{"id":194967,"date":"2022-05-07T20:02:03","date_gmt":"2022-05-08T03:02:03","guid":{"rendered":"https:\/\/www.shockya.com\/news\/?p=194967"},"modified":"2022-05-07T20:02:03","modified_gmt":"2022-05-08T03:02:03","slug":"continue-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2022\/05\/07\/continue-movie-review\/","title":{"rendered":"Continue Movie Review"},"content":{"rendered":"

Title: Continue<\/strong><\/p>\n

Director: Nadine Crocker<\/strong><\/p>\n

Starring: Nadine Crocker, Shiloh Fernandez, Lio Tipton, Emily Deschanel, Dale Dickey, Kat Foster, Anthony Caravella<\/strong><\/p>\n

There\u2019s a highly persuasive, ever-present current of emotional honesty which underpins and anchors Continue<\/i>, a deeply felt indie drama about a young woman\u2019s struggles with crippling depression and suicidal ideation. Based on the real-life mental health difficulties of multi-hyphenate Nadine Crocker, the movie is a highly personal work which rather successfully melds DIY, low-budget, calling-card filmmaking with what might be deemed advocacy cinema.<\/p>\n

\"\"<\/a>
From left to right: Tio Tipton, writer-director-star Nadine Crocker, and Annapurna Sriram in the drama Continue<\/em><\/strong><\/figcaption><\/figure>\n

Continue<\/i>, fresh off a spotlight presentation at Cinequest 2022, opens with a trashed Dean (Crocker) in the middle of a terrible depressive episode, wherein she tries to take her own life. Her boyfriend Jackson (Anthony Caravella, also a producer and Crocker\u2019s real-life husband) finds her, and sends her off in an ambulance. After 40-plus stitches, Dean is placed in a protective care facility, where she meets and bonds with Bria (credited here onscreen as Analeigh Tipton, but as Tio Tipton in press materials), a young woman struggling with substance abuse issues. An emotionally charged visit with Dean\u2019s sister Bennett (Kat Foster) sheds further light on some of their shared mental health struggles, and dark family history.<\/p>\n

When she gets out of the institution (which also features a couple other recognizable faces, in the form of a nurse played by Dale Dickey, and a doctor portrayed by Emily Deschanel), Dean meets Trenton (a superb Shiloh Fernandez), a sensitive young man who at first blush seems good for her, and a grounding presence. The pair share a great deal in terms of tragic parental abandonment. Dean\u2019s mother died of a heroin overdose when she was five years old, and her dad committed suicide 10 years ago; Trenton\u2019s father died of lung cancer, and his mother chose a life with an abusive new partner over him, leading Trenton to cut her out of his life.<\/p>\n

For a while, Dean seems stable, and charting an upward path. But seeing her ex-beau Jackson is deeply triggering for Dean, particularly when he pulls no punches about the damaging aftereffects of their relationship, and Dean\u2019s inability to accept his attempts to help her. This leads to an immediate relapse, where a drunken Dean assaults Trenton, and smashes up a room in her home. The looming question, then, is what path forward Dean will chart, and whether it will include Trenton, Bria, or any other friends.<\/p>\n

Continue<\/i> bears just a couple marks of the stylistic overindulgence which mars a great many indie projects \u2014 most notably in an overly affected opening, which seems to suffer from the weight of a desperate passion to simply grab viewers and make them pay attention. But these and other small intemperances (a slightly padded running time of 115 minutes) can be fairly easily forgiven, given the connection of its maker to the material \u2014 especially when Continue<\/i> is otherwise grounded by a solid technical package which helps reinforce its strengths. Cinematographer Sy Turnbull locates a compelling and intimate visual palette, and editor Jing Han (notwithstanding a couple music video-influenced segments) establishes a nice rhythm between tenderness and immediacy, particularly in scenes with Dean and Trenton.<\/p>\n

