{"id":180678,"date":"2019-09-29T00:01:54","date_gmt":"2019-09-29T07:01:54","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=180678"},"modified":"2019-09-26T08:09:17","modified_gmt":"2019-09-26T15:09:17","slug":"pain-and-glory-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/","title":{"rendered":"Pain and Glory Review: We are treated to his basic themes of desire, passion, family and identity"},"content":{"rendered":"<p><a href=\"http:\/\/www.shockya.com\/news\/wp-content\/uploads\/Pain-and-Glory-Review.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.shockya.com\/news\/wp-content\/uploads\/Pain-and-Glory-Review.jpg\" alt=\"\" width=\"1000\" height=\"563\" class=\"alignleft size-full wp-image-180849\" srcset=\"https:\/\/www.shockya.com\/news\/wp-content\/uploads\/Pain-and-Glory-Review.jpg 1000w, https:\/\/www.shockya.com\/news\/wp-content\/uploads\/Pain-and-Glory-Review-300x169.jpg 300w, https:\/\/www.shockya.com\/news\/wp-content\/uploads\/Pain-and-Glory-Review-768x432.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/p>\n<p><strong>PAIN AND GLORY (Dolor y Gloria)<br \/>\nSony Pictures Classics<br \/>\nReviewed for Shockya.com &#038; BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten<br \/>\nDirector:  Pedro Almod\u00f3var<br \/>\nScreenwriter:  Pedro Almod\u00f3var<br \/>\nCast: Antonio Banderas, Asier Etxeandia, Leonardo Sbaraglia, Nora Navas, Julieta Serrano, C\u00e9sar Vicente, Asier Flores, Pen\u00e9lope Cruz, Cecilia Roth, Susi S\u00e1nchez, Ra\u00fal Ar\u00e9valo, Pedro Casablanc, Juli\u00e1n L\u00f3pez, Rosal\u00eda<br \/>\nScreened at: Sony, NYC, 9\/12\/19<br \/>\nOpens: October 4, 2019<\/strong><\/p>\n<p>Dedicated Almod\u00f3var fans may be disappointed with his latest venture, a thinly disguised biopic of his own life or, as the woman performing as his mother complains, afraid that auto-fiction will reveal too much.  The director is known for pictures as daring as the titles such as his dark comedy \u201cWoman on the Verge of a Nervous Breakdown\u201d (a woman seeks to discover the reason her lover left her); the romantic comedy \u201cTie Me Up! Tie Me Down!\u201d (a former mental patient kidnaps a porn star hoping to convince her to marry him); and the psychological thriller \u201cThe Skin I Live In\u201d (a plastic surgeon experiments on a skin he develops to withstand damage).  Now in his sixties Salvador (Antonio Banderas), standing in for Almod\u00f3var, is wracked by ailments; by migraines, tinnitus, back pain after spinal surgery, and near the conclusion a potential tumor causing him to choke on food and drink.  Aside from his physical pain, he feels isolated.  His health prevents him from making movies, work which keeps him going and which, when halted, leaves him feeling isolated (as he shows early on immersed in water) and depressed.  His life is not as interesting as his movies, but then again how could it be, considering that the director himself is A-list, one of the great living filmmakers of our time.<\/p>\n<p>Nonetheless Almod\u00f3var believes that a selective memoir could involve an audience. We see Salvador\u2019s life divided into three periods: the 1960s as a nine-year-old boy; the 1980s, which is given the least amount of celluloid, where he has had an affair with Federico (Leonardo Sbaraglia); and the current year when the suffering filmmaker depends on the care of his assistant Mercedes (Nora Navas).  The narrative is not chronological. The man in the current year lives in a large house, cabinet painted bright red, filled with paintings that made one of his visitors think he was in a museum.  Salvador frequently drifts off dreaming of what he may consider the idyllic time of his life, when though poor and living in a cave, he is excited by reading and gets his first sexual fantasy that is so strong that it knocks him off his feet.<\/p>\n<p>This early segment is the most interesting unless you have been going to a series of doctors yourself trying to get a diagnosis that nobody can give you, and you relate strongly to the pain that Salva feels.  The nine-year-old future filmmaker  (Asier Flores) living with his patient mother Jacinta (Pen\u00e9lope Cruz) in a cave\u2014not considered bad digs by the people of the village\u2014is obviously a prodigy, playing piano, lead singer in the church choir where comic touches feature a few boys with atrocious voices, and teaching an illiterate painter Eduardo (C\u00e9sar Vicente) to read.  When Eduardo washes himself, barely covered by a towel, Salva faints with the intensity of the feeling and, yes folks, your nine-year-old has sexual feelings as well.  His mother senses the attraction and hides a sensual painting that Eduardo does of her son.<\/p>\n<p>Two men capture Salvador\u2019s attention in the present years.  