{"id":194205,"date":"2022-03-20T08:33:14","date_gmt":"2022-03-20T15:33:14","guid":{"rendered":"https:\/\/www.shockya.com\/news\/?p=194205"},"modified":"2022-03-20T08:33:14","modified_gmt":"2022-03-20T15:33:14","slug":"sxsw-2022-shadow-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2022\/03\/20\/sxsw-2022-shadow-movie-review\/","title":{"rendered":"SXSW 2022: Shadow Movie Review"},"content":{"rendered":"
\"\"<\/a>
Credit: Jeff Busby<\/figcaption><\/figure>\n

Shadow<\/p>\n

SXSW Film Festival Visions Section<\/p>\n

Reviewed for Shockya.com by Abe Friedtanzer<\/p>\n

Director: Bruce Gladwin<\/p>\n

Writer: Michael Chan, Mark Deans, Bruce Gladwin, Simon Laherty, Sarah Mainwaring, Scott Price, Sonia Teuben<\/p>\n

Cast: Mark Deans, Sarah Mainwaring, Scott Price, Simon Laherty, Belinda McClory, Breanna Deleo<\/p>\n

Screened at: SXSW Film Festival Online, LA, 3\/15\/22<\/p>\n

Opens: March 12th<\/sup>, 2022<\/p>\n

Experimental cinema invites audiences on a ride that likely won\u2019t be all that much like anything they have experienced before. It can be transformative and intriguing or unusual and alienating, and sometimes a combination of all of those. One of the best facets of unbounded genre is that it can give voice to a population that isn\u2019t often represented and tell a story that features its members prominently. Shadow<\/em> does exactly that, assembling a group of people with disabilities for an important conversation about artificial intelligence and their relationship with it.<\/p>\n

This film is based on the play The Shadow Whose Prey the Hunter Becomes<\/em>. It was created specifically for the screen rather than filmed while being performed on stage, and features a cast of mostly people with intellectual disabilities, using a program of paid internships to ensure representation both in front and behind the camera. During its short 56-minute runtime, the group of activists, led by Simon, Scott, and Sarah, look to the future and wonder about their place within it, how they will advocate for their community while struggling to agree on how to define themselves.<\/p>\n

This is certainly an interesting and innovative work, one that enables a talented set of actors to have prime roles in a drama that speaks specifically to their experience in the world. It does require some context, as watching the film without any knowledge of its intention or framing is highly disorienting. The presence of artificial intelligence and the way that it inserts itself into the narrative is also peculiar but prescient, since that uninvited takeover is highly relevant to the subject that this meeting is discussing.<\/p>\n

Shadow<\/em> plays with the expectations viewers may have of the roles that people take on, with its characters going to great lengths to explain their motivations and unpack others. The unfiltered nature of the conversation is highly enlightening, and shows the different ways in which the trio of leads interact with the world. Simon is headstrong and believes he knows best, while Scott is aware of his abilities but not eager to utilize them in this context. Sarah knows people tend to ignore her, and wants to be able to find her voice even with more domineering peers around her.<\/p>\n

The involvement of artificial intelligence is particularly thought-provoking since there are moments in which a screen starts to spell out the words that this film\u2019s characters are saying, something they note might be offensive given that it implies they can\u2019t be understood because of how their voices sound. Confronting societal expectations and perspectives in that way is fascinating, but it\u2019s also confusing and contradictory given that the film itself includes subtitles throughout to make sure that audiences don\u2019t miss a word that is being said by any of its participants.<\/p>\n

Shadow<\/em>, an Australian film, doesn\u2019t pretend to be anything it\u2019s not, classified in the Visions section of the SXSW Film Festival for its world premiere. Its genres are drama and experimental, and its tags are \u201chealth\/disability\/illness\u201d and \u201csocial justice.\u201d It is all of those things, and it is also quite individualistic in the way that it allows its actors to represent a piece of the experience of being someone with disabilities, even if that doesn\u2019t necessarily match the exact way they walk through the world. Giving this cast a voice and grappling with how those who don\u2019t fit neatly into a box will be categorized and accommodated in a technology-driven future is absolutely worthwhile, and it\u2019s hard to shake this very thought-provoking piece of experimental screen theater.<\/p>\n

56 minutes<\/strong><\/p>\n

Story \u2013 B<\/strong><\/p>\n

Acting \u2013 B+<\/strong><\/p>\n

Technical \u2013 B<\/strong><\/p>\n

Overall \u2013 B<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Shadow SXSW Film Festival Visions Section Reviewed for Shockya.com by Abe Friedtanzer Director: Bruce Gladwin Writer: Michael Chan, Mark Deans, Bruce Gladwin, Simon Laherty, Sarah Mainwaring, Scott Price, Sonia Teuben Cast: Mark Deans, Sarah Mainwaring, Scott Price, Simon Laherty, Belinda McClory, Breanna Deleo Screened at: SXSW Film Festival Online, LA, 3\/15\/22 Opens: March 12th, 2022 […]<\/p>\n","protected":false},"author":39,"featured_media":194224,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"apple_news_api_created_at":"2022-03-20T15:33:26Z","apple_news_api_id":"c968cbfe-2ce4-4b68-9eda-f1691732e3c2","apple_news_api_modified_at":"2022-03-20T15:33:27Z","apple_news_api_revision":"AAAAAAAAAAD\/\/\/\/\/\/\/\/\/\/w==","apple_news_api_share_url":"https:\/\/apple.news\/AyWjL_izkS2ie2vFpFzLjwg","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"middle","apple_news_slug":"","apple_news_sections":["https:\/\/news-api.apple.com\/sections\/a256d957-d5f8-3bec-b93f-7f862cadbf92"],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,4],"tags":[45538,45539,45531,45533,45532,45535,45536,30493,45537,45534,3735,45509],"class_list":["post-194205","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-belinda-mcclory","tag-breanna-deleo","tag-bruce-gladwin","tag-mark-deans","tag-michael-chan","tag-sarah-mainwaring","tag-scott-price","tag-shadow","tag-simon-laherty","tag-sonia-teuben","tag-sxsw","tag-sxsw-2022"],"apple_news_notices":[],"yoast_head":"\nSXSW 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