{"id":166005,"date":"2017-02-28T07:19:17","date_gmt":"2017-02-28T14:19:17","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=166005"},"modified":"2017-02-28T07:19:17","modified_gmt":"2017-02-28T14:19:17","slug":"frantz-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2017\/02\/28\/frantz-movie-review\/","title":{"rendered":"Frantz Movie Review: The performances come across as utterly authentic"},"content":{"rendered":"

FRANTZ<\/strong>
\nMusic Box Films<\/strong>
\nReviewed by: Harvey Karten, Showbiz<\/strong>
\nGrade: A-<\/strong>
\nDirector:\u00a0 Fran\u00e7ois Ozon<\/strong>
\nWritten by: Fran\u00e7ois Ozon, Philippe Piazzo, inspired by Ernst Lubitsch\u2019s film \u201cBroken Lullaby\u201d<\/strong>
\nCast: Paula Beer, Pierre Niney, Ernst Stoetzner Marie Gruber<\/strong>
\nScreened at: Review 2, NYC, 2\/23\/17<\/strong>
\nOpens: March 15, 2017<\/strong><\/p>\n

Not surprisingly, war does something to both the people who are unlucky to be at the front and to those at home who may receive the worst news about their loved ones.\u00a0 Soldiers in Iraq and Afghanistan return bearing the diagnosis of post-traumatic stress disorder, or PTSD. Such is the case, perhaps, throughout history, though way back, they didn\u2019t have a name for the emotional ills.\u00a0 Some feel guilty about what they did in the war, others because their buddies were killed or seriously injured, still others return with serious disturbances based on their own experiences in a world that\u2019s as foreign to their psyches in vistas far removed from their homes.\u00a0 \u201cFrantz\u201d is about such a person, a fragile type as his mother called him, who returned from France at the end of The Great War in 1918 after being immersed in a world so different from his own as a member of a major French symphony orchestra.<\/p>\n

Equally significant is the war\u2019s effect on a German family, which had lost their only son in the trenches.\u00a0 \u201cFrantz,\u201d though the title character, barely makes a dent in this story which was inspired by Ernst Lubitsch\u2019s \u201cBroken Lullaby,\u201d in which the great Lionel Barrymore played a doctor who was the father of a hapless World War One victim.<\/p>\n

Were he alive, Lubitsch would feel that Ozon\u2019s treatment of the subject was as visceral as his own\u00a0 And no wonder.\u00a0 The French director, best remembered here, perhaps, by \u201cUnder the Sand,\u201d about the mental disintegration of a female professor when her husband goes missing at the beach, does an exquisite job with \u201cFrantz.\u201d\u00a0 He is most fortunate to work with a terrific ensemble, particularly Paula Beer as young Anna and Pierre Niney as Adrien.\u00a0 And he has the good luck to work with cinematographer Pascal Marti, whose lenses capture all the subtleties and reverses, with a final irony depicted in the last scene\u2019s referencing Edouard Manet\u2019s painting, \u201cLe Suicid\u00e9.\u201d<\/p>\n

Photographed in several locations of Germany, especially Saxony, and also picturesque French towns like Ballancourt-sur-Essonne and Haute-Vienne, \u201cFrantz\u201d takes us to the unhappy home of Anna (Paula Beer) and her foster parents Doktor Hoffmeister (Ernst St\u00f6tzner) and Magda Hoffmeister (Marie Gruber), in mourning for the loss in the war of their only son Frantz (Anton von Lucke\u2014who will show up in flashbacks).\u00a0 When young Anna sees a Frenchman, no less, putting flowers on her fianc\u00e9\u2019s grave, she is curious, and invites the young man into the Hoffmeister home.\u00a0 Coupled with\u00a0 mourning is the Doctor\u2019s hatred of anything French.\u00a0 He blames every Frenchman for the murder of their son and are not thrilled at the mysterious arrival of twenty-four-year-old Adrien (Pierre Niney).\u00a0 Adrien has something to get off his chest. He comforts the threesome with stories of his friendship in Paris with Frantz where, he relates, they took in the sights, particularly the Louvre where their favorite painting is Manet\u2019s \u201cLe Suicid\u00e9.\u201d.\u00a0 It takes just a little time for the father to shrug off his hatred of everything French in embracing his son\u2019s best friend, the two apparently separated during the war.<\/p>\n

As we watch the growing affection between the shy Frenchman and the pretty German woman, we can\u2019t help thinking that Adrien will take Frantz\u2019s place as her lover and husband.\u00a0 In fact the whole entente between the two serves as metaphor for the idea that hostilities leading to war are irrational and that an understanding and compromise could avert all such conflicts.\u00a0 (Note the U.S. alliance today with Germany and Japan and the increasing commerce and friendship between our country and Vietnam!)<\/p>\n

We could infer that Ozon and his co-writer Phillipe Piazzo are anti-war, perhaps even pacifists.\u00a0 Recall that films showing the absurdities of war and the embrace of pacifism began in force with Erich Maria Remarque\u2019s classic novel \u201cAll Quiet on the Western Front\u201d which was made into the classic 1930 film by Lewis Milestone.\u00a0 That theme continues right up to last year\u2019s \u201cHacksaw Ridge\u201d about a recruit\u2019s refusal even to take a rifle in his hands.<\/p>\n

The performances come across as utterly authentic, with Marie Gruber\u2019s delightful role as a matronly woman who will do anything to make her son\u2019s fianc\u00e9 happy and especially Paula Beer in the principal role of a teary woman who tells a persistent but much older suitor (Johann von B\u00fclow) that she does not want to forget Frantz.<\/p>\n

The film is in German and French, the two principals happily fluent in both, and was nominated for the C\u00e9sar Awards in eleven categories.\u00a0 Wise judgment, indeed.<\/p>\n

Rated PG-13.\u00a0 113 minutes.\u00a0 \u00a9 Harvey Karten, Member, New York Film Critics Online<\/strong>
\nComments, readers?\u00a0 Agree? Disagree? Why?<\/strong><\/p>\n

Story \u2013 A-<\/strong>
\nActing \u2013 A<\/strong>
\nTechnical \u2013 A-<\/strong>
\nOverall \u2013 A-<\/strong><\/p>\n

\"frantz\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

FRANTZ Music Box Films Reviewed by: Harvey Karten, Showbiz Grade: A- Director:\u00a0 Fran\u00e7ois Ozon Written by: Fran\u00e7ois Ozon, Philippe Piazzo, inspired by Ernst Lubitsch\u2019s film \u201cBroken Lullaby\u201d Cast: Paula Beer, Pierre Niney, Ernst Stoetzner Marie Gruber Screened at: Review 2, NYC, 2\/23\/17 Opens: March 15, 2017 Not surprisingly, war does something to both the people 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