{"id":160476,"date":"2016-06-10T21:05:46","date_gmt":"2016-06-11T04:05:46","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=160476"},"modified":"2016-06-09T20:46:57","modified_gmt":"2016-06-10T03:46:57","slug":"genius-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2016\/06\/10\/genius-movie-review\/","title":{"rendered":"Genius Movie Review"},"content":{"rendered":"

GENIUS<\/strong>
\nLionsgate\/ Roadside Attractions<\/strong>
\nReviewed by: Harvey Karten, Shockya<\/strong>
\nGrade: B<\/strong>
\nDirector:\u00a0 Michael Grandage<\/strong>
\nWritten by: John Logan, based on the book Max Perkins: Editor of Genius<\/strong>
\nCast: Colin Firth, Jude Law, Nicole Kidman, Laura Linney, Guy Pearce, Dominic West<\/strong>
\nScreened at: Review 1, NYC, 6\/1\/16<\/strong>
\nOpens: June 10, 2016<\/strong><\/p>\n

After you see this film, if you do not go right to Amazon and spend fourteen bucks for Look Homeward Angel (Thomas Wolfe\u2019s autobiographical novel about a young man\u2019s wanderlust and passion to leave his small town and tumultuous family life for a more intellectual experience), you either dozed off during part of \u201cGenius\u201d or have given over your reading hours to reading texts from your friends.\u00a0 You may feel more comfortable knocking out 140 characters on Twitter but then, there are some folks out there who are perfectly able and desirous of burying themselves in hundreds or pages from a great author.\u00a0 We learn that the first draft of Angel took up one thousand pages before a celebrity editor redlined a good deal of the verbiage.\u00a0 Remember also that the novel was written in 1929 on one of those ancient machines that they called typewriters, though Wolfe himself was fond as well of using a pencil.<\/p>\n

Grant that Michael Grandage\u2019s \u201cGenius\u201d is not a masterwork like Angel or Wolfe\u2019s other famous tome Of Time and the River (the author\u2019s move from North Carolina to Harvard, New York and Europe), and You Can\u2019t Go Home Again (a portrait of America and Europe from the Great Depression to the eve of World War 2). Still you\u2019ve got to admire director Grandage\u2019s\u00a0 talent and John Logan\u2019s adaptation of A. Scott Berg\u2019s Max Perkins: Editor of Genius.\u00a0 They make a basically literary story into a coherent, visual, cinematic thread.\u00a0 Grandage, mostly an actor in TV series and here making his debut as director, handles what is largely a two-hander with strong accompaniment from families, including an array of fedora-wearing extras in the New York of 1929.\u00a0 Think \u201cStreets of New York\u201d without the criminals (unless you have no sympathy for the crowds downing bourbons during Prohibition).<\/p>\n

First-time writers have difficulty getting editors to green-light their novels.\u00a0 Arianna Huffington suffered through thirty-seven rejections before she became famous, and John Grisham was shut out quite a few times until editors with more prescience than most of their profession took risks in getting them started.\u00a0 So it was with Max Perkins (Colin Firth), sitting in his unassuming room at Scribner\u2019s in New York.\u00a0 While his job may have been at stake had he bankrolled an unknown, he was the first in his vocation to see greatness in the Look Homeward Angel.\u00a0 Nor was he overly surprised when the author, Jude Law (Thomas Wolfe), showed up in his office.\u00a0 Many writers are doubtless introverts, but Wolfe was anything but that.\u00a0 He would burst into every scene, whether at Scribner\u2019s or at Perkins\u2019 suburban home, flaying his arms about, speaking loudly and enthusiastically.\u00a0 We might wonder whether he ever got some sleep, between the long hours writing and an extroversion so intense that people both in his presence and nowadays in the movie audience either could not take the stentorian voice or reveled in Wolfe\u2019s apparent lust for life.<\/p>\n

Perkins was so enthusiastic about Wolfe that he frequently invited him to his home, where his family, a brood of daughters headed by Perkins\u2019 wife Louise Saunders (Laura Linney), and later Wolfe\u2019s melodramatic patron Aline Bernstein (Nicole Kidman) frequently note their frustration with the all-encompassing, buddy-buddy relationship of the two men.\u00a0 As Saunders, Linney\u2019s personality is too modulated to show the depths of her despair, but Bernstein would show such rage that in one scene she pulls out a gun on Perkins, calculating whether she should kill this editor, or Wolfe, or herself.<\/p>\n

For his part, Firth never moved his fedora from his head except in a dramatic conclusion whether in his office, on a train or in his own house.\u00a0 He could be a product placement for the Stetson diamond Jim gun club hat.\u00a0 Perkins, more of an introvert than Wolfe (who wouldn\u2019t be?) is ill at ease in a Harlem speakeasy, grousing that he\u2019s not much for music except for \u201cFlow Gently Sweet Avon,\u201d while the larger-than-life author digs the sounds of clarinet and trumpet, getting up to kiss a trio of \u201cworking women.\u201d<\/p>\n

Virtually buried in this story are F. Scott Fitzgerald (Guy Pearce), who comes across as depressed as does his schizophrenic wife Zelda (Vanessa Kirby), and Ernest Hemingway (Dominic West) who appears to be the only normal, life-affirming character around.\u00a0 But they seem to show up as though in another movie.\u00a0 This one is all about Perkins and Wolfe.\u00a0 The desaturated color may put some people off, but the grays do illuminate the period nature of this piece.<\/p>\n

Critics are bound to argue that Jude Law will evoke from the audience a plea to shut up, but then, perhaps Law is simply reflecting Wolfe\u2019s actual character.\u00a0 Like Hemingway and Fitzgerald, Wolfe died before his time\u2014he was just 37 when done in by a \u201cmyriad of brain tumors\u201d and was buried in his native Asheville, North Carolina\u2014the place he could not wait to leave behind.\u00a0 His novels are no longer on many college syllabi of great American writers, but perhaps this movie will drum up some trade for one of the best writers of his generation<\/p>\n

Rated PG-13.\u00a0 104 minutes.\u00a0 \u00a9 Harvey Karten, Member, New York Film Critics Online<\/strong><\/p>\n

Story \u2013 B+<\/strong>
\nActing \u2013 B<\/strong>
\nTechnical \u2013B-<\/strong>
\nOverall – B<\/strong><\/p>\n

\"7X2A4831.cr2\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

GENIUS Lionsgate\/ Roadside Attractions Reviewed by: Harvey Karten, Shockya Grade: B Director:\u00a0 Michael Grandage Written by: John Logan, based on the book Max Perkins: Editor of Genius Cast: Colin Firth, Jude Law, Nicole Kidman, Laura Linney, Guy Pearce, Dominic West Screened at: Review 1, NYC, 6\/1\/16 Opens: June 10, 2016 After you see this film, 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