather, each individual is texting friends that exist somewhere in outer space.\u00a0 I\u2019m thinking, if I were sitting with a friend who spent time doing this, I might consider walking out, but today\u2019s young generation appear to be completely at ease with the setup.\u00a0 This leads me to think that technology, however fascinating and useful in our digital age, is causing the death of intimacy.\u00a0 This theme, call it \u201cTechnology and the Death of Intimacy,\u201d is on display in a social satire by Benjamin Dickinson which he wrote with Micah Bloomberg, focusing on a hip young ad executive who presumably lives in the hip Williamsburg section of Brooklyn.\u00a0 This handsome fellow who goes by the name of David (Benjamin Dickinson, the writer-director) works for a sterile ad agency populated by equally young people.\u00a0 He has finally risen to the point in which he has some creative control over a product he is assigned to market, Augmenta, a pair of glasses that the user puts on and which allows him not only to email (the emails do not require a monitor to read but appear simply in space) but, more important and far more amazing, the user can create avatars. These are embodiments of persons, so that\u2014getting back to the restaurant analogy–even a lone diner can go beyond talking to a friend on an iPhone, beyond texting scores of his friends, but can actually create the full likeness of the person he would like to sit with him.\u00a0 One may never have to be alone again.<\/p>\n

Do you see anything wrong with this?\u00a0 I suspect that writers Dickinson and Bloomberg are concerned that we will become more attached to avatars than to the real human beings, particularly since the wearer of these Augmenta glasses can fashion individuals exactly to their liking.\u00a0 Who needs to put up with conflicts from unpredictable others?<\/p>\n

To get this point across, this film, employing the talent of cinematographer Adam Newport-Berra who photographs in black and white while using spare color when honing in on an avatar, is a slick production with superb digital effects demonstrating David\u2019s downward spiral just as he has been given creative control.\u00a0 Envious of the agency\u2019s womanizing photographer, Wim (Dan Gill), attracted to Wim\u2019s girlfriend Sophie (Alexia Rasmussen) who works in the agency, David has his own relationship with Juliette (Nora Zehetner), an attractive yoga instructor. David\u2019s polar opposite is a woman whose profession involves helping people relax.\u00a0 David, however, has become so stressed out that he pops pills regularly and downs Scotch to such an extent that he forsakes human connection, retreating into his digital world.\u00a0 If you can\u2019t have Sophie, why not have sex with her avatar?<\/p>\n

\u201cCreative Control\u201d features Reggie Watts as a hirsute fellow who appears both in real life and in David\u2019s digital world, spouting ideas so quickly that we wonder how he could have known so much about the product.\u00a0 Though much literature and many movies deal with relationships gone sour, this movie is right up there in the 21st century, spoofing our increasing dependence on electronic technology that will remind you of Dave Eggers book \u201cThe Circle,\u201d which for my money is the most entertaining and prescient warning of the dangers of alternate realities.<\/p>\n

Rated R.\u00a0 97 minutes.\u00a0 \u00a9 Harvey Karten, Member, New York Film Critics Online<\/strong><\/p>\n

Story \u2013 B+<\/strong>
\nActing \u2013 B<\/strong>
\nTechnical \u2013 A-<\/strong>
\nOverall \u2013 B+<\/strong><\/p>\n

\"ccc\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

CREATIVE CONTROL Magnolia Pictures Reviewed by: Harvey Karten for Shockya d-based on Rotten Tomatoes Grade: B Director:\u00a0 Benjamin Dickinson Written by:\u00a0 Benjamin Dickinson, Micah Bloomberg Cast: Benjamin Dickinson, Nora Zehetner, Dan Gill, Alexia Rasmussen, Reggie Watts Screened at: Review, NYC, 1\/28\/16 Opens:\u00a0 March 11, 2016 Restaurants ideally are not simply places to fuel up but 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