Federico, with whom Salva had a love affair in the eighties, visits the ailing filmmaker after decades of separation.  In an emotional scene they reminisce about those good years and part with a long kiss.  And Alberto (Asier Etxeandia), an actor who visits, having appeared in a Salvador\u2019s eighties picture and has not spoken with his director after being insulted by him thirty-two years back. He introduces Salvador to heroin\u2014which for the movie audience supplies the beauty of Salva\u2019s dreams of his childhood.  Having not acted in years and feeling as useless as Salvador, Alberto finds purpose in delivering a monologue on the stage, witnessed by Salvador\u2019s former lover Federico.<\/p>\n<p>Though this is arty theater, there is nothing difficult to follow in case you happen upon the film and as a lover of commercial movies may never have heard of Almod\u00f3var.  It approaching the stereotypical French style by being talky, and it\u2019s good talk, much delivered with hallucinatory images in Salvador\u2019s mind.  As in all of the director\u2019s films, we are treated to his basic themes of desire, passion, family and identity all against bright, colorful backgrounds.  If you\u2019re over 60, you have likely been exposed to the vicissitudes of life: the pain that tags along with the glory.  If a teen, you recall the desires of a young person often unfulfilled because of innocence. And parts of the film may reflect the melodrama that accompanies you during the most exciting, yet anxiety-producing moments.<\/p>\n<p><strong>113 minutes.  \u00a9 2019 by Harvey Karten, Member, New York Film Critics Online<\/p>\n<p>Story \u2013 B<br \/>\nActing \u2013 B+<br \/>\nTechnical \u2013 B+<br \/>\nOverall \u2013 B+<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>PAIN AND GLORY (Dolor y Gloria) Sony Pictures Classics Reviewed for Shockya.com &#038; BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten Director: Pedro Almod\u00f3var Screenwriter: Pedro Almod\u00f3var Cast: Antonio Banderas, Asier Etxeandia, Leonardo Sbaraglia, Nora Navas, Julieta Serrano, C\u00e9sar Vicente, Asier Flores, Pen\u00e9lope Cruz, Cecilia Roth, Susi S\u00e1nchez, Ra\u00fal Ar\u00e9valo, Pedro Casablanc, Juli\u00e1n L\u00f3pez, Rosal\u00eda [&hellip;]<\/p>\n","protected":false},"author":37,"featured_media":180849,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"apple_news_api_created_at":"2019-09-29T07:01:59Z","apple_news_api_id":"1649e3ba-9498-4fae-ac5b-fff06b7a8f71","apple_news_api_modified_at":"2019-09-29T07:02:01Z","apple_news_api_revision":"AAAAAAAAAAD\/\/\/\/\/\/\/\/\/\/w==","apple_news_api_share_url":"https:\/\/apple.news\/AFknjupSYT66sW__wa3qPcQ","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"middle","apple_news_slug":"","apple_news_sections":["https:\/\/news-api.apple.com\/sections\/a256d957-d5f8-3bec-b93f-7f862cadbf92"],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,4],"tags":[38292,23759,32863,42212],"class_list":["post-180678","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-almodovar","tag-directing","tag-filmmaking","tag-pain-and-glory"],"apple_news_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Pain and Glory Review: We are treated to his basic themes of desire, passion, family and identity<\/title>\n<meta name=\"description\" content=\"PAIN AND GLORY (Dolor y Gloria) Sony Pictures Classics Reviewed for Shockya.com &amp; BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pain and Glory Review: We are treated to his basic themes of desire, passion, family and identity\" \/>\n<meta property=\"og:description\" content=\"PAIN AND GLORY (Dolor y Gloria) Sony Pictures Classics Reviewed for Shockya.com &amp; BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/shockyafans\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-09-29T07:01:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.shockya.com\/news\/wp-content\/uploads\/Pain-and-Glory-Review.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"563\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Harvey Karten\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@shockya\" \/>\n<meta name=\"twitter:site\" content=\"@shockya\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Harvey Karten\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/\"},\"author\":{\"name\":\"Harvey Karten\",\"@id\":\"https:\/\/www.shockya.com\/news\/#\/schema\/person\/adab29824bcee478838b3ab787b8b2c1\"},\"headline\":\"Pain and Glory Review: We are treated to his basic themes of desire, passion, family and identity\",\"datePublished\":\"2019-09-29T07:01:54+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/\"},\"wordCount\":881,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.shockya.com\/news\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.shockya.com\/news\/wp-content\/uploads\/Pain-and-Glory-Review.jpg\",\"keywords\":[\"ALMODOVAR\",\"Directing\",\"FILMMAKING\",\"PAIN