{"id":178412,"date":"2019-04-14T00:01:41","date_gmt":"2019-04-14T07:01:41","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=178412"},"modified":"2019-04-11T07:45:07","modified_gmt":"2019-04-11T14:45:07","slug":"red-joan-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2019\/04\/14\/red-joan-movie-review\/","title":{"rendered":"Red Joan Movie Review"},"content":{"rendered":"

\"Red<\/a><\/p>\n

RED JOAN
\nIFC Films
\nReviewed for Shockya.com & BigAppleReviews.net with a Rotten Tomatoes link by: Harvey Karten
\nDirector: Trevor Nunn
\nScreenwriter: Lindsay Shapero based on Jennie Rooney\u2019s novel
\nCast: Judi Dench, Sophie Cookson, Stephen Campbell Moore, Tom Hughes, Ben Miles, Tereza Srbrova
\nScreened at: Digital Arts, NYC, 3\/13\/19
\nOpens: April 19, 2019<\/strong><\/p>\n

Tom Lehrer sang this ironic song in 1965 which goes in part\u2026<\/p>\n

First we got the bomb and that was good,
\n‘Cause we love peace and motherhood.
\nThen Russia got the bomb, but that’s O.K.,
\n‘Cause the balance of power’s maintained that way!<\/p>\n

The idea that it\u2019s fine with us in the West that Russia got the bomb becomes literally true in Trevor Nunn\u2019s film \u201cRed Joan.” The title character, Joan Stanley (Judi Dench), who is the fictional stand-in for the actual civil servant Melita Norwood, confesses after her arrest in 2000 that she was always a good British citizen though she handed nuclear secrets to Stalin. How so? Disgusted that the U.S. dropped bombs on Hiroshima and Nagasaki, she believed that the best way to avoid future nuclear holocausts is to make sure that the two super powers would live together in relative peace. And they would live together in relative peace knowing that it would be self-destructive to drop atomic weapons on each other. And maybe she had a point since, mirabile dictu, throughout the Cold War, neither the U.S. nor the Soviet Union dared to attack each other head-on. <\/p>\n

Most of \u201cRed Joan\u201d finds the great Judi Dench in the background, brought back to the limelight now and then but spending most of the story illustrating the way that her youthful self (Sophie Cookson) is recruited by the KGB to transmit nuclear secrets from the labs of Great Britain into the hands of the Soviets. The story involves considerable romantic interludes, first between Joan and Leo Galich (Tom Hughes), a communist firebrand who in a rousing speech notes that as a Jew, he made the mistake of leaving the Soviet Union and going to Germany. Aware of Hitler\u2019s atrocities, he is orating full speed in favor of the Russians. During his affair with Joan Stanley, the latter awed of her new boyfriend\u2019s ability to agitate a crowd, we in the movie audience wonder to what extent he is really in love with Joan and to what extent he is simply using her to transmit documents from her job in a physics lab to Britain\u2019s ally, the Soviet Union.<\/p>\n

Still a virgin in 1938, Joan is befriended by Sonia (Tereza Srbova), like Leo a KGB agent, who encourages Joan to pursue her romance with Sonia\u2019s cousin Leo. In that lab, she is an assistant to professor Max Davis (Stephen Campbell Moore) and becomes his lover though he is married to a woman who refuses to give him a divorce. The movie\u2019s opening in the year 2000 finds Joan arrested by MI5, Britain\u2019s CIA equivalent, defended by her lawyer son Nick (Ben Miles). Though a lawyer\u2019s job is to defend clients, Joan\u2019s own son is furious: \u201cHow could you do this?\u201d he insists, while reluctantly taking on her case.<\/p>\n

\u201cRed Joan\u201d as a spy story is more in line with the brainy types of heroes and villains you\u2019d find in John Le Carre\u2019s novels, books like \u201cTinker Tailor Soldier Spy,\u201d \u201cA Legacy of Spies,\u201d and \u201cThe Guardian,\u201d weaving past and present. An example involves Peter Guillam, a disciple of George Smiley, now living out his retirement on the south coast of Brittany, then called to account by the British Secret Service about his role in the Cold War. There is nothing James Bond-ish in this film, much as we might secretly wish for explosions more damaging than those between Joan and her attorney son Nick. There is no need even to wonder about Judi Dench\u2019s performance. She is perhaps among greatest actress of her generation, and surprisingly, young Sophie Cookson rises to the occasion with a stunning, understated role as the idealistic 20-year-old who may not have thought of giving secrets to Stalin to provide a balance of power, but because she had become a dedicated communist under Leo\u2019s vivid encouragement.<\/p>\n

The king\u2019s English is spoken throughout, so no subtitles are needed for us Americans. Charlotte Walker\u2019s costumes are spot on as is Cristina Crisali\u2019s set design, both eliciting the vibes of the two time periods. Zac Nicholson films all in Cambridgeshire, England. This is a well-cast story, unshowy, that will lead to consider Joan\u2019s quote \u201cI was fighting for the living, I loved my country!\u201d and making up your mind about whether she believed this in spite of being a spy for the Soviet Union for some fifty years. Jennie Rooney\u2019s novel of the same name is available at Amazon for $14.38.<\/p>\n

101 minutes. \u00a9 2019 by Harvey Karten, Member, New York Film Critics Online<\/p>\n

Story – B
\nActing \u2013 B+
\nTechnical \u2013 B+
\nOverall \u2013 B<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

RED JOAN IFC Films Reviewed for Shockya.com & BigAppleReviews.net with a Rotten Tomatoes link by: Harvey Karten Director: Trevor Nunn Screenwriter: Lindsay Shapero based on Jennie Rooney\u2019s novel Cast: Judi Dench, Sophie Cookson, Stephen Campbell Moore, Tom Hughes, Ben Miles, Tereza Srbrova Screened at: Digital Arts, NYC, 3\/13\/19 Opens: April 19, 2019 Tom Lehrer sang […]<\/p>\n","protected":false},"author":37,"featured_media":178711,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"apple_news_api_created_at":"2019-04-14T07:01:49Z","apple_news_api_id":"93c5a070-e9dc-47ff-a486-6e811d231120","apple_news_api_modified_at":"2019-04-14T07:01:50Z","apple_news_api_revision":"AAAAAAAAAAD\/\/\/\/\/\/\/\/\/\/w==","apple_news_api_share_url":"https:\/\/apple.news\/Ak8WgcOncR_-khm6BHSMRIA","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"middle","apple_news_slug":"","apple_news_sections":["https:\/\/news-api.apple.com\/sections\/a256d957-d5f8-3bec-b93f-7f862cadbf92"],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,4],"tags":[20383,41648,31170,41649,16000,41647,40475],"class_list":["post-178412","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-cold-war","tag-kgs","tag-mi5","tag-nuclear-secrets","tag-physics","tag-red-joan","tag-spies"],"apple_news_notices":[],"yoast_head":"\nRed Joan Movie Review<\/title>\n<meta name=\"description\" content=\"The idea that it\u2019s fine with us in the West that Russia got the bomb becomes literally true in Trevor Nunn\u2019s film \u201cRed Joan." 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