<\/strong><\/p>\n Directed By: Rob Epstein, Jeffrey Friedman<\/strong><\/p>\n <\/strong><\/p>\n Starring: James Franco, Jon Hamm, Mary-Lousie Parker, David Strathairn, Jeff Daniels, Treat Williams, Jeff Daniels, Bob Balaban, Alessandro Nivola<\/strong><\/p>\n \n Lacking an appreciation for poetry? No, I’m not talking about Shel Silverstein-type childhood favorites; I’m referring to the serious stuff, specifically, Allen Ginsberg’s work. If the answer is no, Howl<\/em> certainly isn’t for you. Not that a moviegoer must like the person, the event or the subject a factual film focuses on, but Howl<\/em> is so difficult to enjoy as it is that if you don’t find entertainment in slam poetry, the film is a guaranteed lost cause.<\/p>\n \n James Franco stars as Ginsberg, the author of the poem “Howl.” The poem is broken up into the three parts, the first of which Ginsberg developed using his own experiences as well as those of people he met during his younger years. In the second part, the poet introduces the reader to Moloch, a being used to represent capitalism. Part three is directed towards a man Ginsberg met during his stay at a psychiatric hospital, Carl Solomon.<\/p>\n \n Scattered through the material is a whole lot of 1950\u2019s no-nos, profanity and sex talk. This led to the prosecution of Lawrence Ferlinghetti (Andrew Rogers), the owner of City Lights Bookstore and the man who agreed to publish \u201cHowl.\u201d He was arrested and charged with selling obscene material. The proceedings were highly publicized and packed with literature experts on each side, but in the end, Ginsberg won out and the judge deemed his work acceptable.<\/p>\n \n Yes, the story of \u201cHowl\u201d and Ginsberg is monumental in the world of literature, but that doesn\u2019t mean it\u2019ll make a good movie. Actually, perhaps it would have, had writer-directors Rob Epstein and Jeffrey Friedman not turned it into some experimental tornado. Ginsberg\u2019s accomplishmentes must have gotten to their heads because like Ginsberg, Epstein and Friedman attempt to push the boundaries of filmmaking. However, unlike Ginsberg, their attempt fails miserably.<\/p>\n \n Howl<\/em>\u2019s poor quality has absolutely nothing to do with the cast. Franco makes for a fine lead throughout while Mary-Louise Parker, David Strathairn, Jeff Daniels and Jon Hamm do an adequate job in the courtroom scenes. Unfortunately, it\u2019s impossible to appreciate their work because the material they\u2019re working with is so poorly constructed.<\/p>\n \n Epstein and Friedman opted to go with five different points of view or tracks. First there\u2019s Franco reenacting Ginsberg\u2019s performance of the poem in 1955, then there\u2019s an odd representation of parts of the poem through animation as well the events of the trial during which parts of the poem were discussed. On top of that, we\u2019ve also got Franco as Ginsberg participating in a documentary-like interview and some black and white depictions of his past. Take all five items, mush them together and then attempt to lay the messy results out flat and that\u2019s Howl<\/em>.<\/p>\n \n Perhaps this format would have worked had the subject matter not been a particularly complex piece of work, one that opens college students and professors to hours worth of analyzing and discussion. There\u2019s way too much information to keep up with and when you aren\u2019t familiar with the poem itself, Franco\u2019s reading comes across as gibberish and then that bleeds into all of the other portions of the film. If you don\u2019t understand Franco\u2019s recitation, you\u2019re not going to get the animated portions nor fully understand the arguments in the trial. As for the 1955 reading, that might as well be in another language entirely.<\/p>\n \n
![\"Howl](\"http:\/\/www.shockya.com\/news\/wp-content\/uploads\/howl_poster.jpg\" "\\"HowlPoster\\"")
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