{"id":177568,"date":"2018-12-17T20:44:34","date_gmt":"2018-12-18T03:44:34","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=177568"},"modified":"2018-12-20T06:49:58","modified_gmt":"2018-12-20T13:49:58","slug":"women-film-critics-circle-awards-2018s-best-movies","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2018\/12\/17\/women-film-critics-circle-awards-2018s-best-movies\/","title":{"rendered":"The Women Film Critics Circle Awards 2018’s Best Movies"},"content":{"rendered":"
\"WFCC<\/a>
(L-R): Actresses Rachel Weisz and Olivia Colman star in director Yorgos Lanthimos’ biopic, ‘The Favourite.’<\/figcaption><\/figure>\n

One of the most important and prominent agendas from 2017 that has continued into 2018 is the solidarity of women standing together to defend themselves, especially during the recent uprising against sexual misconduct. The The Me Too and Time’s Up movements have become especially prevalent in Hollywood, as actresses and female filmmakers continue to strive to protect their advancements and achievements in movies.<\/p>\n

The Women Film Critics Circle<\/a> (WFCC), the first national American association of women critics, supports the protection and accurate representation of women in media. The group has voted on the best representations of women in films released in 2018. It honored the strengths of such movies as ‘The Favourite’ and ‘Roma.’<\/p>\n

WFCC is an association of 75 women film critics and scholars from around the country and internationally, who are involved in print, radio, online and TV broadcast media. Launched in 2004, WFCC became the first women critics’ organization in the United States, in the belief that women’s perspectives and voices in film criticism need to be recognized fully. WFCC also prides itself on being the most culturally and racially diverse critics group in the country by far, and best reflecting the diversity of movie audiences.<\/p>\n

The complete list of winners and nominees honored by the WFCC in 2018 is listed below, with the winners marked in bold in each category:<\/p>\n

WFCC AWARDS 2018<\/strong><\/p>\n

BEST MOVIE ABOUT WOMEN<\/strong>
\n‘The Favourite’<\/strong>
\nRunner-up: ‘Roma’
\nOther Nominees: ‘Mary Shelley’ and ‘Widows’<\/p>\n

BEST MOVIE BY A WOMAN<\/strong>
\n‘Can You Ever Forgive Me?’<\/strong>
\nRunner-up: ‘Leave No Trace’
\nOther Nominees: ‘The Kindergarten Teacher’ and ‘You Were Never Really Here’<\/p>\n

BEST WOMAN STORYTELLER [Screenwriting Award]<\/strong>
\nAudrey Wells, ‘The Hate U Give’ (Awarded posthumously)<\/strong>
\nRunner-up: Debra Granik, ‘Leave No Trace’
\nOther Nominees: Sara Colangelo, ‘The Kindergarten Teacher’ and Tamara Jenkins, ‘Private Life’<\/p>\n

BEST ACTRESS<\/strong>
\nOlivia Colman, ‘The Favourite’<\/strong>
\nRunner-up: Toni Collette, ‘Hereditary’
\nOther Nominees: Viola Davis, ‘Widows’ and Maggie Gyllenhaal, ‘The Kindergarten Teacher’<\/p>\n

BEST ACTOR<\/strong>
\nEthan Hawke<\/a>, ‘First Reformed’<\/strong> (The performer enthusiastically gave the following reply when he was informed of being named Best Actor: “This is fantastic! What a great list…What an honor!”)
\nRunner-up: Viggo Mortensen, ‘Green Book’
\nOther Nominees: Ben Foster, ‘Leave No Trace’ and Hugo Weaving, ‘Black 47’<\/p>\n

BEST COMEDIC ACTRESS<\/strong>
\nOlivia Colman, ‘The Favourite’<\/strong>
\nRunner-up: Melissa McCarthy, ‘Can You Ever Forgive Me?’
\nOther Nominees: Helena Bonham Carter, ’55 Steps’ and Kathryn Hahn, ‘Private Life’<\/p>\n

BEST YOUNG ACTRESS<\/strong>
\nElsie Fisher, ‘Eighth Grade’<\/strong>
\nRunner-up: Thomasin McKenzie, ‘Leave No Trace’
\nOther Nominees: Elle Fanning, ‘Mary Shelley’ and Amandla Stenberg<\/a>, ‘The Hate U Give’<\/p>\n

BEST FOREIGN FILM BY OR ABOUT WOMEN<\/strong>
\n‘Roma’<\/strong>
\nRunner-up: ‘Capernaum’
\nOther Nominees: ‘Happy As Lazzaro’ and ‘Zama’<\/p>\n

