{"id":166464,"date":"2017-03-17T06:23:23","date_gmt":"2017-03-17T13:23:23","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=166464"},"modified":"2017-03-22T10:13:44","modified_gmt":"2017-03-22T17:13:44","slug":"quiet-passion-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2017\/03\/17\/quiet-passion-movie-review\/","title":{"rendered":"A Quite Passion Movie Review"},"content":{"rendered":"

\"A<\/a><\/p>\n

If you were asked to name 19th century poets without thinking, which ones would come to mind?\u00a0 I would immediately answer Tennyson, Coleridge, Byron, Shelley, Keats, and the Bront\u00ebs.\u00a0 These are all British because, at least when I went to school, they were the ones most assigned in freshman English.\u00a0 Though the U.S. has had its share of writers of verse, in the 19th Century, the two Americans who are considered to have given birth to our own poetic heritage are Walt Whitman and Emily Dickinson.\u00a0 Both had lives that were interesting enough to elicit interest in memoirs.\u00a0 Now, Terence Davies, whose \u201cThe House of Mirth\u201d sixteen years ago depicts the life of a woman who risks losing a chance for happiness with the man she loves, takes on the life of Emily Dickinson\u2014who felt unrequited love for only one (married) man and thereby spent a reclusive life in the family home in Amherst, Massachusetts.<\/p>\n

Dickinson had the misfortune to see only a handful of her 1800 poems published, largely because of her unconventional style stressing quirky punctuation.\u00a0 In fact, I\u2019ll wager that the one poem that many of us can recall offhand goes \u201cBecause I could not stop for death\/He kindly stopped for me\/The carriage held but just ourselves\/and immortality.\u201d\u00a0 Ms. Dickinson was obsessed with the same concepts that many other poets embrace; principally illness, death and immortality.<\/p>\n

This is not to say that she entertained religious views about the afterlife.\u00a0 We see that particularly in \u201cA Quiet Passion,\u201d highlighting the poet\u2019s life from teen years to death at the age of fifty-six. As a young student (played by Emma Bell) at a Christian boarding school, she challenges the headmistress\u2019 certainties about God.\u00a0 Happily, her father, Edward Dickinson (Keith Carradine), encourages her daughter\u2019s independence within limitations later observed, going along with her wish to submit her poems for publication.<\/p>\n

The theme Davies most promotes encompasses a satiric look at the priggish morality of the times, giving us cause to recall our American History class lesson on the founding of our country by Puritans.\u00a0 Years later\u2014as Davies creatively illustrates the passage of time through a photographed instant aging of the family\u2014Emily (now played by Cynthia Nixon) pursues a kinship with her sister Lavinia (Jennifer Ehle), her brother Austin (Duncan Duff), and her high-spirited friend Vryling Buffam (Catherine Bailey).\u00a0 If we accept the broad outline of her life, Emily fell in love only once, with Reverend Charles Wadsworth (Eric Loren), whose wife Jane Locke Wadsworth (Simone Milsdouchter) affords us with the highest point of satire: when offered a drink, she refuses tea presumably on religious grounds, accepting a glass of cold water.<\/p>\n

The only scene of violence is one depicting the tens of thousands of dead in the American Civil War, at Gettysburg, Antietam, and Spotsylvania.\u00a0 If this were a longer movie, that would be the point that the audience would take an intermission.\u00a0 The only time that Emily truly raises her voice into a loud passion takes place when she discovers her married brother making whoopee with the married Mabel Loomis Todd (Noemie Schellens).\u00a0 One might wonder why a relative freethinker would go ballistic, considering that the two lovers were fully clothed in costumes that would have taken twenty minutes to shed.<\/p>\n

Davies has no problem with long takes, particularly with death.\u00a0 He shows us the demise of Emily and Lavinia\u2019s mother (Joanna Bacon), who is also named Emily, and a sensational depiction of the grand reaper\u2019s influence when the poet, shaking for several minutes in bed while surrounding by some family, passes on due in part to Bright\u2019s kidney disease.<\/p>\n

Whatever you think of this highbrow biopic, one thing is clear.\u00a0 Cynthia Nixon\u2019s name with be announced as a nominee by the Academy and by scores of awards groups including Golden Globes.\u00a0 In her one, all-encompassing serious performance, one that would be the envy of Meryl Streep, Ms. Nixon disappears into the mind and body of Emily Dickinson.\u00a0 Davies honors one of the two who gave birth to the great era of American poetry as few other writer-directors could, the film presumably yielding a renewed popularity in the works of the great writer whose life, however reclusive, is filled with the grand emotions of tragedy. Missing or passed through when Nixon recites some of the poetry off screen are those works that allude to death by crucifixion, drowning, hanging, suffocation, freezing, premature burial, shooting stabbing and guillotinage.\u00a0 Imagine what a psychotherapist could do with this evidence.<\/p>\n

Rated PG-13.\u00a0 126 minutes.\u00a0 \u00a9 Harvey Karten, Member, New York Film Critics Online<\/strong>
\nComments, readers?\u00a0 Agree? Disagree? Why?<\/strong><\/p>\n

A QUIET PASSION<\/strong>
\nMusic Box Films<\/strong>
\nReviewed by: Harvey Karten, Shockya<\/strong>
\nGrade: B+<\/strong>
\nDirector:\u00a0 Terence Davies<\/strong>
\nWritten by: Terence Davies<\/strong>
\nCast: Cynthia Nixon, Jennifer Ehle, Keith Carradine, Catherine Bailey, Jodhi May, Emma Bell, Duncan Duff, Noemie Schellens<\/strong>
\nScreened at: Review 2, NYC, 3\/16\/17<\/strong>
\nOpens: April 14, 2017<\/strong>
\nStory \u2013 B+<\/strong>
\nActing \u2013 A-<\/strong>
\nTechnical \u2013 A-<\/strong>
\nOverall \u2013 B+<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

If you were asked to name 19th century poets without thinking, which ones would come to mind?\u00a0 I would immediately answer Tennyson, Coleridge, Byron, Shelley, Keats, and the Bront\u00ebs.\u00a0 These are all British because, at least when I went to school, they were the ones most assigned in freshman English.\u00a0 Though the U.S. has had 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