{"id":178479,"date":"2019-04-21T00:01:39","date_gmt":"2019-04-21T07:01:39","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=178479"},"modified":"2019-04-19T06:54:32","modified_gmt":"2019-04-19T13:54:32","slug":"the-white-crow-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2019\/04\/21\/the-white-crow-movie-review\/","title":{"rendered":"The White Crow Movie"},"content":{"rendered":"<p><a href=\"http:\/\/www.shockya.com\/news\/wp-content\/uploads\/the-white-crow-movie.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.shockya.com\/news\/wp-content\/uploads\/the-white-crow-movie.jpg\" alt=\"the white crow movie\" width=\"1000\" height=\"563\" class=\"alignleft size-full wp-image-178827\" srcset=\"https:\/\/www.shockya.com\/news\/wp-content\/uploads\/the-white-crow-movie.jpg 1000w, https:\/\/www.shockya.com\/news\/wp-content\/uploads\/the-white-crow-movie-300x169.jpg 300w, https:\/\/www.shockya.com\/news\/wp-content\/uploads\/the-white-crow-movie-768x432.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/p>\n<p><strong>THE WHITE CROW<br \/>\nSony Pictures Classics<br \/>\nReviewed for Shockya.com &#038; BigAppleReviews.net by: Harvey Karten<br \/>\nDirector:  Ralph Fiennes<br \/>\nScreenwriter:  David Hare<br \/>\nCast: Oleg Ivenko, Adele Exarchopoulos, Ralph Fiennes, Raophel Peronnaz, Chulpan Khamatova, Sergie Polunin, Dalypso Valois<br \/>\nScreened at: SONY, NYC, 3\/20\/19<br \/>\nOpens: April 26, 2019<\/strong><\/p>\n<p>Rudolph Nureyev would likely be famous even if he remained with dance troupes in Moscow, but became an icon when he defected to France.  Why would anyone want to defect from Mother Russia?  Possibly the same reason people risked their lives in the bad old days, most notably when East Germans tried to flee to the West.  Communism, in the opinion of many, is an example of social engineering gone wrong. It asks people to conform to an economic way of life that is unnatural.  Therefore those governments who call themselves communist\u2014whether they follow orthodox Marxism or not\u2014have to keep control on its residents lest they evacuate en masse from this unnatural environment and make new homes in countries that simply do not need this kind of control.  <\/p>\n<p>But what of people who have done well in communist states like the former Soviet Union?  Creative people who have become well known, have been educated by the state, and whose vocations are subsidized by the government?  Think of Rudolph Nureyev, ascending to the potential of the Bolshoi Ballet, considered good enough to join a group going to Paris to dance as representatives of their proud state.  Why would he want to leave everything behind? Strangely enough, we simply do not know even while we are riveted by Ralph Fiennes\u2019 \u201cThe White Crow,\u201d flexing his directing muscles for the third time.  Sure.  Nureyev liked the glitter of Paris, as did his fellow dancers who looked at the Champs Elysees goo-goo eyed.  Maybe not all of them were too pleased when the bureaucrats assigned to keep an eye on the troupe gather all passports as they descend from the bus to spend a few days wowing the French.  What country in West would think of collecting passports, handing them back only as they are returning to Moscow from the airport?<\/p>\n<p>Then again, \u201cThe White Crow\u201d is entertaining enough so we go home not disappointed without the insight that drove us to watch this movie.  It\u2019s fragmented, going from Nureyev\u2019s birth on a train of the trans-Siberian railroad, and who was prepared from an early age for a career as a dancer.  We watch as he develops an ego, strong enough to refuse to be trained by a teacher who he thinks does not like him, then taking up with Alexander Ivanovich Pushkin (Ralph Fiennes).  The principal role is played by Oleg Ivenko, a Ukrainian dancer in his debut as an actor, a handsome fellow playing a man who rejects the communist view that the good of the state is paramount over the desires of the individual.