BEST DOCUMENTARY BY OR ABOUT WOMEN<\/strong>
\n‘RBG’<\/strong>
\nRunner-Up: ‘Shirkers’
\nOther Nominees: ‘Say Her Name: The Life And Death of Sandra Bland’ and ‘Seeing Allred’<\/p>\n

WOMEN’S WORK\/BEST ENSEMBLE<\/strong>
\n‘Widows’<\/strong>
\nRunner-Up: ‘The Favourite’
\nOther Nominees: ’55 Steps’ and ‘Ocean’s Eight’<\/p>\n

SPECIAL MENTION AWARDS<\/strong><\/p>\n

COURAGE IN FILMMAKING<\/strong>
\nJennifer Fox, ‘The Tale’<\/strong>
\nRunner-Up: Haifaa Al-Mansour<\/a>, ‘Mary Shelley’
\nOther Nominees: Sara Colangelo, ‘The Kindergarten Teacher’ and Sandra Luckow, ‘That Way Madness Lies’<\/p>\n

COURAGE IN ACTING [Taking on unconventional roles that radically redefine the images of women on screen]<\/strong>
\nNicole Kidman, ‘Destroyer’<\/strong>
\nRunner-Up: Viola Davis, ‘Widows’
\nOther Nominees: Helena Bonham Carter, ’55 Steps’ and Melissa McCarthy, ‘Can You Ever Forgive Me?’<\/p>\n

*ADRIENNE SHELLY AWARD [For a film that most passionately opposes violence against women]<\/strong>
\n‘Say Her Name: The Life And Death Of Sandra Bland’<\/strong>
\nOther Nominees: ‘Call Her Ganda,’ ‘I Am Not a Witch’ and ‘On Her Shoulders’<\/p>\n

*JOSEPHINE BAKER AWARD [For best expressing the woman of color experience in America]<\/strong>
\n‘If Beale Street Could Talk’<\/strong>
\nOther Nominees: ‘Life And Nothing More,’ ‘The Hate U Give’ and ‘Widows’<\/p>\n

*KAREN MORLEY AWARD [For best exemplifying a woman’s place in history or society, and a courageous search for identity]<\/strong>
\n‘Roma’<\/strong>
\nOther Nominees: ’93 Queen,’ ‘On the Basis of Sex’ and ‘Woman Walks Ahead’<\/p>\n

*THE INVISIBLE WOMAN AWARD: [Performance by a woman whose exceptional impact on the film dramatically, socially or historically, has been ignored]<\/strong>
\nGlenn Close, ‘The Wife’<\/strong>
\nOther Nominees: Yalitza Aparicio, ‘Roma;’ Andrea Riseborough, ‘Nancy’ and The Women of ‘Widows’<\/p>\n

ACTING AND ACTIVISM<\/strong>
\nViola Davis<\/p>\n

LIFETIME ACHIEVEMENT<\/strong>
\nEllen Burstyn<\/p>\n

BEST SCREEN COUPLE<\/strong>
\n‘If Beale Street Could Talk’<\/strong>
\nOther Nominees: ‘A Star Is Born,’ ‘Crazy Rich Asians’ and ‘Disobedience’<\/p>\n

BEST FEMALE ACTION HEROES<\/strong>
\n‘Black Panther’<\/strong>
\nOther Nominees: ‘Adrift,’ ’55 Steps’ and ‘RBG’<\/p>\n

MOMMIE DEAREST WORST SCREEN MOM OF THE YEAR AWARD<\/strong>
\nJacki Weaver: ‘Widows’<\/strong>
\nOther Nominees: Krista Allen, ‘Party Mom;’ Toni Collette, ‘Hereditary’ and Nicole Kidman, ‘Destroyer’<\/p>\n

BEST EQUALITY OF THE SEXES<\/strong>
\n‘Black Panther’<\/strong>
\nOther Nominees: ‘Like Me,’ ‘On the Basis of Sex’ and ‘Widows’<\/p>\n

BEST ANIMATED FEMALES<\/strong>
\n‘Incredibles 2’<\/strong>
\nOther Nominees: ‘Liyana,’ ‘Mary and the Witch’s Flower’ and ‘Mirai No Mirai’<\/p>\n

BEST FAMILY FILM<\/strong>
\n‘Eighth Grade’<\/strong>
\nOther Nominees: ‘Incredibles 2,’ ‘Science Fair’ and ‘The Hate U Give’<\/p>\n","protected":false},"excerpt":{"rendered":"

One of the most important and prominent agendas from 2017 that has continued into 2018 is the solidarity of women standing together to defend themselves, especially during the recent uprising against sexual misconduct. The The Me Too and Time’s Up movements have become especially prevalent in Hollywood, as actresses and female filmmakers continue to strive 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