{"id":161418,"date":"2016-07-31T21:05:02","date_gmt":"2016-08-01T04:05:02","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=161418"},"modified":"2016-07-31T09:53:57","modified_gmt":"2016-07-31T16:53:57","slug":"the-tenth-man-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2016\/07\/31\/the-tenth-man-movie-review\/","title":{"rendered":"The Tenth Man Movie Review"},"content":{"rendered":"

THE TENTH MAN (El rey del Once)<\/strong><\/p>\n

Kino Lorber <\/strong>
\nReviewed by: Harvey Karten, Shockya<\/strong>
\nGrade: C<\/strong>
\nDirector:\u00a0 Daniel Burman<\/strong>
\nWritten by: Daniel Burman<\/strong>
\nCast: Alan Sabbagh, Julieta Zylberberg, Usher Barilka, Elvira Onetto, Andr\u00edan Stoppelman<\/strong>
\nScreened at: Review 2, NYC, 7\/19\/16<\/strong>
\nOpens: August 5, 2016<\/strong><\/p>\n

There is evidence that writer-director Daniel Burman, who is of Polish-Jewish descent and was born and raised in Buenos Aires, believes that secular Jews are \u201clost\u201d but can be \u201csaved\u201d if they return to the fold of orthodoxy.\u00a0 His movies lend comparison to Woody Allen\u2019s, who is one of Burman\u2019s heroes, though he denies much stylistic connection to the great American director. Still, \u201cThe Tenth Man\u201d could, by a stretch, be called Woody-like, but not in quality.\u00a0 It lacks drama, it\u2019s filmed monochromatically as though with a dirty lens, and despite being fiction, it adheres to a cinema verit\u00e9 look, i.e. documentary-like.<\/p>\n

If you dislike loud, high-concept films like \u201cJason Bourne\u201d and \u201cStar Trek,\u201d you will not necessarily go for \u201cThe Tenth Man,\u201d which could be called an entry to the opposite extreme.\u00a0 Audience members could not be faulted to think that Burman\u2019s cameraman, Daniel Ortega (no, not that one), used a hidden lens to capture the spirit of Buenos Aires\u2019 predominantly Jewish district known as Once, or the city\u2019s eleventh district.<\/p>\n

To further his possible view that secular Jews are \u201clost,\u201d Burman hones in on Ariel (Alan Sabbagh), about as unimpressive a middle-aged protag can be.\u00a0 Mostly bald and probably called by more diplomatic viewers and critics as \u201cpudgy,\u201d Sabbagh is quite \u201cheavy set,\u201d perhaps even obese, sloppily dressed with a scruffy, barely-tamed beard.\u00a0 He lives as an economist in New York, has a girlfriend who is here only a phone voice, a woman given to her career as a dancer and therefore not marriage material for Ariel.\u00a0 Ariel\u2019s father, Usher (Usher Barilka\u2014the actor who had that name before the rock star took it), is a voice on the phone until he appears in the final minutes.\u00a0 He thinks his son is \u201clost\u201d as a secular man in New York and persuades him to return to Buenos Aires to help out in a foundation that provides pharmaceuticals, meat and clothing to poor Jews.\u00a0 As his father must have wished, he is attracted to a fellow worker, Eva (Julieta Zylberberg), an orthodox woman who cleanses herself regularly in the mikvah and who chooses to be mostly mute.<\/p>\n

Burman wants to show the circular nature of life with shots of Ariel as a boy eating sandwiches of caramel, which he indulges in as an adult in one scene.\u00a0 Much more important, Ariel repeats key events in his father\u2019s life.\u00a0 Usher was frequently called upon to be the tenth man, i.e. to provide the necessary minyan (quorum) without which Hebrew services cannot commence.\u00a0 As a result his dad was absent for Ariel\u2019s schoolboy events.\u00a0 Now, Ariel is called upon to be the tenth man in current services.\u00a0 He is prepared for the job by a joyous group of mostly old people who accept food from the foundation and complain when there is a severe shortage of kosher meat.\u00a0 They fix him up with the Tefillen (phylacteries which include parts of the Torah) as though they were giving him a bar mitzvah.\u00a0 They have him repeat the words of the baruchas (blessings).\u00a0 They sing Hebrew songs joyously, including Hava Nagilla.<\/p>\n

The movie is informative, Cliff Notes for non-Jews who might attend screenings from its August 5 opening day, though we suspect that this pic will appeal primarily to an older Jewish community.\u00a0 However, if I might plagiarize from the writings of theater critic John Simon, who became controversial largely because he judged actresses by their looks and panned those who were not beautiful, I\u2019d have to say that Alan Sabbagh is simply too unappealing in looks to warrant a lead role, even in an undramatic picture like this one.<\/p>\n

Unrated.\u00a0 82 minutes.\u00a0 \u00a9 Harvey Karten, Member, New York Film Critics Online<\/strong><\/p>\n

Story \u2013 C<\/strong>
\nActing \u2013 C+<\/strong>
\nTechnical \u2013 B-<\/strong>
\nOverall – C<\/strong><\/p>\n

\"tm\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

THE TENTH MAN (El rey del Once) Kino Lorber Reviewed by: Harvey Karten, Shockya Grade: C Director:\u00a0 Daniel Burman Written by: Daniel Burman Cast: Alan Sabbagh, Julieta Zylberberg, Usher Barilka, Elvira Onetto, Andr\u00edan Stoppelman Screened at: Review 2, NYC, 7\/19\/16 Opens: August 5, 2016 There is evidence that writer-director Daniel Burman, who is of Polish-Jewish 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