{"id":39009,"date":"2010-12-29T20:41:52","date_gmt":"2010-12-30T03:41:52","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=39009"},"modified":"2010-12-29T22:47:16","modified_gmt":"2010-12-30T05:47:16","slug":"the-kings-speech-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2010\/12\/29\/the-kings-speech-movie-review\/","title":{"rendered":"The King's Speech Movie Review"},"content":{"rendered":"

<\/p>\n

Title: The King’s Speech<\/strong><\/p>\n

<\/strong><\/p>\n

Directed By: Tom Hooper<\/strong><\/p>\n

<\/strong><\/p>\n

Starring: Colin Firth, Geoffrey Rush, Helena Bonham Carter, Michael Gambon, Guy Pearce, Timothy Spall<\/strong><\/p>\n

\n

When considering the basics of The King’s Speech<\/em>, there’s really nothing particularly alluring about it. It’s a period piece about a Duke with a stutter. Yes, that’s basically true, but there’s more to this film than can ever be conveyed in even the most detailed synopsis. The combination of spectacular performances and masterful direction turns this story into an all-consuming emotional experience.<\/p>\n

\n

Based on a true story, Colin Firth stars as Albert, the Duke of York. As the son of King George the V (Michael Gambon), Bertie (the nickname used by his family) is required to speak publicly quite frequently. The problem is, Bertie has a speech impediment; he stammers. He\u2019s seen a number of speech therapists, but nobody\u2019s been able to fix the issue or get a handle on the Duke\u2019s poor attitude. The only one able to quell is frustration is his wife Elizabeth (Helena Bonham Carter), who refuses to let him succumb to his stammer.<\/p>\n

\n

She finds an Australian speech therapist, Lionel Logue (Geoffrey Rush), whose treatment involves rather unusual methods and decides to put the Duke in his care. The men bump heads right from the start with their first meeting coming to an abrupt end when Bertie blows up and storms out of the room. However, Bertie slowly begins to open up to Lionel and just in time too, for his older brother\u2019s (Guy Pearce) antics will have the Duke in the royal spotlight much more and far sooner than he ever expected.<\/p>\n

\n

The King\u2019s Speech<\/em> rips your heart out right from the start. The Duke of York is frozen in front of a crowd at the closing ceremony of the 1925 British Empire Exhibition at Wembley Stadium; the words just won\u2019t come out. It\u2019s painful to see him so helpless. The moment becomes increasingly excruciating as the camera cuts to individuals eagerly awaiting his address and even more so when we catch a glimpse of his wife, clearly distraught herself.<\/p>\n

\n

From then on, even with Bertie\u2019s temper, it\u2019s impossible not to sympathize with him. Between the stellar character development and Firth\u2019s impeccable performance, the Duke is an endlessly fascinating individual. It\u2019s particularly remarkable how much he transforms during the film, going from the Duke of York to the King of England, and all the while we\u2019re still learning so much about his personality beyond the sheer series of events.<\/p>\n

\n

Everything in this film not only has a purpose, but a profound one. Even the simplistic issues like the Duke\u2019s displeasure with Lionel\u2019s choice to breach protocol and call him by his nickname rather than his royal title, bear an incredible amount of weight. In fact, that\u2019s the key to so many memorable moments in this film; their simple yet monumental.<\/p>\n

\n

While this is a film about speech, we aren\u2019t drowned in dialogue. We get an exceptionally minimalistic form of editing which suits the cinematographer Danny Cohen\u2019s camerawork wonderfully. Combined, these features allow us to linger on visually stimulating shots enhanced by just the speech that\u2019s necessary. Yes, there is a work-in-progress montage, but even that is handled at a rather slow pace and only filled with wildly amusing anecdotes from Bertie and Lionel\u2019s work together. Hooper knows how to generally hold an audience\u2019s interest and how to precisely attract the eye to particular portions of the frame and the mixture of those assets works wonders.<\/p>\n

\n

As notable as these technical elements are, they never overshadow the stars of the film, they only serve to enhance them. As fantastic as Firth is as the Duke, the performance that\u2019s downright incredible comes from Rush. It really is too bad Christian Bale will likely be in the running for the supporting actor Oscar this year because both he and Rush are so deserving of that statue. From Rush\u2019s very first scene, he emits such a warm and loving sensation, Lionel becomes an immediate source of comfort.<\/p>\n

\n

Even after noting all of these highlights, we\u2019ve yet to reach the best part of The King\u2019s Speech<\/em>, Bertie and Lionel\u2019s relationship. We trust Lionel and desperately want Bertie to do the same. This genuine hope makes the first portion of the film incredibly interesting and emotional. There\u2019s fun to be had, arguments erupt, dark secrets emerge and you\u2019ll feel the effects of them all. Even when the duo moves past the bonding stage, their connection continues to grow and enchant. Lionel is a well-meaning loose cannon. He\u2019s always out to help Bertie, but frequently disrespects the royal hierarchy in the process. On the other hand, as quick as Bertie can be to throw a temper tantrum, he\u2019s quite a predictable character. This clash of personalities keeps the tension high and also serves as fuel to Bertie\u2019s transformation, making that aspect of the story all the more profound.<\/p>\n

\n

There\u2019s no better way to wrap up this review than just stating the obvious; The King\u2019s Speech<\/em> deserves to be honored. Everything about it \u2013 the story, the performances, the visuals, the editing \u2013 is immensely moving. While The King\u2019s Speech<\/em> comes to an end at the dawn of England\u2019s entrance into World War II, King George VI and Lionel\u2019s relationship did not. The film\u2019s conclusion is quite satisfying thanks to a sequence of title cards, but there\u2019s a well-deserved desperation for more.<\/p>\n

\n

Technical: A<\/strong><\/p>\n

<\/strong><\/p>\n

Acting: A<\/strong><\/p>\n

<\/strong><\/p>\n

Story: A-<\/strong><\/p>\n

<\/strong><\/p>\n

Overall: A<\/strong><\/p>\n

<\/strong><\/p>\n

Perri Nemiroff<\/p>\n

\n

\n
\"The<\/a>
The King's Speech Poster<\/figcaption><\/figure>\n<\/div>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Title: The King’s Speech Directed By: Tom Hooper Starring: Colin Firth, Geoffrey Rush, Helena Bonham Carter, Michael Gambon, Guy Pearce, Timothy Spall When considering the basics of The King’s Speech, there’s really nothing particularly alluring about it. It’s a period piece about a Duke with a stutter. 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