Even though it\u2019s about young people, Continue<\/i> gives off a certain starting-out-in-the-evening vibe \u2014 of wearily realizing that the entire direction of one\u2019s life is adrift, and that almost all its choices, accumulated and individual, have been poisoned by pain and hurt, and wrongly made. (There\u2019s a nice sequence in which a character sings that, \u201crock bottom can be a beautiful place to start.\u201d)<\/p>\n

As writer, director, and star, Crocker (whose other credits include 2016\u2019s Cabin Fever<\/i> remake\/sequel) has a lot on her plate. But she attacks the scripted material with a full-tilt energy that is at times painful to watch (which is of course part of the point). Dean would be difficult to be close with in real life, but she\u2019s absorbing to watch because of how close to the surface her rawness is.<\/p>\n

The film has a strong sense of which details linger and matter \u2014 Dean recounting the feeling of wet carpet upon discovering her dad\u2019s body, for example \u2014 along with some smartly chosen moments of combustibility, like Dean exploding with anger at once again being called \u201cstrong.\u201d It\u2019s this type of keenly observed lived experience which helps separate and elevate Continue<\/i> from many movies which tread the same narrative terrain. This and the movie\u2019s unvarnished lack of vanity (put bluntly, its foregrounding of faces which have seen some shit) are the twin pillars upon which its grounded sense of v\u00e9rit\u00e9 rest.<\/p>\n

The list of movies addressing depression, mental health issues and drug abuse is a long and healthy one, many no doubt touchstones and points of reference for Crocker in the development of her screenplay. But Continue<\/i> is a film that, in addition to that, also looks in a substantive way at the partner(s) of an addict or mentally ill person. In that respect, it thematically recalls films like Smashed<\/i> and Blue Valentine<\/i>, The Souvenir<\/i> and When a Man Loves a Woman<\/i> \u2014 movies in which addiction and\/or self-destructive behavior are interwoven into the examination of a relationship which ultimately may or may not be right for the person most in the throes of their disease. That specific answer may not always be an easy one, but, as Continue<\/i>\u2019s title suggests, there is one certain way forward.<\/p>\n

Story: B-<\/strong><\/p>\n

Acting: B-<\/strong><\/p>\n

Technical: B-<\/strong><\/p>\n

Overall: B-<\/strong><\/p>\n

Written by: Brent Simon<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Title: Continue Director: Nadine Crocker Starring: Nadine Crocker, Shiloh Fernandez, Lio Tipton, Emily Deschanel, Dale Dickey, Kat Foster, Anthony Caravella There\u2019s a highly persuasive, ever-present current of emotional honesty which underpins and anchors Continue, a deeply felt indie drama about a young woman\u2019s struggles with crippling depression and suicidal ideation. Based on the real-life mental […]<\/p>\n","protected":false},"author":30,"featured_media":194969,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"apple_news_api_created_at":"2022-05-08T03:02:19Z","apple_news_api_id":"e274cfdc-4df6-4bb4-8379-fbbf337bea0b","apple_news_api_modified_at":"2022-05-08T03:02:19Z","apple_news_api_revision":"AAAAAAAAAAD\/\/\/\/\/\/\/\/\/\/w==","apple_news_api_share_url":"https:\/\/apple.news\/A4nTP3E32S7SDefu_M3vqCw","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"middle","apple_news_slug":"","apple_news_sections":["https:\/\/news-api.apple.com\/sections\/a256d957-d5f8-3bec-b93f-7f862cadbf92"],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,4],"tags":[25197,20041,45740,45644,45741,30172,15957,4895,1760,45746,16422,45738,12301,13235],"class_list":["post-194967","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-alcoholism","tag-analeigh-tipton","tag-anthony-caravella","tag-cinequest-2022","tag-continue","tag-dale-dickey","tag-depression","tag-emily-deschanel","tag-indie-film","tag-kat-foster","tag-mental-illness","tag-nadine-crocker","tag-shiloh-fernandez","tag-suicide"],"apple_news_notices":[],"yoast_head":"\nContinue 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