{"id":162287,"date":"2016-09-03T12:00:12","date_gmt":"2016-09-03T19:00:12","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=162287"},"modified":"2016-09-03T09:47:35","modified_gmt":"2016-09-03T16:47:35","slug":"frantz-movie-review-venice-film-festival-2016","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2016\/09\/03\/frantz-movie-review-venice-film-festival-2016\/","title":{"rendered":"Frantz Movie Review (Venice Film Festival 2016)"},"content":{"rendered":"<p><b>Title: Frantz<\/b><\/p>\n<p><b>Director: Fran\u00e7ois Ozon<\/b><\/p>\n<p><b>Starring: Paula Beer, Pierre Niney, Ernst St\u00f6tzner, Marie Gruber,<\/b> <b>Johann Von B\u00fclow, Anton Von Lucke.<\/b><\/p>\n<p>Fran\u00e7ois Ozon\u2019s \u2018Frantz\u2019 will take you by surprise. It is far from banal. The relationships that are established throughout the story are nuanced with the complications, the regrets and the unrequitedness of reality.<\/p>\n<p>The story is set in a small German town after World War I, where Anna (Paula Beer) mourns daily at the grave of her fianc\u00e9 Frantz (Anton Von Lucke), killed in battle in France. One day a young Frenchman, Adrien (Pierre Niney), also lays flowers at the grave. His presence so soon after the German defeat ignites passions.<\/p>\n<p>The main theme of the movie is the way we deal with lies, that was rooted in a play written by Maurice Rostand, right after World War I, and was adapted for the silver screen in 1931 by Ernst Lubitsch under the title \u2018Broken Lullaby.\u2019<\/p>\n<p>In the play and the Lubitsch film, the lie is never revealed to Frantz\u2019s parents and the Frenchman is accepted into the family. He takes the place of the dead son, plays violin for them, and the ending is a happy one. In Ozon\u2019s film we get to follow the perspective of Anna, the way she accepts Adrien\u2019s lie after a long personal journey, and becomes unexpectedly attached to the French young man.<\/p>\n<p>The sentimental education of this young woman is a true cinematic Bildungsroman. Anna has grieved for a lost love and an imaginary love, as the film traverses many themes. Grief and ambiguity intertwine around this absent presence. This dead man, almost like the Hitchcockian \u201cfirst wife\u201d Rebecca, influences the lives of his loved ones more then he ever did when he was alive.<\/p>\n<p>This is epitomised with Ozon\u2019s playful visual depiction. The black and white flick turns to colors when the characters can detach themselves from the phantom of \u2018Frantz.\u2019 Colour thusly becomes a dramatic element in flashbacks and certain scenes of lying or happiness, to suggest life bleeding back into this gray period of mourning. Just like all of Ozon\u2019s characters, also the ones in this First World War setting find escape in the arts, give the Stockholm Syndrome a peace of mind connotation.<\/p>\n<p><b>Technical: A<\/b><\/p>\n<p><b>Acting: A<\/b><\/p>\n<p><b>Story: A<\/b><\/p>\n<p><b>Overall: A<\/b><\/p>\n<p><b>Written by: Chiara Spagnoli Gabardi<\/b><\/p>\n<p><a href=\"http:\/\/www.shockya.com\/news\/wp-content\/uploads\/Frantz-Movie-Review-Venice-Film-Festival-2016.jpg\"><img decoding=\"async\" src=\"http:\/\/www.shockya.com\/news\/wp-content\/uploads\/Frantz-Movie-Review-Venice-Film-Festival-2016.jpg\" alt=\"Frantz Movie Review (Venice Film Festival 2016)\" width=\"600\" class=\"alignnone size-full wp-image-162311\" srcset=\"https:\/\/www.shockya.com\/news\/wp-content\/uploads\/Frantz-Movie-Review-Venice-Film-Festival-2016.jpg 670w, https:\/\/www.shockya.com\/news\/wp-content\/uploads\/Frantz-Movie-Review-Venice-Film-Festival-2016-300x168.jpg 300w\" sizes=\"(max-width: 670px) 100vw, 670px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Title: Frantz Director: Fran\u00e7ois Ozon Starring: Paula Beer, Pierre Niney, Ernst St\u00f6tzner, Marie Gruber, Johann Von B\u00fclow, Anton Von Lucke. Fran\u00e7ois Ozon\u2019s \u2018Frantz\u2019 will take you by surprise. It is far from banal. The relationships that are established throughout the story are nuanced with the complications, the regrets and the unrequitedness of reality. The story [&hellip;]<\/p>\n","protected":false},"author":53,"featured_media":162311,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,4],"tags":[],"class_list":["post-162287","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews"],"apple_news_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Frantz Movie Review (Venice Film Festival 2016)<\/title>\n<meta name=\"description\" content=\"Title: Frantz Director: Fran\u00e7ois Ozon Starring: Paula Beer, Pierre Niney, Ernst St\u00f6tzner, Marie Gruber, Johann Von B\u00fclow, Anton Von Lucke. 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She studied in a British school in Milan, graduated in Political Sciences, got her Masters in screenwriting and film production and studied at the Lee Strasberg Theatre and Film Institute in New York and Los Angeles. Chiara\u2019s \u201cMaterial Puns\u201d use wordplay to weld the title of the painting with the materials placed on canvas, through an ironic reinterpretation of Pop-Art, Dadaism and Ready Made. She exhibited her artwork in Milan, Rome, Venice, London, Oxford, Paris and Manhattan. Chiara works as a reporter for online, print, radio and television and also as a film festival PR\/publicist. As a bi-lingual journalist (English and Italian), who is also fluent in French and Spanish, she is a member of the Foreign Press Association in New York, the Women Film Critics Circle in New York, the Italian Association of Journalists in Milan and the Federation of Film Critics of Europe and the Mediterranean. 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