AND GLORY\"],\"articleSection\":[\"MOVIES\",\"REVIEWS\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/\",\"url\":\"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/\",\"name\":\"Pain and Glory Review: We are treated to his basic themes of desire, passion, family and identity\",\"isPartOf\":{\"@id\":\"https:\/\/www.shockya.com\/news\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.shockya.com\/news\/wp-content\/uploads\/Pain-and-Glory-Review.jpg\",\"datePublished\":\"2019-09-29T07:01:54+00:00\",\"description\":\"PAIN AND GLORY (Dolor y Gloria) Sony Pictures Classics Reviewed for Shockya.com & BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten\",\"breadcrumb\":{\"@id\":\"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/#primaryimage\",\"url\":\"https:\/\/www.shockya.com\/news\/wp-content\/uploads\/Pain-and-Glory-Review.jpg\",\"contentUrl\":\"https:\/\/www.shockya.com\/news\/wp-content\/uploads\/Pain-and-Glory-Review.jpg\",\"width\":1000,\"height\":563},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.shockya.com\/news\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Pain and Glory Review: We are treated to his basic themes of desire, passion, family and identity\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.shockya.com\/news\/#website\",\"url\":\"https:\/\/www.shockya.com\/news\/\",\"name\":\"\",\"description\":\"REAL TALK\",\"publisher\":{\"@id\":\"https:\/\/www.shockya.com\/news\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.shockya.com\/news\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.shockya.com\/news\/#organization\",\"name\":\"Anakando Media Group\",\"url\":\"https:\/\/www.shockya.com\/news\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.shockya.com\/news\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.shockya.com\/news\/wp-content\/uploads\/anakando.jpg\",\"contentUrl\":\"https:\/\/www.shockya.com\/news\/wp-content\/uploads\/anakando.jpg\",\"width\":237,\"height\":213,\"caption\":\"Anakando Media Group\"},\"image\":{\"@id\":\"https:\/\/www.shockya.com\/news\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/shockyafans\/\",\"https:\/\/x.com\/shockya\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.shockya.com\/news\/#\/schema\/person\/adab29824bcee478838b3ab787b8b2c1\",\"name\":\"Harvey Karten\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.shockya.com\/news\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/150b7a655ad17f4f4c5c894e7a40a9a2d2eb6053043823da27884e4357bee30e?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/150b7a655ad17f4f4c5c894e7a40a9a2d2eb6053043823da27884e4357bee30e?s=96&d=mm&r=g\",\"caption\":\"Harvey Karten\"},\"description\":\"Harvey Karten is the founder of the The New York Film Critics Online (NYFCO) an organization composed of Internet film critics based in New York City. The group meets once a year, in December, for voting on its annual NYFCO Awards.\",\"sameAs\":[\"http:\/\/NYFCO.net\"],\"url\":\"https:\/\/www.shockya.com\/news\/author\/hkarten\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Pain and Glory Review: We are treated to his basic themes of desire, passion, family and identity","description":"PAIN AND GLORY (Dolor y Gloria) Sony Pictures Classics Reviewed for Shockya.com & BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/","og_locale":"en_US","og_type":"article","og_title":"Pain and Glory Review: We are treated to his basic themes of desire, passion, family and identity","og_description":"PAIN AND GLORY (Dolor y Gloria) Sony Pictures Classics Reviewed for Shockya.com & BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten","og_url":"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/","article_publisher":"https:\/\/www.facebook.com\/shockyafans\/","article_published_time":"2019-09-29T07:01:54+00:00","og_image":[{"width":1000,"height":563,"url":"https:\/\/www.shockya.com\/news\/wp-content\/uploads\/Pain-and-Glory-Review.jpg","type":"image\/jpeg"}],"author":"Harvey Karten","twitter_card":"summary_large_image","twitter_creator":"@shockya","twitter_site":"@shockya","twitter_misc":{"Written by":"Harvey Karten","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/#article","isPartOf":{"@id":"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/"},"author":{"name":"Harvey Karten","@id":"https:\/\/www.shockya.com\/news\/#\/schema\/person\/adab29824bcee478838b3ab787b8b2c1"},"headline":"Pain and Glory Review: We are treated to his basic themes of desire, passion, family and