<\/p>\n<p>In Paris Nureyev flirts with Clara Saint (Ad\u00e8le Exarchopoulos), who is on the rebound after the death of her boyfriend, a woman of some influence given her relationship with the son of Andr\u00e9 Malraux, who is France\u2019s minister of cultural affairs.  While he is staying out late enjoying the entertainments that Paris offers, he causes his handlers anxiety, suspecting that he could become a great embarrassment for the Soviet Union is he decides to defect.  He continues his training with Pushkin, played by director Ralph Fiennes with such meekness that we wonder how such a person could inspire a ballet troupe.  The poor man\u2019s wimpy personality appears to push Pushkin\u2019s wife Xenia (Chulpan Khamatova) into seducing Nureyev, though the bisexual performer nurses a craving for his roommate Yuri Soloview (Sergei Polunin).  <\/p>\n<p>Nureyev shows his temperament, not always held in check, when he feels patronized by a Russian waiter who may suspect that though he and Clara are dining together, the woman has class but the man is from peasant stock.  His connection with Clara, a meeting of opposites, could result from her pleasant surprise to be with a man whose style is direct rather than wishy-washy.  <\/p>\n<p>The film jumps from the Soviet Union to Paris, with regular intervals shown in desaturated colors of his life as a small boy, who even then demonstrates a passion for dancing.  I would have wished for more time spent on Nureyev\u2019s theater performances, as Oleg Ivenko demonstrates everything on stage from adagio to allegro, from grande jet\u00e9 to pirouette.  Still, the scene of greatest drama,  actual  edge-of-the-seat minutes that you can find on police dramas, occurs when at the airport on the final day in Paris he asks for asylum.  The KGB handlers, aware that this could happen, jump into the fray, fighting with the French airport police who with great patriotic fervor announce \u201cThis is France!\u201d  <\/p>\n<p>Flashbacks do not detract from the continuity of the story, in fact we\u2019re happy to see Maksimilian Grigoriyev depicting an enthusiastic Nureyev at the age of eight.  This is a movie with great charm, glorious dancing and high drama, concluding with our excitement to watch a man thumbing his nose, or rather extending the middle finger, to the duplicitous agents of the big, bad Soviet Union.<\/p>\n<p><strong>127 minutes.  \u00a9 2019 by Harvey Karten, Member, New York Film Critics Online<\/p>\n<p>Story \u2013 B+<br \/>\nActing \u2013 A-<br \/>\nTechnical \u2013 A-<br \/>\nOverall \u2013 B+<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>THE WHITE CROW Sony Pictures Classics Reviewed for Shockya.com &#038; BigAppleReviews.net by: Harvey Karten Director: Ralph Fiennes Screenwriter: David Hare Cast: Oleg Ivenko, Adele Exarchopoulos, Ralph Fiennes, Raophel Peronnaz, Chulpan Khamatova, Sergie Polunin, Dalypso Valois Screened at: SONY, NYC, 3\/20\/19 Opens: April 26, 2019 Rudolph Nureyev would likely be famous even if he remained with [&hellip;]<\/p>\n","protected":false},"author":37,"featured_media":178827,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"apple_news_api_created_at":"2019-04-21T07:01:43Z","apple_news_api_id":"d6f3a943-d044-48d0-9d05-bbdb0f0e231b","apple_news_api_modified_at":"2019-04-21T07:01:45Z","apple_news_api_revision":"AAAAAAAAAAD\/\/\/\/\/\/\/\/\/\/w==","apple_news_api_share_url":"https:\/\/apple.news\/A1vOpQ9BESNCdBbvbDw4jGw","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"middle","apple_news_slug":"","apple_news_sections":["https:\/\/news-api.apple.com\/sections\/a256d957-d5f8-3bec-b93f-7f862cadbf92"],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,4],"tags":[33004,2049,19926,38857,41667],"class_list":["post-178479","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-ballet","tag-dance","tag-repression","tag-soviet-union","tag-the-white-crow"],"apple_news_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The White Crow Movie<\/title>\n<meta name=\"description\" content=\"Rudolph Nureyev would likely be famous even if he remained with dance troupes in Moscow, but became an icon when he defected to France. 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