identity","datePublished":"2019-09-29T07:01:54+00:00","mainEntityOfPage":{"@id":"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/"},"wordCount":881,"commentCount":0,"publisher":{"@id":"https:\/\/www.shockya.com\/news\/#organization"},"image":{"@id":"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/#primaryimage"},"thumbnailUrl":"https:\/\/www.shockya.com\/news\/wp-content\/uploads\/Pain-and-Glory-Review.jpg","keywords":["ALMODOVAR","Directing","FILMMAKING","PAIN AND GLORY"],"articleSection":["MOVIES","REVIEWS"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/","url":"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/","name":"Pain and Glory Review: We are treated to his basic themes of desire, passion, family and identity","isPartOf":{"@id":"https:\/\/www.shockya.com\/news\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/#primaryimage"},"image":{"@id":"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/#primaryimage"},"thumbnailUrl":"https:\/\/www.shockya.com\/news\/wp-content\/uploads\/Pain-and-Glory-Review.jpg","datePublished":"2019-09-29T07:01:54+00:00","description":"PAIN AND GLORY (Dolor y Gloria) Sony Pictures Classics Reviewed for Shockya.com & BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten","breadcrumb":{"@id":"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/#primaryimage","url":"https:\/\/www.shockya.com\/news\/wp-content\/uploads\/Pain-and-Glory-Review.jpg","contentUrl":"https:\/\/www.shockya.com\/news\/wp-content\/uploads\/Pain-and-Glory-Review.jpg","width":1000,"height":563},{"@type":"BreadcrumbList","@id":"https:\/\/www.shockya.com\/news\/2019\/09\/29\/pain-and-glory-movie-review\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.shockya.com\/news\/"},{"@type":"ListItem","position":2,"name":"Pain and Glory Review: We are treated to his basic themes of desire, passion, family and identity"}]},{"@type":"WebSite","@id":"https:\/\/www.shockya.com\/news\/#website","url":"https:\/\/www.shockya.com\/news\/","name":"","description":"REAL TALK","publisher":{"@id":"https:\/\/www.shockya.com\/news\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.shockya.com\/news\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.shockya.com\/news\/#organization","name":"Anakando Media Group","url":"https:\/\/www.shockya.com\/news\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.shockya.com\/news\/#\/schema\/logo\/image\/","url":"https:\/\/www.shockya.com\/news\/wp-content\/uploads\/anakando.jpg","contentUrl":"https:\/\/www.shockya.com\/news\/wp-content\/uploads\/anakando.jpg","width":237,"height":213,"caption":"Anakando Media Group"},"image":{"@id":"https:\/\/www.shockya.com\/news\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/shockyafans\/","https:\/\/x.com\/shockya"]},{"@type":"Person","@id":"https:\/\/www.shockya.com\/news\/#\/schema\/person\/adab29824bcee478838b3ab787b8b2c1","name":"Harvey Karten","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.shockya.com\/news\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/150b7a655ad17f4f4c5c894e7a40a9a2d2eb6053043823da27884e4357bee30e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/150b7a655ad17f4f4c5c894e7a40a9a2d2eb6053043823da27884e4357bee30e?s=96&d=mm&r=g","caption":"Harvey Karten"},"description":"Harvey Karten is the founder of the The New York Film Critics Online (NYFCO) an organization composed of Internet film critics based in New York City. The group meets once a year, in December, for voting on its annual NYFCO Awards.","sameAs":["http:\/\/NYFCO.net"],"url":"https:\/\/www.shockya.com\/news\/author\/hkarten\/"}]}},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.shockya.com\/news\/wp-content\/uploads\/Pain-and-Glory-Review.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pnMiA-L0a","distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"","distributor_original_site_url":"https:\/\/www.shockya.com\/news","push-errors":false,"_links":{"self":[{"href":"https:\/\/www.shockya.com\/news\/wp-json\/wp\/v2\/posts\/180678","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.shockya.com\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.shockya.com\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.shockya.com\/news\/wp-json\/wp\/v2\/users\/37"}],"replies":[{"embeddable":true,"href":"https:\/\/www.shockya.com\/news\/wp-json\/wp\/v2\/comments?post=180678"}],"version-history":[{"count":0,"href":"https:\/\/www.shockya.com\/news\/wp-json\/wp\/v2\/posts\/180678\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.shockya.com\/news\/wp-json\/wp\/v2\/media\/180849"}],"wp:attachment":[{"href":"https:\/\/www.shockya.com\/news\/wp-json\/wp\/v2\/media?parent=180678"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.shockya.com\/news\/wp-json\/wp\/v2\/categories?post=180678"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.shockya.com\/news\/wp-json\/wp\/v2\/tags?post=180678"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}